In Camelot's Shadow

The Paths to Camelot #1

by Sarah Zettel

The Barnes & Noble Review
Sarah Zettel's In Camelot's Shadow is an enticing romantic fantasy set in Arthurian England that explores the legend of Sir Gawain and the Loathly Lady. When Gawain, King Arthur's handsome and promiscuous nephew, saves a beautiful maiden from a sorcerer, will his love be able to overcome the forces of evil?

Risa of the Morelands was cursed even before she was born. While returning from King Arthur's coronation, her father made a deal with an evil necromancer named Euberacon to save his beloved dying wife. In return for his wife's health, the sorcerer asks for the life of the child growing inside her womb. Her father accepts the deal and thus dooms the unborn Risa to a life of unthinkable depravity.

Now a beautiful 19-year-old with red-gold hair, Risa confronts her father after another suitor is turned away. When he eventually tells her about his deal with the sorcerer, she runs away -- only to be caught by Euberacon. Gawain fatefully witnesses the assault, saves Risa, and falls in love with her. But when Euberacon turns Risa into a monstrosity, will Gawain's love be enough to defeat a sorcerer, a pagan god, and all the naysayers at Camelot?

Like many Arthurian stories, In Camelot's Shadow is a tale about honor -- its moral obligations and all its unintended consequences -- but ultimately it is a story about the power of love. Lyrical, heartwarming, and engaging until the very last page, this novel is highly recommended for fans of romantic fantasy as well as Arthurian legend and lore. Paul Goat Allen

Genres: Fantasy, Arthurian, Romance, Historical Fiction, Historical, Fiction, Mythology

490 pages, Mass Market Paperback

First published January 1, 2004

About the author

Sarah Zettel is the critically acclaimed author of more than twenty novels, spanning the full range of genre fiction. Her debut novel, Reclamation, won the Locus Award for Best First Novel. Her second release, Fool’s War, was a 1997 New York Times Notable Book, and the American Library Association named Playing God one of the Best Books for Young Adults of 1999. Her novel Bitter Angels won the Philip K. Dick Award for best science fiction paperback in 2009. Her latest novel, Dust Girl, was named as one of the best young adult books of the year by both Kirkus Reviews and the American Library Association. Zettel lives in Michigan with her husband, her rapidly growing son, and her cat, Buffy the Vermin Slayer.

Reviews

[Nicky · Rating 4 out of 5]

I’ve read this several times now, and I always go back and forth on it a little. Initially, I think I was a teeeeeny bit ashamed to be caught reading something that is a romance in both the modern and the medieval senses of the word. Then I included it in my dissertation and had to think about it critically. And now… now I get to read it just for pure fun. Which is great: it makes me realise how much this version of Gawain is exactly what made me love the character in the first place, and that this retelling of Sir Gawain and Dame Ragnelle’s story was what guided me toward reading and loving the Gawain ballads.

It’s fun, with and without the romance; I love this version of Camelot, which is practical at the same time as romantic. There’s the knights, but there are also Saxon boys staying at the court as hostages. Guinevere is a queen and a figure of romance, but she’s also Arthur’s other half, managing Camelot alongside Kay, maintaining a whole set of duties belonging to queenship. There’s no polite ignorance of the need for an heir: Gawain is openly Arthur’s heir. (And definitely worthy of it; this version of Gawain doesn’t kill women or go on mad rampages yelling for blood. He’s courtly, though human — somewhere between Sir Gawain and the Green Knight and Le Morte Darthur‘s least flattering sections.)

And Rhian is a great character too: determined, but not foolhardy; clever, but not infallible; cautious, but not immune to Gawain’s pretty face. Brave, but not insensible.

The two make a great pairing, and it’s a joy to read — as it’s also a joy to read of Arthur and Guinevere’s genuine love.

There are some frustrating aspects to this, like a certain judgemental quality around women who have sex (but not men), and an unfortunate editing slip-up where even when “father” is being used as a name, it isn’t capitalised… but it’s still fun, and I’m glad I got the chance to read it in a relaxed way like this.

Sidenote: I don’t understand why the US version has changed Rhian’s name to Risa. Well, probably to avoid people thinking it’s pronounced “Ryan”, but that doesn’t mean I like the decision — Rhian is a pretty and Welsh name, and it fits much better in the context than “Risa”.

Originally posted here.

[Terence · Rating 1 out of 5]

I like Kage Baker's Company books (Mendoza, before she's reduced to a simpering, love-sick nonentity, is one of my favorite characters in any series) and I love C.J. Cherryh's Union-Alliance future history (Signy Mallory of ECS Norway ranks as one of the most brilliant characters in SF (IMO) and Downbelow Station is a masterpiece). But I can't stand their forays into fantasy. I couldn't finish The Anvil of the World and Cherryh's fantasy tends to bore me.

Sarah Zettel joins that band of authors whose SF I like but whose fantasy leaves me cold. I first met Zettel in her SF author guise - Fool's War, Kingdom of Cages, etc. - and enjoyed her writing. (Though, being reasonably honest, I confess to not remembering anything about the stories; all I remember is that I liked them.) And perhaps I should have known better: I hated A Sorcerer's Treason. But this was a tale of King Arthur, and because I didn't like one book didn't mean that I wouldn't like this one.

But that turned out not to be the case. I gave Zettel 117 pages to convince me to go on but her arguments weren't good enough. The writing felt awkward and forced; there was never a point where I could lose myself in the story. I was always aware that I was lounging in a chair reading a book. Even in Mary Stewart's Arthurian saga, which I recently finished rereading and had issues with, I was engaged enough in the story and the characters to want to continue reading. Every few sentences, In Camelot's Shadow's clumsy prose jarred me back into reality.

If I had time or inclination, it might be interesting to reread Zettel's SF novels to figure out why she fails for me in a fantasy setting.

But in this case, I can't recommend the book. I can see where others might find interest in it, however, and wouldn't want to discourage anyone from trying it.

[Ron · Rating 2 out of 5]

Okay book if you like the type--high Medieval Arthurian romance--which I don't.

Essentially a 100 page retelling of Sir Gawain and the Green Knight set within 400 page framing story told from the point of view of Risa, his lady love. Little to enjoy and much to gag over.

[Lauren · Rating 4 out of 5]

*book bought*
I read this novel literal YEARS ago. The reason that I have re-read it now is because, Nov 18th is my one year anniversary. We used the pages from this novel to make my bouquet with. I know...I know its sacrilege! It looked lovely though! The pages had yellowed.
I ended up buying this novel again and I bought the next one in the series too, so no harm done!
I also had genuinely forgotten a lot of what had happened in the novel.
First year wedding anniversary are paper and wood. It felt perfect to re-read this novel, in paperback before our first wedding anniversary.
Very much a Arthurian romance.

[Nicky · Rating 3 out of 5]

I seem to change my mind every time I read these books. I've loved all of Sarah Zettel's work, but reading Camelot's Shadow again (for a third time) didn't do it any favours. The amount of grammar mistakes I came across in the text, for example, really began to annoy me. And the oh-so-perfect women -- Rhian, Guinevere, Jocosa -- or the demonised women -- Pacis, Kerra, Morgaine -- really got to me. Rhian was perfectly patient, Guinevere a perfect queen, Jocosa a perfect mother... Pacis was the scapegoat for Gawain's bad side, Kerra wielded her sexuality as a weapon, Morgaine brooded on Camelot's fall and betrayed even her own foundling...

At the same time, I do like the way Zettel chose to retell the stories. She wasn't afraid to take up the Arthurian stories and bend them to whatever suited her story best: she blended the tale of the Loathly Lady and the story of the Green Knight quite well, and gave an interesting background to the Orkney boys. Women are powerful in her story, for good or bad, too -- her positive Guinevere is believable, I think, and her relationship with Arthur a sweet one. And there's Kai and Agravain, both flawed but human..

Gawain is a little too perfect, I suppose, and the relationship between him and Rhian a fairytale one. I'm less impressed with this book than I was before. But I still enjoyed it, and was glad to spend time with it again. I think perhaps it suffered for being read for essay research, and because it hasn't been that long since I last read it.

[ambyr · Rating 2 out of 5]

Arthuriana is fundamentally a weird genre for something that's trying to hew close to category Romance; I was all too aware on every page that in the long run, This Will End In Tears. That the book never embraced the bittersweetness of the mythos in any way was jarring to me, as was its attempt to sort of haphazardly merge Camelot-the-musical Arthuriana with Rosemary Sutcliff historical Arthuriana (if that emerald signet ring "that her mother said had come all the way from Rome" that the protagonist carries is a coincidence I will eat a page of the book). The pacing also threw me, with the Loathly Lady and the Green Knight stories--the two most well-known Gawain tales in the Arthurian cycle--crammed into the final fifth of the book.

...none of which will keep me from eventually reading the sequel, which is sitting on my shelf, because I really like Arthuriana and it turns out some days even the weirdest takes on it are appealing to me.

[Aimee King · Rating 3 out of 5]

A re-read from my teenage days. I remember loving the romance. It is pretty good. I wish significantly more had been done with the Loathly Lady aspect. It happens to her in the last 50 pages, doesn’t reflect a major character weakness or fear that we previously knew of (since when was Risa worried about her beauty or youth?), and is solved very quickly and without much difficulty. Felt tacked on, in this light, for being a book that was supposed to be about Sir Gawain and the Loathly Lady and the Green Knight.

I do appreciate the small scale. No major doomsday, save the world stuff. No chosen one stuff. Risa and Gawain just react to bad things happening.

[Mindy G. · Rating 3 out of 5]

PB

there are so many kinds of weakness.
p. 109

The truth is stronger than any lie. . . Use it whenever you can.
p. 138

Love is too inconstant a thing on which to build a life.
p. 207

But lightning is no guarantee of happiness, my dear. Sometimes all it brings is a roll of darkening thunder. Life is a long journey and slow understanding is the safer road.
p. 191

Duty could be harsh.
p. 258

It is said that hope remains as long as there is life.
p. 432

What is it every woman wants?
p. 480

[Nicky · Rating 4 out of 5]

Reread in February 2010.

Since I'm hoping that the module on King Arthur will run next year, and reading widely in the tradition helped me with the Robin Hood module, I decided to revisit these books. As I said in my review almost two years ago, I'm not really one for romance books, generally, but these are Arthurian -- which helps a lot, since it's something I'm always interested in -- and they're not exactly bodice-rippers, and I do like Sarah Zettel's writing. There's genuinely a plot alongside the romance -- at least in this first book of the four -- and earlier elements of the tradition are woven into the story, while it's also not quite a carbon copy. It could have deviated more from the tradition, easily, and perhaps been more engaging then, but this is interesting enough. I like the portrayal of Guinevere, very much in love with Arthur, and though she's mischievous, she's a good queen. If I remember rightly, the betrayal of Arthur with Lancelot isn't re-enacted in this quartet, which I quite like. That's something new. And I like this portrayal of Gawain, as compared to some quite loutish ones I've read before.

It's interesting how close it sticks to the plot of Sir Gawain and the Green Knight, which I'm doing a module on at the moment. I hadn't read that the first time I read this, so I didn't really appreciate how it had taken that plot but also woven in the women, Rhian and Kerra, and how it's also woven in the story of Sir Gawain and Dame Ragnell -- which I haven't read, but I know a decent amount about.

It's nice that there's an overarching plot to these four romances, with the figure of Morgaine, about whom we learn little in this book. It's also nice that they're romances in both the medieval sense and the modern sense. At least, it is for my inner geek.

--

March 2008.

I'm not much for romances, but I did enjoy these books. They center around the sons of Morgause, which in this case means Gawain, Geraint, Gareth and Agravain, in that order. They're all romances, so the lead characters are girls somewhat rooted in legends surrounding the boys -- except Elen, who I couldn't find any mythological basis for (but that was only on a quick search). Rhian for Gawain (Ragnelle), Elen for Geraint, Lynet for Gareth (Lynette), and Laurel for Agravain (Lyonesse).

The books individually tell the stories of how the brothers come to meet their brides, and put together tell the story of Camelot's fight against Morgaine, Arthur's sister (commonly known as Morgan Le Fay). I don't think they adhere to any plot previously set out for Arthur, but there are little references and similarities throughout. Guinevere, for example, is faithful to Arthur, but at one point Morgaine impersonates her and has sex with Lancelot. Mordred also plays a part, the son of Morgaine and Arthur, but ultimately doesn't seem that important to the plot.

As an Arthur retelling, it's interesting. There's lots of the pagan magic mixed in with the bright and shining Camelot and Christianity, which is an intriguing mix. The writing itself is quite good: descriptive enough to call pictures into one's mind, but not weighed down with it.

Unfortunately -- considering it's a series of Arthurian romances! -- the romance falls fairly flat to me. Knight meets lady in need and falls in love. Lady meets knight and falls in love. Unfaithful womanising knight becomes faithful (Gawain and Gareth). Beautiful woman gets through the coldness and silence (Geraint/Elen and Agravain/Laurel). The love seems to come quick as fairytales, and happily ever after seems inevitable. All the men have to do stuff to bring their ladies back after the lady's bold and noble sacrifice -- Gawain stands up to the test of the Green Knight, Geraint kills something important while fearing the worst, Gareth gives his life to Lynet to bring her back from the sea, Agravain uses Excalibur's scabbard to bring Laurel back from the sea. It all seems a bit formulaic.

It also seems a little... unfinished. At the end of Agravain's story, Morgaine is dead, but Mordred has fled. A prophecy remains that Mordred will kill Arthur. But the epilogue deals only with Sir Kai's death, and doesn't say anything about where Mordred went and how that prophecy pans out. It's true, though, that the story doesn't focus on Arthur but on the knights.

The books are easy to read, hard to put down and probably enough to keep someone interested. I got into the world and the relationships despite their flaws, and I'll probably reread the books someday. I think Sarah Zettel's Isavalta books are a much better introduction to her writing, though. They're more original and flow much more easily, with characters that are much less formulaic. I think I partially blame the flaws of the Camelot series on the fact that she's writing in a tradition that's centuries old. Sometimes that makes people not dare to be more creative.

[Wealhtheow · Rating 2 out of 5]

Risa's father forbids her to marry, and at last Risa discovers why--years ago, her father promised her to a sorcerer in exchange for his wife's life. Unwilling to wait around to lose her soul as part of a sorcerer's household, Risa flees. The sorcerer pursues, but to everyone's amazement Sir Gawain happens upon them and rescues Risa. Gawain offers his protection to Risa, and as they ride together toward Camelot the seeds of love are planted in them. But even as they fall in love, they are troubled by marauding bands of Saxons, sorcerous machinations, and Gawain's tendency to save any damsel he comes across.

I don't know exactly why but I just didn't enjoy this. Zettel conveys the medieval period well, and Risa's reactions to spices, servants, and cloth types tell you a lot about her society. But Risa herself feels like an anachronistic hodge podge of modern fantasy heroine tropes; if I never read another red haired archer who disobeys her father to be with the man she loves, I will still have read too many. Gawain at least is given a chance at depth, as he tries to be honorable even as he's stupidly susceptible to manipulations by ladies. Two side characters, Agravain and Kaye, comment on this, and I think a little more attention to this aspect of the novel would have made me like it more.

I didn't like the pacing; the plot with the Saxons is built up to be the big problem of Camelot, but then it fizzles away (presumably to come up again in some later book in the series). The sorcerer is defeated ludicrously easily and simply. Worst of all, I flat out disliked Zettel's rewrite of the Green Knight and the Loathly Lady stories. She actually manages to make the Loathly Lady tale less feminist. In the original, the hag asks her new husband whether he'd rather have a virtuous hag or a perfidious beauty as a wife, and the knight says she should be whatever she chooses. But in this, Risa is saved from her horrible disfigurement by Gawain's kiss. Additionally, the sorcerer asks the riddle "What do all women want." In the original tale, the answer is "sovereynté." In this, the sorcerer assumes that all women want "sovereignty" and Risa tells him he's wrong, all women want "freedom." What? That just seems like a difference in word choice.

Basically, I didn't like Risa, was unconvinced (and uninterested) by the romance, and thought the plot was a combination of poorly-paced imagined events and poorly-rewritten legends.

[Arthurianmaiden · Rating 3 out of 5]

This novel mix the story of Sir Gawain and the Green Knight and The Wedding of Dame Ragnelle and Sir Gawain, in a new story where the author narrates the love of Rhian and Gawain. Rhian is the daughter of a powerful lord who had sold her soul to a sorcerer, in exchange for the life of his wife. When Rhian finds out, she runs away, trying to escape from the sorcerer who wants now to take her for her powers. Gawain finds her and you can imagine the rest.
I admit I preferred this novel to the fourth of the serie (which I've read first) because the character had a little more substance, in my opinion, and the plot is quite delineated. I particularly loved the villains and how most of the surprises in the story came from them.

Morgana, the sorcerer Euberacon and the witch Kerra are the three villains of the novel, along with the mysterious old god called Green Knight, which is more of a neutral figure than a villain. What I liked the most are how every one of these characters are working for themselves. Euberacon wants Rhian, as he owns her soul, and his revenge on the Constantinople. Morgana is surely the one who wins, who has a longer plan for the future against Arthur, while Kerra is desperate in her affection for Morgana to get her plans now, immediately, working both with her and Euberacon.
Kay, Agravaine and Guinevere are three other characters (very secondary characters) who had beautifully delineated character (as I've already seen in Zettel's other novel).

On one side, while Gawain and Rhain were adorable and in particular their love story was cute, I am a bit bitter after reading the end. The tale of Sir Gawain and the Green Knight was adapted beautifully, as a puzzle in the novel even if somehow the pace felt different from the rest of the novel, and a bit... forced into the general plot of the novel. The tale of Ragnelle instead left me incredibly disappointed. The author tried to make it different, to make it original, but it ruined me a bit for me. First of all, the sorcerer turning Rhian into an ugly old woman didn't make much sense to me (/that/ seemed forced) and secondly, the author decided to change the answer to what all women want. The sorcerer said "sovereignity" but Rhian/Ragnelle answered "No, it's freedom" because she was his prisoner but... well. At least she saved herself.
AND YET. At the end, here we are, Ragnelle returning beautiful because Gawain kisses her even if she is ugly. no. NO.

[Maddie · Rating 4 out of 5]

I am highly attracted to midieval and old English stories, so this book was right up my alley. A friend recommended it to me, and I was a little skeptical to read it at first, but then I got into it and it was great! It follows a nineteen-year-old young woman named Risa (it was nice to get a slightly older heroine for once) and Sir Gawain—yes, the same one from the King Arthur stories! When Risa was just a baby, her father promised her to an evil sorcerer out of desperation to save her mother's life. Now she's trying to escape that promise by running away, and Sir Gawain is there to help. Risa kicks butt! Beautiful but very capable, she takes down enemies with bow and arrow. A romance blossoms between her and the dashing Gawain (the somewhat roguish knight has to learn to be loyal to one woman by the end); you get to meet Arthur and Guinevere (and I really liked this representation of them); and there's a really cool twist at the end, hearkening back to the old story "Sir Gawain and the Green Knight"! The only reason I gave it four stars instead of five, and why I hesitate to buy it, is because of some sexual content. It isn't between our hero and heroine, but there is a seductress working for the sorcerer (I think? Can't quite remember now) who uses her power over men to great advantage. If that were toned down a bit, this book would be perfect.

[Emily · Rating 3 out of 5]

I was prepared to adore any book written by a woman who's cat is named Buffy the Vermin Slayer. Unfortunately, this did not quite reach adored status. The story of Risa of the Morelands and Sir Gawain of the Round Table is filled with Celtic mythology and Arthurian Legend. Risa's father has sold her to a sorcerer and Gawain must rescue her. That's pretty straightforward, but there is also another witch who wants Arthur's throne and sees Gawain and Risa's issues as fortuitous to her aims.
The pacing is a little slow, but the characters are well-developed and sympathetic. Zettel's take on Camelot is not wholly unique, but she throws in enough of her own inventions to make this different enough from other Arthurian tales that it doesn't feel old hat.
This is the first book in a series, but I don't own the other three. From reading this, I would be interested in Gawain's brother Agravain's story, but in doing some research his is the fourth book, and I didn't like this enough to slog through another two 400+ page novels to get to that. In my opinion, the ending of a series book should make one long to pick up the next, but I am sort of glad this didn't. This way I can leave it here with a satisfying wrap-up, knowing Gawain and Risa are going to be happy and well.

[Barbara ★ · Rating 5 out of 5]

This is the third book I've read this month pertaining to Merlin and/or Avalon. This is the best one yet and it's only the first in a series. It's a tender love story in the midst of terrible danger. I can't wait to see where For Camelot's Honor takes this tale.

Lady Risa is promised at birth to the evil sorcerer, Euberacon, who is intent on dethroning King Arthur. Of course, Risa has absolutely no intention of becoming Euberacon's tool of destruction so she flees. She meets up with Saxon forces who are marching on Arthur and is rescued by Sir Gawain himself. Since she will not return to her father, she continues to Camelot with Gawain. They stop at Pen Mahras to recover after the battle with the Saxon's and end up smack dab in the middle of another battle with the Saxons.

[Janelle · Rating 5 out of 5]

I’m not really a romance reader but I do love anything Arthurian and these 4 Camelot books by Sarah zettel really hit the spot. I loved them all!

[Silver Petticoat · Rating 5 out of 5]

Read this entire review and others at The Silver Petticoat Review: IN CAMELOT’S SHADOW BOOK REVIEW – RISA AND GAWAIN’S ROMANTIC STORY

Review by Mandi Harris

Overall Rating = 5; Romance Rating = 5

In Camelot’s Shadow by Sarah Zettel follows the story of Risa of the Morelands as she escapes a terrible fate. Before her birth, her father promised her to an evil sorcerer to save her mother’s life. When she learns of what he has done, she seeks to escape. There, fate puts her in the path of one of Camelot’s greatest knights, Gawain. The two must work together to survive, break curses, and save Camelot from an old threat. All this happens while romance blossoms between the two.

The book is based on the legend of Sir Gawain and Dame Ragnelle. Gawain’s love for Ragnelle breaks a curse that causes her to look like a fearsome hag. After writing about Arthurian knights last month, I wanted to revisit this book and share my review of it.

In Camelot’s Shadow is a great mix of Arthurian legend, myth, and fantasy. I love the way the book tells the story of characters other than Lancelot, Guinevere, and Arthur. In this book, the legendary characters only serve as background characters to Risa and Gawain’s story. The book does a good job of switching between perspectives in a seamless way. The book doesn’t miss a beat and readers will enjoy the mix of action and romance. Another great thing about this book is the great characterization of Risa and Gawain.

Risa is a strong hearted character. She loves to shoot her bow and ride horses, reminding me of Merida in Brave. She loves her family even when she finds out what her father did, having hope he can be redeemed. Risa also faces down a war and an evil sorcerer with courage. Gawain is more than her match in the book. His nobility and bravery complement her own. Moreover, he treats her with respect. He acknowledges her bravery as well as her beauty. Gawain also has flaws that he learns to overcome. Their romance is swoon-worthy.

The two have a chemistry from the start. Gawain, who is used to being a ladies man, finds Risa a challenge. Instead of just wooing her, he truly wants to win her heart as he realizes she is no ordinary maid. Gawain and Risa’s romance is built on growing love and respect. He is willing to go above and beyond to have her at his side.

If you want a good Arthurian romance without the tragedy, check out the wonderfully romantic In Camelot’s Shadow.

[Kiri Lucas · Rating 3 out of 5]

This one has sentimental value as it is part of a series that I started reading as a teenager. As a teenager I liked fantasy, romance, and reworkings of other stories so this book would've ticked all the boxes back then!

Lady Rhian is ready for marriage but frustrated because her father refuses to give his consent to any suitor. Rhian is devastated to discover that her father cannot give his blessing because she was promised years ago to a sorcerer in order to save her mother from death. When she runs away, her path crosses with Sir Gawain, a knight of the Round Table. He promises to take her to Camelot so that she can ask for protection from the High King.

Gawain is pretty swoon-worthy (to a teenage girl) and Rhian has some touches of independence, resilience and humour that stop her from being a stereotypical damsel in distress. As an adult, I found the villainous women in this book and some of the sub-plots more interesting than the central romance. Overall, I liked it.

[M. L. Valard · Rating 4 out of 5]

4 stars.

I have always loved the story of Gawain and the Loathly Lady. And Gawain has always been one of my favorites among the knights of the Round Table. This book was a fun and lovely reminder of all the things I have always loved in Arthuriana and its own interesting take on both the story of the Loathly Lady and of Gawain's adventure with the Green Knight.

I very much did enjoy this interesting visit back to the days of Camelot. For me the author hits just the right combination of possible history and fantasy and mystery that really belong to the stories in this one.

[Tracey · Rating 3 out of 5]

Camelot’s shadow Has been an intriguing read. I enjoyed the twist of the story being from Gawain’s And Rhian’s Point of View.
I have always loved Arthurian legend , And Sarah Zettel As of increased my pleasure in reading about King Arthur and Queen Guinevere and the Knights of the round table.
It had the perfect amount of magic, darkness and love and bravery in the story as well as Mythical legend.

[Nicole · Rating 3 out of 5]

2.5. This is one of my nostalgia reads that I hadn't finished from last year. It took a long time for me to read since it was during the midst of my reading slump and it couldn't really bring me out of it. It was definitely an interesting take on Arthurian legend, it didn't hit hard on some of the more emotional beats that I wanted it to and it read a bit on the lighter side considering some of the content that it covered.

[Sue · Rating 2 out of 5]

Billed as an Arthurian romance I was intrigued to give it a go having not read a fantasy novel in a long time. First of a series which I didn't realise. Very disappointing. Silly plot, heroes can do no wrong, to the extent I didn't care what happened to them. Won't be reading the next one.

[Caryyy · Rating 3 out of 5]

Der Schreibstil ist so unglaublich gut obwohl man sich erstmal daran gewöhnen muss, wenn man (wie ich) nicht so viele Artus-Sagen in dem Stil liest. Dennoch ist das Buch nicht so mein Stil. Trotzdem haben sich die 3 Euro auf dem Flohmarkt gelohnt hihi

[feux d'artifice · Rating 1 out of 5]

an utterly tedious and boorish read. if it weren't for the fact that this was a book club book, I definitely would have stopped after a couple pages.

[Milaryn · Rating 2 out of 5]

Eh, not my type since it's a bit too heavy on the romance and the "perfect man" and "perfect woman" and the "perfect couple". Dunno if it's my version, but could do with another edit.

[Rachelle · Rating 4 out of 5]

I enjoyed this enough to keep it, admittedly it's pretty predictable, but I liked the characterization and the heroine wasn't limp and useless which helped.

[Chelsea Banning · Rating 5 out of 5]

I really enjoyed this book. While it was somewhat of a slow start, I'm glad I pushed through. I loved this retelling of Sir Gawaine and very happy to realize there is a sequel!

[Dr Dan · Rating 1 out of 5]

Utter drivel. Gave up at about p150.

[Morning Glory]

One of the best portrayals of how Christianity weaves into your thoughts

[Lisa · Rating 5 out of 5]

Exploring the internal and external struggle of duty to family, king, and self.

[Marylebone · Rating 2 out of 5]

Enjoyable but not compelling enough to make me read any of the other stories in the collection.