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The Academy #1
The Engines of God
The first Priscilla Hutchins novel from Jack McDevitt, hailed by Stephen King as “the logical heir to Isaac Asimov and Arthur C. Clarke.” Humans call them the Monument-Makers. An unknown race, they left stunning alien statues on distant planets in the galaxy. Each relic is different. Each inscription defies translation. Yet all are heartbreakingly beautiful. And for planet Earth, on the brink of disaster, they may hold the only key to survival for the entire human race.
546 pages, Kindle Edition
First published October 1, 1994
506 people are currently reading
8619 people want to read
About the author
Jack McDevitt
185 books1,342 followersJack McDevitt is a former English teacher, naval officer, Philadelphia taxi driver, customs officer and motivational trainer. His work has been on the final ballot for the Nebula Awards for 12 of the past 13 years. His first novel, The Hercules Text, was published in the celebrated Ace Specials series and won the Philip K. Dick Special Award. In 1991, McDevitt won the first $10,000 UPC International Prize for his novella, "Ships in the Night." The Engines of God was a finalist for the Arthur C. Clarke Award, and his novella, "Time Travelers Never Die," was nominated for both the Hugo and the Nebula awards.
McDevitt lives in Georgia with his wife, Maureen, where he plays chess, reads mysteries and eats lunch regularly with his cronies.
McDevitt lives in Georgia with his wife, Maureen, where he plays chess, reads mysteries and eats lunch regularly with his cronies.
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Displaying 1 - 30 of 681 reviews
July 22, 2018
McDevitt’s first Priscilla Hutchins novel is a sturdy, nicely paced archeological mystery. Scattered throughout the galaxy are alien relics left behind by beings known only as the Monument Makers, and the secret of their origin may herald a terrifying future disaster for mankind.
Personal relationships are not McDevitt’s forte, as his clumsy handling of Priscilla’s romantic life can attest. Thankfully, the search for the Monument Makers is a fascinating one, and the outcome offers sufficient spectacle and satisfying answers.
Personal relationships are not McDevitt’s forte, as his clumsy handling of Priscilla’s romantic life can attest. Thankfully, the search for the Monument Makers is a fascinating one, and the outcome offers sufficient spectacle and satisfying answers.
September 24, 2017
This is a "hard science fiction" novel, with a well-defined plot and set of characters. The best thing this book has going for it, is its focus on archaeology, and the deciphering of clues from ancient alien artifacts. The entire story is a mystery, and even by the end of the book the puzzle is only partially solved. This, of course, allows the author to extend the story into sequels. So, this is the first book of The Academy series.
I especially enjoy science fiction books that contain unique, futuristic concepts. But there isn't much of that here. There is a giant space telescope, but there is only a hint as to its true purpose. There is faster-than-light space travel; but isn't that in many other novels? The only exceptional futuristic concept is the ... well, I am not going to add a spoiler here, but suffice it to say, we never learn what it really is all about.
The characters are pretty much one-dimensional, the dialog is not very interesting--almost humorless. If the archaeology had not been in the forefront of the story, the book would have lost all of its attraction. Will I continue to the second book in the series? I am not sure ...
I especially enjoy science fiction books that contain unique, futuristic concepts. But there isn't much of that here. There is a giant space telescope, but there is only a hint as to its true purpose. There is faster-than-light space travel; but isn't that in many other novels? The only exceptional futuristic concept is the ... well, I am not going to add a spoiler here, but suffice it to say, we never learn what it really is all about.
The characters are pretty much one-dimensional, the dialog is not very interesting--almost humorless. If the archaeology had not been in the forefront of the story, the book would have lost all of its attraction. Will I continue to the second book in the series? I am not sure ...
April 29, 2018
Xenoarchaeology. On a grand scale.
McDevitt really does a fantastic job with vast worldbuilding and mystery when it comes to dead alien races, exploration, and working through the questions.
I'm particularly fond of all the expeditions. None of them are nuts but quite plausible and dangerous and deadly. And not everyone comes back from them. The realism is very nice.
Fortunately, however, this and the plotting and the focus on discovery is usually good enough to carry the tale over the characters. The characters are interesting enough but some of the descriptions come off as either bland or not quite right. The heroic parts and the action sequences are spot-on, while the romantic bits... well, I'm not coming to these books for the romance. :)
Fortunately, there's no outright cringe-worthy stuff here. Just fascinating brainy adventure. I'm looking forward to future huge developments. I can see them on the far horizon. :) You know... like massive catastrophy for humanity. :)
McDevitt really does a fantastic job with vast worldbuilding and mystery when it comes to dead alien races, exploration, and working through the questions.
I'm particularly fond of all the expeditions. None of them are nuts but quite plausible and dangerous and deadly. And not everyone comes back from them. The realism is very nice.
Fortunately, however, this and the plotting and the focus on discovery is usually good enough to carry the tale over the characters. The characters are interesting enough but some of the descriptions come off as either bland or not quite right. The heroic parts and the action sequences are spot-on, while the romantic bits... well, I'm not coming to these books for the romance. :)
Fortunately, there's no outright cringe-worthy stuff here. Just fascinating brainy adventure. I'm looking forward to future huge developments. I can see them on the far horizon. :) You know... like massive catastrophy for humanity. :)
December 3, 2018
Archaeology in space! Archaeology in space!!!
Yup, that topic never fails to get me excited; in my very nerdy defence, that’s what I got my BA in, and while I ended up working in a completely different field, I never lost my enthusiasm for it. So if you tell me there’s a book about archaeologists in space, and you sprinkle some mystery about the lost alien civilization being studied, you check a lot of my “give this book to me now” boxes.
Set in the not-so-distant future (2202), “The Engines of God” opens with the kind of enigma nerds like me salivate all over: humanity has started to explore space, and has discovered, scattered around a few planets and moons, statues and monuments left behind by a now probably extinct alien species. While each of those structures is different, and inscribed with a unique form of language, they are all believed to be the product of the same civilization. An ongoing excavation of a huge temple complex on the planet Quraqua is jeopardized by a terraforming project seeking to melt that planet’s ice caps in order to irrigate it, so that humanity can eventually relocate there, Earth’s ecology having been damaged beyond repair. But what if the discoveries made by those archaeologists held the key to their species’ survival?
Like most hard science fiction novels, “The Engines of God” suffers from prose that’s on the dry side. The ideas are ambitious and wonderful, but you never get a true sense of atmosphere. I mean, the very idea of an abandoned alien temple complex should inspire so many feelings: awe, terror, fascination, ominousness… But the descriptions of the settings are so minimal that you never really build up those feelings, which is a shame. It must also be noted that people with zero prior knowledge of how weird and complicated archaeology is probably will scratch their heads a bit from time to time: if you have no idea what the Rosetta Stone is and why it was so crucial to Egyptologists, you will probably wonder why everyone is getting their panties in a twist about finding the alien version of that. I do love that McDevitt makes his xenoarchaeology very believable (to me, for what that’s worth): his way of adapting an existing science to this speculative future setting rings perfectly true, with the described methods, terminology and specialties modified just so. In archaeology, the process of artifact preservation is actually really rare, and McDevitt turns that into the very existence of civilization being a rare occurrence, dependent on so many variables that need to have perfect timing to allow cultures to develop – making the discoveries of the Monuments all that more remarkable and significant.
The characters are sadly but predictably underdeveloped. There’s also too many of them: I get that McDevitt wanted to make the team feel and sound realistic, and on a dig, there will be a ton of people, which does often result in a “too many cooks in the kitchen” situation. I’m happy to give him a thumbs up for realism, but from the uninitiated reader’s perspective, it can feel overwhelming. McDevitt wrote a bunch more Priscilla Hutchins books, so I can only hope she is more fleshed out as the series goes on, because in this one, I didn’t learn much about her character – besides the fact that she is feisty and that her mother is very disappointed she won’t settle down.
The topic of archaeological research (or any scientific research, really) being interrupted by big corporations who have a profit to make and shrug off science in the name of the almighty dollar is a topic that touches a nerve with me, so I got quite angry at the Kosmik folks and at the cavalier attitude towards the team working on Quraqua.
I always love finding little hints about when a sci-fi book was written embedded within the narrative: phones with screens (à la “Bladerunner”) and faxes (that actually work) totally give this book away as a product of the late 80’s, early 90’s. It’s pretty adorable, in a charmingly retro sort of way, kind of like Bradbury’s characters drinking malt milkshakes on Mars. I kept picturing the characters with the inadvisable, puffy hair-dos everyone sported back in those days.
Despite it’s flaws, I enjoyed “The Engines of God”. I will always be a sucker for archaeological mysteries and sci-fi, so I am ready to overlook clumsy treatments of silly romances if I have a good, brainy mystery to chew on. 3 and a half stars rounded up, and a great curiosity to see where McDevitt took this world and this character in the next book!
Yup, that topic never fails to get me excited; in my very nerdy defence, that’s what I got my BA in, and while I ended up working in a completely different field, I never lost my enthusiasm for it. So if you tell me there’s a book about archaeologists in space, and you sprinkle some mystery about the lost alien civilization being studied, you check a lot of my “give this book to me now” boxes.
Set in the not-so-distant future (2202), “The Engines of God” opens with the kind of enigma nerds like me salivate all over: humanity has started to explore space, and has discovered, scattered around a few planets and moons, statues and monuments left behind by a now probably extinct alien species. While each of those structures is different, and inscribed with a unique form of language, they are all believed to be the product of the same civilization. An ongoing excavation of a huge temple complex on the planet Quraqua is jeopardized by a terraforming project seeking to melt that planet’s ice caps in order to irrigate it, so that humanity can eventually relocate there, Earth’s ecology having been damaged beyond repair. But what if the discoveries made by those archaeologists held the key to their species’ survival?
Like most hard science fiction novels, “The Engines of God” suffers from prose that’s on the dry side. The ideas are ambitious and wonderful, but you never get a true sense of atmosphere. I mean, the very idea of an abandoned alien temple complex should inspire so many feelings: awe, terror, fascination, ominousness… But the descriptions of the settings are so minimal that you never really build up those feelings, which is a shame. It must also be noted that people with zero prior knowledge of how weird and complicated archaeology is probably will scratch their heads a bit from time to time: if you have no idea what the Rosetta Stone is and why it was so crucial to Egyptologists, you will probably wonder why everyone is getting their panties in a twist about finding the alien version of that. I do love that McDevitt makes his xenoarchaeology very believable (to me, for what that’s worth): his way of adapting an existing science to this speculative future setting rings perfectly true, with the described methods, terminology and specialties modified just so. In archaeology, the process of artifact preservation is actually really rare, and McDevitt turns that into the very existence of civilization being a rare occurrence, dependent on so many variables that need to have perfect timing to allow cultures to develop – making the discoveries of the Monuments all that more remarkable and significant.
The characters are sadly but predictably underdeveloped. There’s also too many of them: I get that McDevitt wanted to make the team feel and sound realistic, and on a dig, there will be a ton of people, which does often result in a “too many cooks in the kitchen” situation. I’m happy to give him a thumbs up for realism, but from the uninitiated reader’s perspective, it can feel overwhelming. McDevitt wrote a bunch more Priscilla Hutchins books, so I can only hope she is more fleshed out as the series goes on, because in this one, I didn’t learn much about her character – besides the fact that she is feisty and that her mother is very disappointed she won’t settle down.
The topic of archaeological research (or any scientific research, really) being interrupted by big corporations who have a profit to make and shrug off science in the name of the almighty dollar is a topic that touches a nerve with me, so I got quite angry at the Kosmik folks and at the cavalier attitude towards the team working on Quraqua.
I always love finding little hints about when a sci-fi book was written embedded within the narrative: phones with screens (à la “Bladerunner”) and faxes (that actually work) totally give this book away as a product of the late 80’s, early 90’s. It’s pretty adorable, in a charmingly retro sort of way, kind of like Bradbury’s characters drinking malt milkshakes on Mars. I kept picturing the characters with the inadvisable, puffy hair-dos everyone sported back in those days.
Despite it’s flaws, I enjoyed “The Engines of God”. I will always be a sucker for archaeological mysteries and sci-fi, so I am ready to overlook clumsy treatments of silly romances if I have a good, brainy mystery to chew on. 3 and a half stars rounded up, and a great curiosity to see where McDevitt took this world and this character in the next book!
March 1, 2009
Rating: 2.5 stars
Is there a requirement that a "hard" SF author can't write believable characters or dialog to save their life? Or, rather, considering the general level of education and IQ among that crowd, is it a conspiracy so that they can chortle over the nearly inevitable comment in any review of their books about the simplistic characters and amateurish dialog?
Well, no matter. I picked up a copy of The Engines of God at a library booksale for 50 cents so I can't complain too vociferously. I knew going in I'd probably be subjected to awful dialog and simplistic characters (sigh) but I'm a sucker for books like this that try to explain why our skies aren't overrun with happily self-replicating von Neumann machines (personally, I like Alistair Reynold's answer: there's a vast cosmic ecology full of predatory machine intelligences that keep each other in check, mostly).
The best I can say about this book is that it's reasonably enjoyable "mind candy."
Is there a requirement that a "hard" SF author can't write believable characters or dialog to save their life? Or, rather, considering the general level of education and IQ among that crowd, is it a conspiracy so that they can chortle over the nearly inevitable comment in any review of their books about the simplistic characters and amateurish dialog?
Well, no matter. I picked up a copy of The Engines of God at a library booksale for 50 cents so I can't complain too vociferously. I knew going in I'd probably be subjected to awful dialog and simplistic characters (sigh) but I'm a sucker for books like this that try to explain why our skies aren't overrun with happily self-replicating von Neumann machines (personally, I like Alistair Reynold's answer: there's a vast cosmic ecology full of predatory machine intelligences that keep each other in check, mostly).
The best I can say about this book is that it's reasonably enjoyable "mind candy."
November 14, 2011
I asked for recommendations for good sci fi and this was on the list. I can't say I agree.
Partly it's the setting - two hundred years in the future, but that odd sort of future which is just like 1995 with a couple of future-y things added. The telephones have video and there are faxes, but now they go faster than light. Are there really science-minded writers who think that the modern world is just like the early 19th century?
The lack of characterization is typical for science fiction, so I was willing to overlook it. The sheer stupidity of the characters, however .. Of course it's not their fault, the author made them do it.
As an example of what I mean, much of the third quarter of the book concerns our team of scientists being stranded in an uninhabited system. Their ship's main power source has failed and is gradually cooling. If a certain critical system is allowed to get too cold then the rest of the environmental controls shut down and the crew is doomed. The ship's pilot ponders this problem while she takes her morning hot shower. If only there were some source of heat!
Partly it's the setting - two hundred years in the future, but that odd sort of future which is just like 1995 with a couple of future-y things added. The telephones have video and there are faxes, but now they go faster than light. Are there really science-minded writers who think that the modern world is just like the early 19th century?
The lack of characterization is typical for science fiction, so I was willing to overlook it. The sheer stupidity of the characters, however .. Of course it's not their fault, the author made them do it.
As an example of what I mean, much of the third quarter of the book concerns our team of scientists being stranded in an uninhabited system. Their ship's main power source has failed and is gradually cooling. If a certain critical system is allowed to get too cold then the rest of the environmental controls shut down and the crew is doomed. The ship's pilot ponders this problem while she takes her morning hot shower. If only there were some source of heat!
November 6, 2020
This is very solid Indiana-Jones-style adventure in space with a group of women and men exploring ancient alien ruins.
What worked for me:
* the alien artifacts and underwater ruins
* the tech was well-researched and believable
* no sexist stereotypes
* the underlying mystery makes sense and is revealed very well
What didn't work so well for me:
* The group constantly has to deal with obstacles, accidents, and attacks, but those never come from any real adversary who wants to prevent them from discovering the truth, they feel more like random encounters in an RPG, mere distractions and hassles there to pad out the plot even though they have nothing to do with the plot. The book really would have benefited from an adversary with a plan working against our MCs (or from simply removing the random encounters and slimming the plot down to the actually interesting things).
* I never really connected emotionally to the characters and there was also a romance sub-plot I didn't care about at all. I'm not sure why, but since the people I buddy-read this with felt the same way, I thought I'd mention it. If you are a very character-focused reader who doesn't geek out about alien ruins and intergalactic mysteries, I think this book probably wouldn't work for you.
* There is a lot of the "professionals behaving very unprofessionally" trope that I always dislike in sci fi. So many accidents and even deaths could have easily been prevented if they'd just acted like careful professionals. On the other hand, when I look at the real world the same thing applies, so perhaps I have unrealistic expectations.
Overall, this was very solid entertainment with some cool ideas. I enjoyed A Talent For War (by the same author) more than this, but I'm open to reading more books in either series.
What worked for me:
* the alien artifacts and underwater ruins
* the tech was well-researched and believable
* no sexist stereotypes
* the underlying mystery makes sense and is revealed very well
What didn't work so well for me:
* The group constantly has to deal with obstacles, accidents, and attacks, but those never come from any real adversary who wants to prevent them from discovering the truth, they feel more like random encounters in an RPG, mere distractions and hassles there to pad out the plot even though they have nothing to do with the plot. The book really would have benefited from an adversary with a plan working against our MCs (or from simply removing the random encounters and slimming the plot down to the actually interesting things).
* I never really connected emotionally to the characters and there was also a romance sub-plot I didn't care about at all. I'm not sure why, but since the people I buddy-read this with felt the same way, I thought I'd mention it. If you are a very character-focused reader who doesn't geek out about alien ruins and intergalactic mysteries, I think this book probably wouldn't work for you.
* There is a lot of the "professionals behaving very unprofessionally" trope that I always dislike in sci fi. So many accidents and even deaths could have easily been prevented if they'd just acted like careful professionals. On the other hand, when I look at the real world the same thing applies, so perhaps I have unrealistic expectations.
Overall, this was very solid entertainment with some cool ideas. I enjoyed A Talent For War (by the same author) more than this, but I'm open to reading more books in either series.
December 22, 2025
3.5 Stars
This was a solid space opera. I love science fiction involving alien technology so I am easy to please. I didn't get as engrossed as I hoped but I still found this to be a comforting vintage read.
This was a solid space opera. I love science fiction involving alien technology so I am easy to please. I didn't get as engrossed as I hoped but I still found this to be a comforting vintage read.
November 1, 2015
Quite a cool book, and it's only just the beginning of a series I am excited to read. It's an interstellar archaeological mystery, but also a futuristic procedural novel following the working lives of archaeologists, scientists, and auxillary crewmembers. I love this kind of thing (see also Julie Czerneda's Species Imperative trilogy, which follows future biologists through their working lives).
The future McDevitt invents for humanity feels rather realistic, with tons of problems still existing on Earth, but there's nonetheless an overriding sense of optimism akin to Star Trek, which I appreciated a lot. The characters were all likeable, and became pretty memorable once the initial glut of people "on screen" got whittled down to the main players. I particularly liked the friendly(ish) rivalry between the main character Priscilla Hutchins, and the fiery bureaucrat Melanie Truscott.
The novel starts off with a tense episode on a long-uninhabited alien planet, involving a confrontation between the archaeologist heroes and an impatient terraforming company waiting to begin their work on that world. This section is excellent on its own, but it also serves to put some clues in place for a riveting mystery about enormous monuments in space, and some mysterious force taking out civilisations every 8000 years. In the latter half of the novel, we follow some of the characters from the first half as they chase the mystery down, and end up witnessing some pretty terrifying cosmic phenomena.
The only bit that felt a bit off-kilter from the rest of the book was a kind-of silly extended action sequence involving murderous alien crabs. It just felt superfluous, an attempt to include some action (and tragedy), when I was perfectly enthralled by the slow, leisurely uncovering of clues in dig sites and abandoned alien structures. The procedural stuff was far more up my alley than the action.
In the end we get a first glimpse at the terrifying force behind the disappeared civilisations, and I know it will be explored more in future books. It feels a bit familiar (see also Mass Effect, Revelation Space, etc) but I don't mind, it's a trope I kind of like in SF. I have to say, it did seem a bit contrived that they manage to track down this once-every-8000-year phenomenon with the tenuous evidence they had, and show up just in time to witness it in action. What was with that?
I'll end this review with another compliment, though: The book does a great job of peppering in dozens of excerpts from letters, encyclopedia entries, news headlines, translated alien poetry, and many other kinds of documents, between every chapter. I love this shit in SF books, and I hope there's more of it in the rest of the series. It feels like you're a member of the Academy, having access to all this correspondence and information, and getting to piece it together to increase your knowledge of these characters and this world.
Great fun, and I'm so thrilled to know there's 6 more books in this series!
The future McDevitt invents for humanity feels rather realistic, with tons of problems still existing on Earth, but there's nonetheless an overriding sense of optimism akin to Star Trek, which I appreciated a lot. The characters were all likeable, and became pretty memorable once the initial glut of people "on screen" got whittled down to the main players. I particularly liked the friendly(ish) rivalry between the main character Priscilla Hutchins, and the fiery bureaucrat Melanie Truscott.
The novel starts off with a tense episode on a long-uninhabited alien planet, involving a confrontation between the archaeologist heroes and an impatient terraforming company waiting to begin their work on that world. This section is excellent on its own, but it also serves to put some clues in place for a riveting mystery about enormous monuments in space, and some mysterious force taking out civilisations every 8000 years. In the latter half of the novel, we follow some of the characters from the first half as they chase the mystery down, and end up witnessing some pretty terrifying cosmic phenomena.
The only bit that felt a bit off-kilter from the rest of the book was a kind-of silly extended action sequence involving murderous alien crabs. It just felt superfluous, an attempt to include some action (and tragedy), when I was perfectly enthralled by the slow, leisurely uncovering of clues in dig sites and abandoned alien structures. The procedural stuff was far more up my alley than the action.
In the end we get a first glimpse at the terrifying force behind the disappeared civilisations, and I know it will be explored more in future books. It feels a bit familiar (see also Mass Effect, Revelation Space, etc) but I don't mind, it's a trope I kind of like in SF. I have to say, it did seem a bit contrived that they manage to track down this once-every-8000-year phenomenon with the tenuous evidence they had, and show up just in time to witness it in action. What was with that?
I'll end this review with another compliment, though: The book does a great job of peppering in dozens of excerpts from letters, encyclopedia entries, news headlines, translated alien poetry, and many other kinds of documents, between every chapter. I love this shit in SF books, and I hope there's more of it in the rest of the series. It feels like you're a member of the Academy, having access to all this correspondence and information, and getting to piece it together to increase your knowledge of these characters and this world.
Great fun, and I'm so thrilled to know there's 6 more books in this series!
July 10, 2020
-Situación alargada.-
Género. Ciencia ficción.
Lo que nos cuenta. El libro Las máquinas de Dios (publicación original: The Engines of God, 1994) nos lleva un par de siglos en el futuro hasta una Tierra sobrepasada por el consumo de recursos de sus habitantes y por el daño al medio ambiente. La búsqueda de otros mundos para colonizar ha traído, además de potenciales nuevos destinos para la raza humana, el descubrimiento de estatuas, edificios y otros monumentos que parecen haber sido construidos por una misma raza de la que no se sabe mucho, conocidos como los Creadores de monumentos, y cuyas intenciones son objeto de diferentes teorías. Ciertos eventos hacen que unos arqueólogos tengan una nueva interpretación del fenómeno que, si fuera cierta, pondría en peligro a la humanidad. Primer libro de la serie Las máquinas de Dios.
¿Quiere saber más de este libro, sin spoilers? Visite:
https://librosdeolethros.blogspot.com...
Género. Ciencia ficción.
Lo que nos cuenta. El libro Las máquinas de Dios (publicación original: The Engines of God, 1994) nos lleva un par de siglos en el futuro hasta una Tierra sobrepasada por el consumo de recursos de sus habitantes y por el daño al medio ambiente. La búsqueda de otros mundos para colonizar ha traído, además de potenciales nuevos destinos para la raza humana, el descubrimiento de estatuas, edificios y otros monumentos que parecen haber sido construidos por una misma raza de la que no se sabe mucho, conocidos como los Creadores de monumentos, y cuyas intenciones son objeto de diferentes teorías. Ciertos eventos hacen que unos arqueólogos tengan una nueva interpretación del fenómeno que, si fuera cierta, pondría en peligro a la humanidad. Primer libro de la serie Las máquinas de Dios.
¿Quiere saber más de este libro, sin spoilers? Visite:
https://librosdeolethros.blogspot.com...
November 3, 2022
The first in the Academy series is one of McDevitt's earliest novels and the New Author smells still lingers. Although the Science-Fiction Alien Archeology plot has action and potential, the pacing is frustrating, with plenty of long dull stretches, and we never really become invested enough in most of the characters to care when they are in peril or die. The second book in the series wasn't published until seven years after this novel which is plenty of time for an author to sharpen his craft; hopefully the rough edges are smoothed over in future installments.
December 20, 2020
Time of Death: 9.30 h at roughly 65%. I went on to read the plot summary, cause I wanted to know how the story evolves.
But the character writing was so generic and flat that I simply had no mind to go on with the book itself. (The audiobook narrator isn't helping a bit in this endeavour:( )
I'll be reading those books in the series that are on the H/N nominees lists for my personal challenge.
But the character writing was so generic and flat that I simply had no mind to go on with the book itself. (The audiobook narrator isn't helping a bit in this endeavour:( )
I'll be reading those books in the series that are on the H/N nominees lists for my personal challenge.
August 17, 2022
This is an SF novel with elements of first contact, space exploration, and big dumb objects. I read it as a part of monthly reading for August 2022 at The Evolution of Science Fiction group.
This is the very beginning of the 23rd century, humanity discovered faster-than-light travel and explored several habitable planets, just in time to terraform them and migrate from Earth, which is under too much environmental stress. And on a few of these planets, past civilizations are discovered, usually pre-space age and extinct as well as artifacts of high-tech aliens. One of the discovered peculiarities is that on two planets there was a sudden regress/destruction of civilizations that happened in a roughly 8000 years span.
A first part of the book introduces the characters, and the setting and sets up a race against time – an archeologist team from Earth (the Academy) has to save as many artifacts as possible before the Government starts terraforming, which includes nuking polar caps and dropping ice asteroids on a planet – actions which will bury/destroy all remnants. Each group sees its task as more urgent. So the battle of egos starts.
It is interesting to see how the book written in 1994 assumes that governments will start to care about the environment three centuries after its devastation began, as well as some 20th-century terms like the “third world country” remain while both political and economic map is closer to 1991 than even to 2022. I understand this is because the author was interested in highlighting other questions, but this makes the book feel dated.
It was a fine read with a thought-provoking mystery and solution, but it could have been easily cut in half.
This is the very beginning of the 23rd century, humanity discovered faster-than-light travel and explored several habitable planets, just in time to terraform them and migrate from Earth, which is under too much environmental stress. And on a few of these planets, past civilizations are discovered, usually pre-space age and extinct as well as artifacts of high-tech aliens. One of the discovered peculiarities is that on two planets there was a sudden regress/destruction of civilizations that happened in a roughly 8000 years span.
A first part of the book introduces the characters, and the setting and sets up a race against time – an archeologist team from Earth (the Academy) has to save as many artifacts as possible before the Government starts terraforming, which includes nuking polar caps and dropping ice asteroids on a planet – actions which will bury/destroy all remnants. Each group sees its task as more urgent. So the battle of egos starts.
It is interesting to see how the book written in 1994 assumes that governments will start to care about the environment three centuries after its devastation began, as well as some 20th-century terms like the “third world country” remain while both political and economic map is closer to 1991 than even to 2022. I understand this is because the author was interested in highlighting other questions, but this makes the book feel dated.
It was a fine read with a thought-provoking mystery and solution, but it could have been easily cut in half.
June 14, 2012
What bugs me about this book is that I read the sequel, Deepsix, first. That pretty much kills the mystery that unfolds in this book. McDevitt's greatest skill is his ability to weave a mystery into an action novel. The characters aren't stock, but they aren't outstanding either (the main character develops more in later books), and the point is really to experience alien cultures and try to work out what happened to the ones that disappeared or died out. This isn't just space adventure, it's archaeology in space, and as long as you aren't looking for hard SF or character-driven fiction, it's an extremely enjoyable adventure.
March 13, 2025
This one is frustrating
First of all .i hate it when when a male writer tries to decipher the female psyche .how would she translate the subtle hints and looks and touchs.
unless he took it to street and made an a extensive survey.I won't buy it ,and I don't like it
And that is mainly why I don't like female lead. Written by male
Secondly,some assholes out there. finds it ok to summarize the fate of the entire cast of the book in half a page,to show us that in the grand scheme of things.all what you have just read doesn't really matter and to those I say
F. U.
First of all .i hate it when when a male writer tries to decipher the female psyche .how would she translate the subtle hints and looks and touchs.
unless he took it to street and made an a extensive survey.I won't buy it ,and I don't like it
And that is mainly why I don't like female lead. Written by male
Secondly,some assholes out there. finds it ok to summarize the fate of the entire cast of the book in half a page,to show us that in the grand scheme of things.all what you have just read doesn't really matter and to those I say
F. U.
May 3, 2022
Jack McDevitt's books, I find, resist easy summary. They aren't always plot-driven, or at least this one doesn't seem to be. Most books, the heroes would quickly find themselves in a situation where it's fairly clear what they need to do to resolve it: find the real killer, escape the catacombs, escort the wounded soldier safely through enemy lines, etc.
But this book is more a series of shorter adventures–the archaeologists racing to gather as much data and artifacts as they can before they're kicked off-planet, stretching the ship's supplies as much as possible to survive until rescue comes, escaping from unexpected hostile lifeforms, etc.--with the main mystery--who were the Monument Makers and what happened to them?--almost more of a sideline.
The book is definitely compelling, though. McDevitt writes good, solid science fiction with a slight retro feel. His novels give off a vibe similar to Asimov's or Clarke's. I can't help but picture everyone dressed in 50's fashions and so on. They're definitely not old-fashioned. They just feel … classic. It's hard to explain, but I think if you read one or two of them, you'll understand what I mean.
Priscilla Hutchins is a great character, and I'm always happy to read of her exploits. A Jack McDevitt book that I've never read before is always a treat. Recommended!
But this book is more a series of shorter adventures–the archaeologists racing to gather as much data and artifacts as they can before they're kicked off-planet, stretching the ship's supplies as much as possible to survive until rescue comes, escaping from unexpected hostile lifeforms, etc.--with the main mystery--who were the Monument Makers and what happened to them?--almost more of a sideline.
The book is definitely compelling, though. McDevitt writes good, solid science fiction with a slight retro feel. His novels give off a vibe similar to Asimov's or Clarke's. I can't help but picture everyone dressed in 50's fashions and so on. They're definitely not old-fashioned. They just feel … classic. It's hard to explain, but I think if you read one or two of them, you'll understand what I mean.
Priscilla Hutchins is a great character, and I'm always happy to read of her exploits. A Jack McDevitt book that I've never read before is always a treat. Recommended!
June 16, 2018
Reread for the first time since God knows when. Very impressive book, better than I recalled. This was the first of the Academy series, and introduced Priscilla Hutchins, starship pilot, who loses two beaux in this book, one to a gruesome (but valorous) battle with alien fauna.
ENGINES gets mixed reviews, here and elsewhere. I liked it a lot. I'm going to borrow a bit from Russ Albery's review of CHINDI (Academy #3):
"One of the tricks that McDevitt uses to great effect is to break the reader's expectations around pacing. Most novels have a predictable tension structure, where suspense builds up to discovery that's always significant. McDevitt's books sometimes feel slow-paced to start with, partly since he doesn't always follow this structure. Instead, his suspense sometimes leads to nothing, and the timings of discoveries can be erratic and unpredictable. This echoes the way real science and real exploration work, but requires the book to provide enough space in which to embed moments of discovery. That space is taken up, as it would be in life, by interpersonal issues, deeper characterization, and (often petty) politics. When the technique doesn't work, McDevitt's books can feel a bit padded, but when it does work (as with Chindi), the pace is part of the atmosphere and effectiveness of the story."
McDevitt does a good job of drawing strong women characters. Here we have Hutch and Melanie Trucscott, first a rival, later almost a friend, both interesting people that you would like to know. And he's very good at economically sketching even minor characters, who are seldom rendered as ciphers or stereotypes.
He gets mocked for the romance, but here's a minor character's haiku, for counter-evidence:
"If they look for me,
Say, she rides where comets go,
And outpaces light."
The one subplot that made no sense, and cost the book a half-star, was the truly crack-brained scheme to terraform Quruagua, an ice-age planet where the book's archaeologists are working against time. The terraformers' scheme involves massive thermonuclear weapons embedded in both polar ice-caps. It's hard to imagine how their detonation would make things *better*. Awfully hard on the native flora and fauna! I guess there wasn't much regulation, that far afield.....
So, strongly recommended for fans of archaeology in space and old fashioned interplanetary adventure. ENGINES clunks sometimes, but gets the job done. 4.2 stars.
ENGINES gets mixed reviews, here and elsewhere. I liked it a lot. I'm going to borrow a bit from Russ Albery's review of CHINDI (Academy #3):
"One of the tricks that McDevitt uses to great effect is to break the reader's expectations around pacing. Most novels have a predictable tension structure, where suspense builds up to discovery that's always significant. McDevitt's books sometimes feel slow-paced to start with, partly since he doesn't always follow this structure. Instead, his suspense sometimes leads to nothing, and the timings of discoveries can be erratic and unpredictable. This echoes the way real science and real exploration work, but requires the book to provide enough space in which to embed moments of discovery. That space is taken up, as it would be in life, by interpersonal issues, deeper characterization, and (often petty) politics. When the technique doesn't work, McDevitt's books can feel a bit padded, but when it does work (as with Chindi), the pace is part of the atmosphere and effectiveness of the story."
McDevitt does a good job of drawing strong women characters. Here we have Hutch and Melanie Trucscott, first a rival, later almost a friend, both interesting people that you would like to know. And he's very good at economically sketching even minor characters, who are seldom rendered as ciphers or stereotypes.
He gets mocked for the romance, but here's a minor character's haiku, for counter-evidence:
"If they look for me,
Say, she rides where comets go,
And outpaces light."
The one subplot that made no sense, and cost the book a half-star, was the truly crack-brained scheme to terraform Quruagua, an ice-age planet where the book's archaeologists are working against time. The terraformers' scheme involves massive thermonuclear weapons embedded in both polar ice-caps. It's hard to imagine how their detonation would make things *better*. Awfully hard on the native flora and fauna! I guess there wasn't much regulation, that far afield.....
So, strongly recommended for fans of archaeology in space and old fashioned interplanetary adventure. ENGINES clunks sometimes, but gets the job done. 4.2 stars.
May 30, 2016
I've managed to pick up half-a-dozen Jack McDevitt novels over the years, but never managed to read one until now. The Engines of God is one of his earliest novels, and it showcases what I love about science fiction, and what I hate.
It's a few hundred years in the future, and we've discovered monuments on planets and moons around the solar system. The book makes use of a few set-pieces to move scientists and archaeologists toward finding out what those monuments are and what they mean. We don't get a whole lot of answers, but I think those unfold in the following books.
The events are mostly interesting, with a highlight including a trip to an abandoned alien space station. A few things do ring untrue, such as how close two groups cut it on an alien planet. One group is scientists trying to dig out alien goodies, and the other group is terraformers waiting to wreck a planet (and those goodies) to make way for a new habitation for humans. They're overlapping each other to a dangerous degree, and it just didn't seem like something that would actually happen.
Another odd piece was a sequence involving crab-like creatures on a planet. It didn't seem to fit the rest of the narrative, and felt like something included solely to increase the "excitement." It did, I suppose, but it just didn't work for me.
The worst thing is the characterization--and it's that thing I "hate" about so much science fiction. As a genre, science fiction is often full of wizz-bang ideas, but peopled with flat characters that have no personality or character growth. That's evident here. Again, it's one of McDevitt's early novels, so it's very possible he gets better at it. I'm just not super anxious to find out. I am curious about finding those answers teased in this book, so I'm sure I'll dive in at some point. But with increasing numbers of science fiction authors who manage to marry the cool ideas to great characters (Alastair Reynolds and James S.A. Corey, to name two), I have other options that sound better right now.
It's a few hundred years in the future, and we've discovered monuments on planets and moons around the solar system. The book makes use of a few set-pieces to move scientists and archaeologists toward finding out what those monuments are and what they mean. We don't get a whole lot of answers, but I think those unfold in the following books.
The events are mostly interesting, with a highlight including a trip to an abandoned alien space station. A few things do ring untrue, such as how close two groups cut it on an alien planet. One group is scientists trying to dig out alien goodies, and the other group is terraformers waiting to wreck a planet (and those goodies) to make way for a new habitation for humans. They're overlapping each other to a dangerous degree, and it just didn't seem like something that would actually happen.
Another odd piece was a sequence involving crab-like creatures on a planet. It didn't seem to fit the rest of the narrative, and felt like something included solely to increase the "excitement." It did, I suppose, but it just didn't work for me.
The worst thing is the characterization--and it's that thing I "hate" about so much science fiction. As a genre, science fiction is often full of wizz-bang ideas, but peopled with flat characters that have no personality or character growth. That's evident here. Again, it's one of McDevitt's early novels, so it's very possible he gets better at it. I'm just not super anxious to find out. I am curious about finding those answers teased in this book, so I'm sure I'll dive in at some point. But with increasing numbers of science fiction authors who manage to marry the cool ideas to great characters (Alastair Reynolds and James S.A. Corey, to name two), I have other options that sound better right now.
April 30, 2024
*** 3.66 ***
Archeology in Space!
Well written, well thought out, but some one dimensionality of the characters... Still interesting though 👍😊
Archeology in Space!
Well written, well thought out, but some one dimensionality of the characters... Still interesting though 👍😊
January 9, 2012
by Jack McDevitt, published in 1994.
There is something I really, really like about a mystery science fiction, especially if that mystery comes from a long vanished alien race.
Well, this novel, “The Engines of God” is just such a novel. It seems that thousands of years ago, when humanity was just picking up sticks and learning how to brain each other with them, an advanced alien race was busy building incredible monuments in the galaxy.
We follow Hutch, a spaceship pilot, as she travels with archaeologists to visit and investigate the creations left behind by the Monument-Makers. We start off on Iapetus, a moon of Saturn, where an assumed self-portrait of one of the creators is sitting for all to see. There are even, preserved in the ice near the self-portrait, footsteps of the creator as well. Very cool opening to the world we find Hutch in.
There is action, danger and a lot of who-made-them-and-why about this novel. It is a milieu novel, and as such we get to explore the galaxy according to McDevitt. Something strange has been happening for a very long time and as you read you get to wondering if what happened to other alien civilizations will one day happen to ours.
It is kind of a “Rendezvous with Rama” but with much more than just one large artifact to explore. There are ruins on planets, objects in space and monuments with perfect right angles on moons.
So, just what is going on? A question you as the reader, and Hutch as the protagonist will be asking throughout. Well, you do get your explanation by the end of the book even if, as I found it, not too satisfying but adequate.
I pretty much enjoyed this novel though, but it seemed like all the pieces didn’t quite fit together like they should have.
Some of the crisis that arise seem almost too much of the “oh, now we need life-threatening peril to spice up the book - um, okay - cue the dire situation.”
And we see the action from the perspective of Hutch, but I found she had little to no character growth throughout the book. I was kind of hoping for more, but I can’t fault McDevitt for this since it was not written as a character novel, and there is so much to like about jumping into a star system to find an floating space station abandoned for thousands of years - isn’t there?
So with that said, I will definitely check out more of McDevitt’s work. If you haven’t read any of his novels before I would suggest you do give him a go.
I mean abandoned alien space stations - how cool is that?
There is something I really, really like about a mystery science fiction, especially if that mystery comes from a long vanished alien race.
Well, this novel, “The Engines of God” is just such a novel. It seems that thousands of years ago, when humanity was just picking up sticks and learning how to brain each other with them, an advanced alien race was busy building incredible monuments in the galaxy.
We follow Hutch, a spaceship pilot, as she travels with archaeologists to visit and investigate the creations left behind by the Monument-Makers. We start off on Iapetus, a moon of Saturn, where an assumed self-portrait of one of the creators is sitting for all to see. There are even, preserved in the ice near the self-portrait, footsteps of the creator as well. Very cool opening to the world we find Hutch in.
There is action, danger and a lot of who-made-them-and-why about this novel. It is a milieu novel, and as such we get to explore the galaxy according to McDevitt. Something strange has been happening for a very long time and as you read you get to wondering if what happened to other alien civilizations will one day happen to ours.
It is kind of a “Rendezvous with Rama” but with much more than just one large artifact to explore. There are ruins on planets, objects in space and monuments with perfect right angles on moons.
So, just what is going on? A question you as the reader, and Hutch as the protagonist will be asking throughout. Well, you do get your explanation by the end of the book even if, as I found it, not too satisfying but adequate.
I pretty much enjoyed this novel though, but it seemed like all the pieces didn’t quite fit together like they should have.
Some of the crisis that arise seem almost too much of the “oh, now we need life-threatening peril to spice up the book - um, okay - cue the dire situation.”
And we see the action from the perspective of Hutch, but I found she had little to no character growth throughout the book. I was kind of hoping for more, but I can’t fault McDevitt for this since it was not written as a character novel, and there is so much to like about jumping into a star system to find an floating space station abandoned for thousands of years - isn’t there?
So with that said, I will definitely check out more of McDevitt’s work. If you haven’t read any of his novels before I would suggest you do give him a go.
I mean abandoned alien space stations - how cool is that?
December 30, 2018
I enjoyed this book so much. A thoughtful lead-in to a very different type of problem.
September 8, 2023
Novela de intriga cósmica condimentada con las vidas de los protagonistas, no con mucha acción pero efectiva a la hora de entretener (algunas odiseas eso si, casi fuera de contexto). El misterio avanza lento pero seguro, por la mitad me preocupé por lo poco que quedaba para cerrar tantos frentes, pero lo hace bien, se nota trabajo en el argumento. Pero por otra parte quizás demasiado trabajo, todo sale muy estructurado, tres grandes aventuras unidas por el hilo común de algunos personajes y los Constructores de Monumentos, pero podría haber dejado un poco mas de caos, ahondar más en el misterio, aprovechar el escenario de space opera, nose..algo que cambie la categoría de buena a maravilla.
En todo caso, siendo mi primer libro de McDevitt, he quedado satisfecho. De seguro trataré de conseguir esas continuaciones y cualquier otra cosa suya que vea por ahí.
Propone interesantes imágenes del cosmos, eso seguro.
En todo caso, siendo mi primer libro de McDevitt, he quedado satisfecho. De seguro trataré de conseguir esas continuaciones y cualquier otra cosa suya que vea por ahí.
Propone interesantes imágenes del cosmos, eso seguro.
March 12, 2014
The Earth is facing environmental catastrophe in the 23rd century. Humans have spread to other star systems, but generally not found a lot of Earth-like planets, and those they have found are already inhabited. A handful of intelligent alien races have been discovered, but all are primitive compared to humanity. Most alien races discovered, however, are long dead, and the most prominent is one that apparently traveled to other stars, as their monuments have been found across the galaxy.
Earth has generally taken a "hands off" approach to living natives, but as pressure mounts to begin terraforming habitable worlds as an escape plan, this "Prime Directive" morality begins to seem less desirable. There is an interesting reversal of the classic sci-fi trope, and subtle commentary on colonialism and how we might justify it in the future, when an argument is made to colonize an inhabited planet "for the natives' own good." They are in the middle of a savage global war, and it is claimed that some of them have become aware of the existence of their alien watchers, and are begging for intervention. That technological aid and imposed peace would incidentally involve Earthlings resettling on their hosts' planet would be only a logical extension of a benevolent intervention...
This is a fairly hard SF novel that will appeal to fans of "big idea" SF, particularly if you like academic/scientist protagonists. Jack McDevitt gets compared a lot to Arthur C. Clarke in the blurbs for this book, and that's a fair comparison. Also an unfortunate one as far as I'm concerned, because like Clarke's science fiction, The Engines of God did little to stir any passion in this science fiction fan. It was a perfectly well written book, it was just dry and flat and even the high stakes did not truly engage my interest.
Earth has generally taken a "hands off" approach to living natives, but as pressure mounts to begin terraforming habitable worlds as an escape plan, this "Prime Directive" morality begins to seem less desirable. There is an interesting reversal of the classic sci-fi trope, and subtle commentary on colonialism and how we might justify it in the future, when an argument is made to colonize an inhabited planet "for the natives' own good." They are in the middle of a savage global war, and it is claimed that some of them have become aware of the existence of their alien watchers, and are begging for intervention. That technological aid and imposed peace would incidentally involve Earthlings resettling on their hosts' planet would be only a logical extension of a benevolent intervention...
This is a fairly hard SF novel that will appeal to fans of "big idea" SF, particularly if you like academic/scientist protagonists. Jack McDevitt gets compared a lot to Arthur C. Clarke in the blurbs for this book, and that's a fair comparison. Also an unfortunate one as far as I'm concerned, because like Clarke's science fiction, The Engines of God did little to stir any passion in this science fiction fan. It was a perfectly well written book, it was just dry and flat and even the high stakes did not truly engage my interest.
August 25, 2014
This sounds like something I would love (ET archeology! Space travel!) and McDevitt must be popular enough to take up a lot of space on the bookstore shelves, but I just couldn't get into it. I'm not entirely sure why. It could be, as some other reviewers have noted, that the world circa 2200 seems way too much like the world circa 1995 (when this was written). Also, the whole novel and the archeologists therein seems to apply a model of a society's progress to the entire universe based on the history of Western Europe. While this type of thing happens a lot in science fiction (I'm looking at you, Star Trek...), I'd like to think archeologists in two hundred years would have moved beyond such a simplistic model, as, I think, archeologists already had by the 1990's. It seems like what an unimaginative engineer in 1950 would have thought archeology is all about. Lastly, all of the characters are flat, unremarkable people who I just didn't care about even though they were engaged in death defying activities. Even Hutch isn't as interesting as one would expect from a starship pilot. Maybe I missed something, but this just didn't work for me.
July 4, 2020
I've been reading Jack McDevitt's books lately, and it's time for me to get the chronology straight for his sf-archeology novels that share the character "Hutch". Each of these can be read as a stand alone story, except probably it's a good idea to read THE ENGINES OF GOD before OMEGA. Here's the list in story order:
THE ENGINES OF GOD - endangered archeologists discover the mystery of the Omega Clouds
DEEPSIX - endangered archeologists on planet about to be destroyed
CHINDI - endangered archeologists on alien artifact
OMEGA - the Omega Clouds threaten civilization
Jack McDevitt writes these books in a high-suspense style, with mounting danger throughout, and he's not afraid to have one or more of his characters die. In the case of this book, however, there is a lull in the suspense in the middle of the book, when the characters return to Earth and regroup. Even though that is necessary because events take place in two different systems, I felt it fragmented the suspense, and detracted from the plot. Other than that, I did enjoy this book quite a bit, and have already started reading OMEGA next.
THE ENGINES OF GOD - endangered archeologists discover the mystery of the Omega Clouds
DEEPSIX - endangered archeologists on planet about to be destroyed
CHINDI - endangered archeologists on alien artifact
OMEGA - the Omega Clouds threaten civilization
Jack McDevitt writes these books in a high-suspense style, with mounting danger throughout, and he's not afraid to have one or more of his characters die. In the case of this book, however, there is a lull in the suspense in the middle of the book, when the characters return to Earth and regroup. Even though that is necessary because events take place in two different systems, I felt it fragmented the suspense, and detracted from the plot. Other than that, I did enjoy this book quite a bit, and have already started reading OMEGA next.
June 29, 2022
Great fun, this is the kind of sci-fi I like, not too tech heavy, an adventure into the unknown with lots of unexplained stuff, and the promise of lost alien civilizations. Ending was a bit naff to be honest because we never quite found out who was responsible for those strange monuments. Somewhere between a 3 and 4 but I always go up.
November 19, 2015
The story is set in the year 2203. Earth is struggling with overpopulation, its natural resources are pretty well depleted, the effects of global warming have set in, and scientists realize that its days are numbered. And so they start looking for other planets where humanity can settle. At the same time, explorers have discovered one, then many statues on other planets that appear to be monuments to one if not several alien races. The language is for the most part indecipherable, and archeologists continue to try to find out who left the monuments as well as what happened to the race or races that left them behind. There are indications that in several instances something cataclysmic happened, and so they are concerned that the same thing might happen to humanity as well. On one planet, there is a race between a team who is given the task of blowing up the polar ice caps to begin the terraforming process that will last close to a century, and another team who is desperately trying to find what they refer to as their “Rosetta Stone,” something that will help them translate the language of the extinct races they have come across. And in all of this is the mystery of who the Monument Makers were, where they came from, and where they went.
It’s a great book. It starts off a little slow, but when you get caught up in the challenges of the archeological team as well as the terraforming team on the other side, it’s hard to put down. The thing I really like about it is the reason I choose to write science fiction as a Christian. It attempts to answer the same questions that Christianity does: Who are we? Where did we come from? Where are we going? And better yet, it doesn’t get caught up in the secular humanist viewpoint that mankind–or science–will come up with all the answers for mankind’s ills. In fact, it shows that science in many cases is the cause of some of those ills.
I believe it’s a series. I won’t spoil the story by telling you the ending, but I will tell you that it’s one of those stories that raises more questions than it answers.
It’s a great book. It starts off a little slow, but when you get caught up in the challenges of the archeological team as well as the terraforming team on the other side, it’s hard to put down. The thing I really like about it is the reason I choose to write science fiction as a Christian. It attempts to answer the same questions that Christianity does: Who are we? Where did we come from? Where are we going? And better yet, it doesn’t get caught up in the secular humanist viewpoint that mankind–or science–will come up with all the answers for mankind’s ills. In fact, it shows that science in many cases is the cause of some of those ills.
I believe it’s a series. I won’t spoil the story by telling you the ending, but I will tell you that it’s one of those stories that raises more questions than it answers.
September 22, 2015
This one gets a good 4 Stars for a great space mystery story, enigmas in space archeology. Recently (within the past few thousand years) space-going civilizations have disappeared. Traces of violent action are found but are unclear. Great space monuments are found. The archeology team is exploring ruins on an earth-like planet scheduled for terraforming to enable future human occupation. The story suffered from an artificial pace, the science team must evacuate so nuclear explosives can melt the icecaps to release trapped water. Tense action follows with unfortunate results.
The team returns to Earth but then some reassemble to visit an "anomaly" in another system. More tense action follows at the anomaly system and in another system. Can't reveal more because this would ruin the suspense. This is a "detective" story and not deep into hard scifi. Basically magic happens when needed to move the story along.
The best part of the story is the strong female team members. Hutch, Angela, Maggie, Melanie, etc, lots of great, well-written characters.
I could have done without the Algore climate change drivel about constant hurricanes and other man-made disasters on Earth as the reason for the terraforming mission to Quaraqua. If you could terraform another planet, why not turn that expertise on the closer problem?
A good scifi novel that gets stronger as it goes along.
The team returns to Earth but then some reassemble to visit an "anomaly" in another system. More tense action follows at the anomaly system and in another system. Can't reveal more because this would ruin the suspense. This is a "detective" story and not deep into hard scifi. Basically magic happens when needed to move the story along.
The best part of the story is the strong female team members. Hutch, Angela, Maggie, Melanie, etc, lots of great, well-written characters.
I could have done without the Algore climate change drivel about constant hurricanes and other man-made disasters on Earth as the reason for the terraforming mission to Quaraqua. If you could terraform another planet, why not turn that expertise on the closer problem?
A good scifi novel that gets stronger as it goes along.
September 28, 2025
After nearly finishing all the Alex Benedict novels (I still can't find Octavia's Gone in my library and it is pretty expensive on abe.com), I decided to give The Academy a test flight. I really liked it! Obviously, McDevitt has a penchant for antiquities because once again this kind of alien sociology and archeology makes up the background for this series. Priscilla « Hutch » Hutchins is a great protagonist, she'd definitely give Chase a run for her money. I enjoyed the non-stop action and the ease at which McDevitt settles in to tell the story with loads of good world building. Looking forward to Deepsix and seeing how far I get in the series.
October 15, 2020
4This ended up reminding me of some of my favorite scifi storylines in different media but not quite reaching the same heights that they did. Mostly a trilogy of games that I don't want to mention as the book isn't as good a story and to name it would give away too much.
What I can say that this is a solid story of scientific exploration. Its not a particularly warm story. The characters are fine. Not flat, but not quite whole either. I wouldn't recommend this book if you favour character driven narratives. Unremarkable in that it avoids major flaws whilst also lacking notable highs.
What I can say that this is a solid story of scientific exploration. Its not a particularly warm story. The characters are fine. Not flat, but not quite whole either. I wouldn't recommend this book if you favour character driven narratives. Unremarkable in that it avoids major flaws whilst also lacking notable highs.
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