Please note that this is the third book in this series, and it follows on directly from the end of the previous book. This review will contain spoilers if you haven’t read the first two books in this series. That said, I do not suggest you read this series unless:
1. You are fine with a hero whose professes to have faith in God, but whose music contains explicit and immoral lyrics (the lyrics are never detailed in the books, but are described several times in these terms);
2. You do not mind that the hero repeatedly blasphemes in Spanish;
3. You are fine with a heroine who, despite her Amish upbringing, does not see anything inconsistent with faith in God and writing/performing/singing explicit and immoral music;
4. You don’t mind watching a young Amish girl gradually compromising more and more in order to fit into the hero’s world;
5. You don’t mind that the hero and heroine have a limited understanding of the Bible and experience no real spiritual growth;
6. You want a story that romanticises the hero’s lust and gives regular glimpses into the bedroom;
7. You don’t mind that the bulk of the series is simply spent trailing our hero and heroine while they deal with the paparazzi, perform, pander to their fans, give interviews, and attend awards ceremonies and parties, retire to the bedroom, and so on.
Much of what I have said in my reviews on the previous two books in this series (‘Plain Fame’ and ‘Plain Change’) can also be applied to this book. As far as the actual writing is concerned, I thought it was fairly average with some point-of-view errors, a lot of telling, and a lot of explaining and inner monologues from the characters, much of which is already repetitive after the first two novels. The plot is more of the same, excepting a sudden crisis that appears out of the blue about 80% of the way through the novel. Naturally, it resolves fairly quickly. And I might add that I was pretty indignant when Alejandro reprimanded Amanda for not having had more faith in him. He didn’t even have faith in himself, and I have to say I can understand why.
Once again, the biggest disappointment was the in the novel’s content, particularly in light of its categorisation as ‘Christian Fiction’. I wrote at length in my previous reviews about the incongruity of a hip-hop musician whose songs glorify immorality through sensual and explicit lyrics, and yet professes to have faith in God. This book continues to ignore this. In fact, Amanda tells her sister Anna that, although Alejandro is not Amish, “God is still at the core and centre of his life, and he thanks God every minute of every day for having blessed him with so many opportunities.”
Oddly enough, Anna doesn’t argue with this, but asks Amanda where God is in her life. Amanda thinks about this and comes to the conclusion that, although she was doing all that she could to honour her upbringing (not God, I couldn’t help but note) while being immersed in Alejandro’s very Englische lifestyle, her focus has shifted to supporting Alejandro rather than obeying God’s will. I thought it ironic (and perhaps indicative of her complete blindness when it comes to Alejandro) that she could identify her own shift in focus, but be completely blind to Alejandro’s true focus! Nevertheless, I held my breath and thought, ‘At last! The light is beginning to dawn!’ Unfortunately, another character opens the door at this point and walks in bringing a gust of cold air. And just like that, the light is snuffed and we hear no more on the subject. I was deeply disappointed that such a significant realisation was not taken anywhere.
I was also disappointed that there were several instances of Scripture being taken completely out of context in order to support Amanda’s observations – observations that were not actually in line with Biblical teaching. For example Amanda recalls the verse in James exhorting believers to “Humble yourselves before the Lord, and he will exalt you,” likening this to Alejandro’s habit of praying before each concert and thanking God for the rewards that had followed his hard work. The fact that this hard work was all about glorifying immorality seems to escape her. In reality, this verse is part of a larger section of the book of James exhorting us to submit ourselves to God: “Don’t you know that friendship with the world means enmity against God? Therefore, anyone who chooses to be a friend of the world becomes an enemy of God...Submit yourselves, then, to God...Humble yourselves before the Lord.”
Ironically, Amanda later observes that “she had never seen him (Alejandro) pray before a meal. While she knew that he prayed with his band and dancers before the concerts, she had quickly learned that many entertainers did that. For some, it was rumoured to bring bad luck to not do so.” This was just one of many instances where I was left feeling totally confused. Are we still supposed to see his prayer before each concert as an act of humility, or is Amanda now recognising that there may be another reason for it? Why make this observation at all if she’s not starting to question the sincerity of Alejandro’s faith, and if it’s not sincere, where does Amanda go from here? All these are the sorts of questions she should have been asking from the beginning of the series, and the sorts of questions that I would expect a Christian fiction novel to tackle in this situation, and yet here is another instance where we see a crack of light that is quickly covered, returning us once more to blind adoration of the Hero.
Perhaps the worst example of Scripture misapplication is when Amanda tries to convince her sister that God’s hand has been in everything that brought her to Alejandro because “Where two or three are gathered together in my name, there am I in the midst of them.” To begin with, gathering in His name means coming together for the specific purpose of seeking and implementing God’s will. It is not some blanket promise whereby being joined with another person automatically ensures God is at the centre of your endeavours. Secondly, Jesus makes this statement in the context of confronting sin within the church. It has absolutely no relevance here. If we are not continually seeking God’s guidance through reading the Bible and prayer, then we are more than likely NOT putting God at the centre of our lives.
Another difficult thing for me to swallow was Alejandro’s sudden conversion from philanderer to completely faithful and devoted husband. Not that I wouldn’t like it to be true; I’m just not convinced it’s realistic. Even if it is, that would suggest that Amanda’s love has been able to transform Alejandro in a way that God’s love has not. That is certainly NOT Biblical. Further, it’s somewhat ironic that he continues to ‘preach’ immorality through his music, and yet becomes annoyed that women try to seduce him into being unfaithful to Amanda. The inconsistencies abound! But seriously, I find it difficult to believe that this is a permanent transformation on Alejandro’s part, particularly when it is obvious that he is still very much focused on having his own needs met with little regard as to what that requires of those around him, particularly Amanda.
If activity in the bedroom is anything to go by (and there are plenty of references to this), then Alejandro and Amanda’s marriage is going strong, but reading between the lines I can see cracks beginning to show in their relationship. Alejandro resents any implication that Amanda’s home is anywhere other than by his side. He is an extremely jealous husband, even when it comes to letting Amanda spend time with her family, and he insists that she is no longer Amish. In one of the most stunning examples yet of Alejandro’s complete disregard for Amanda’s feelings, he deliberately does not tell her about a video he is having played during a live performance. When she confronts him about it afterwards, he says, “You would have said no, si?” She acknowledges that she would have, and he smiles. “That is why I didn’t show it to you.”
Amanda, on the other hand, is beginning to realise that she needs time away from the Englische culture to help temper its ‘corrupting influence’. This is despite having been critical of the Amish community in the first half of the novel for its self-righteousness and hypocrisy (yet another thing that really confused me).
I can’t help but think that unless Alejandro undergoes a true transformation at the hand of God, Amanda will begin to truly understand the meaning of ‘unequally yoked’. All in all, the series is beginning to feel like a very protracted cautionary tale about choosing your marriage partner wisely (ie, based on more than the overwhelming strength of your physical attraction to one another) but I’m not sure that even this would warrant a recommendation to read the series, particularly since so many readers seem to be blind to the issues I have raised. All in all, a Christian romance with little authentic Christianity and little authentic romance.