Well.
You know how I keep saying that I really don’t know what to expect from this series? Because every time that I think “Oh, here’s what the predictable route is going to be for the next book,” there’s suddenly a massive plot shift with the next volume and I’m sitting there going “Oh my God, this is so much better than what I thought it would be.” This is kind of the opposite version of that—it’s not how I thought that the story was going to move along, but this didn’t really gel with me completely. This seemed to rush the conclusion to Claire’s story and I just didn’t feel it as much as I did with the first three volumes. I still enjoyed reading this, but when I got to the end, it was like “That’s it?”
It is a conclusion with Claire’s struggle directly, and I do like that she does get everything she’s wanted to do throughout the series—she gets to go to university, still keep the children in her care, and Andrew Malvern will be waiting for her, along with a patent. But how she finally gets those things is so happenstance, that it lessens the impact of their importance. I needed more buildup and conclusion than just Claire rescues Count von Zeppelin and he took a liking to her. I really wanted an emotional payoff for Claire, that she’s proven to the world that nothing is going to stop her, and it’s not here.
It also doesn’t help that the plot of this book is even further distanced by anything that had been leading up from the previous three books. To be fair, Isobel Churchill’s involvement with the Canadian Inuit tribes had been mentioned throughout, but given everything that had happened in Magnificent Devices, it felt like there had been a massive plot thread dropped in between books. Instead of the Spanish Kingdom and a not-dead-yet Lord James Selwyn catching up to the flock in Canada and making their final stand there, we get enterprising business men trying to start World War I a few decades too early by trying to assassinate Count von Zeppelin, and an incredibly extended subplot about indigenous tribes and land rights that literally up and leaves the plot with barely any resolution. (Can I have an Alice Chalmers spin-off story dealing with that? Please?) And again, it’s not that any of these plot lines are bad, it’s just…there was so much that was unresolved from the previous book, that to kill off the major antagonist we’ve been dealing with for at least three books, kill off his business partners and there’s no mention of any other parties that may be gunning for revenge, it feels like a massive cop-out. I mean, on the one hand, I do applaud Adina for killing off James so unexpectedly, but there’s so many loose ends that needed to be addressed and we don’t get that here.
And there’s the whole subplot with Alice trying to find her father, which is similarly unresolved and actually fairly underdeveloped. Once the flock finally arrives in Edmonton, Alice sets off to find her birth father, and we soon learn that Fredrick Chalmers is suspected of sabotaging the Dunsmuirs’ diamond mines. If the whole plot was focused on the diamond mines and the land rights and the oppression of indigenous tribes (particularly apt given what we learn of Lady Dunsmuir’s ethnicity, which again: where the hell did that come from?), I would have been fine with this. But it’s initially set up as “this is the main plot” and then the Count von Zeppelin plot comes in and smashes it aside. The two plotlines never quite gelled for me, and I really got confused as to what was happening. (And a massive missed opportunity, if you ask me. Examining the Inuit land rights in the veil of the Victorian era would have been fascinating, especially when you bring in characters like Isobel Churchill and Fredrick Chalmers and the implications of Isobel Churchill being vehement about indigenous rights and facing off against Lady Davinia Dunsmuir.)
It also doesn’t help that we don’t get to see either one of these plot lines (aside from character introductions) for a good half of the book. The first half of Brilliant Devices is devoted to one of my favorite plot devices : the love decahedron. Alice has fallen hard for Andrew, who’s all jealous because Captain Hollys kissed Claire, who’s all confused if she’s still in love with Andrew after all of this. The reason that I didn’t mind Claire’s back and forth with Andrew and James was her situation was presented as “Society has bound me in such a way that I can’t publicly pursue Andrew. If I can break off the engagement, sure, but for now, not happening.” (And also because James was a massive rampaging douchebag.) Here, what we get is Alice continuously thinking, “Oh, Claire’s a lady and she’s so fancy and she’s danced with the Prince Consort, and knows what fork to use and I’m just so plain in my greased shirt and I hate wearing corsets and frippery and Andrew would never look at me.” The thing that I loved about Alice and Claire’s friendship is that even though they do come from very different worlds, they still respect and admire each other and bond over engineering and mechanics! And yeah, that’s still in here, but it sucks reading about Alice brooding over her perception that “Andrew could never love meeee!” OH AND points off to you, Mr. Malvern: I don’t care if it’s ‘only right’ that Claire was kissed by another man, WHY THE HELL DID YOU KISS ALICE? JUST TO MAKE CLAIRE JEALOUS? The only way I’d feel better about the entire resolution to this was Alice and Andrew figuring out that they do work better together and Claire ended up with no one because she don’t need no man. That would have been fantastic. (The only saving grace about this whole affair is that when Alice confesses about her kiss to Claire, Claire’s reaction is “Well, at least he’s got good taste in other women. I’m not jealous.” Bless.)
(I have to touch on Gloria Meriweather-Astor here; she is the daughter of the main antagonist of this volume, and a former classmate of Claire’s. Basically, I still don’t know why she plays such a major role in the events, because Claire’s so far removed from the upper class halls of London and I honestly don’t remember Gloria showing up until this point. BUT when Claire starts to give Gloria the cold shoulder, thinking her to be nothing more than a brainless “meringue,”Gloria’s the one to tell Claire, “No. I know what you think of me, and it’s the same thing my father and his associates think. You all think that I’m vapid and naïve, but there’s so much more to me.” If there’s anything that I will champion about this series is that even though this begins with Claire being built up as “not like the other girls,” this does validate a lot of different female characters and steadily moves away from that attitude.)
There’s so many dropped threads of plots that I’m really sad that we’re probably not going to see their full resolution. Like, Alice’s finding her father and reconciling with him—given that the entire Inuit tribe flies off before the climax of the book, we never get a full resolution or even an explanation from Fredrick Chalmers in why he’s been integrated into this tribe. (Side note: the Inuit huts are actually half-buried air ships. Part of the reason why I needed more of them.) All we learn is that he crossed Ned Mose and he’s been keeping tabs on Alice ever since he left. Alice is rightfully angry about this, but there’s still no emotional payoff aside from her rescuing her father and half-brothers from hanging. There’s so much there that isn’t explored, only barely touched on. (Hence why I want an Alice spin-off.) And I still have no idea why Meriweather-Astor wanted to start a war aside from profiteering.
Again, it’s not to say that I didn’t enjoy reading this, because I did. It’s just when these plot points showed up, I was sitting there thinking “Okay, what? But…okay.” This felt more like a jumble of plots and the resolution to most of them are so rushed that everything that had been leading up to the ending didn’t have much impact on me. It’s not that the plotlines came out of nowhere (see Magnificent Devices; now that was a left field plotline) And it’s kind of a problem because the next two books are going to be about the Mopsies in six years, and I don’t think that there’s going to be as much of a focus on Claire. I want more of that emotional pay-off to her story, and here it feels like “Oh, well, she gets to go to university anyway! And she’ll be able to keep her operations in London! Everyone wins!” was decided at the last minute.
It’s not as well-crafted or awesome as the prior two books, and it’s not a bad read—for all of the meandering about with the love decahedron, it moves fairly quickly. But the mish-mashed plot and rushed resolution just didn’t stick for me, and I felt more disappointed than happy. I am still holding out hope that the entire series resolution will be better, but it depends on how things develop. In the meantime, bring on the Mopsies.