This is essentially two books in one.
One is Stewart's pitch for the movie trilogy she claims was ripped off for both The Terminator & The Matrix. It's just an outline, and about thirty pages long, though she also includes the same outline in manuscript form. This outline is, to be blunt, unfilmable. But more importantly, it barely resembles either film. Instead it's a planet-hopping, lore-clogged sci-fi story with much more overt Biblical overtones. The only real similarities are that there's a post-apocalyptic dystopia, and that there's a chosen one, but neither resembles The Matrix much - most notably, this pitch has no Matrix, because everyone involved is fully aware they're in a dystopia. Later on there's a guide to which elements match up with which elements from The Third Eye, and they're extremely broad - her pitch has spaceships, The Matrix has a ship in it. She has chosen ones and mentors, The Matrix has chosen ones and mentors, including a claim that Switch rips off one of her characters because they're both underdeveloped.
The villains aren't killer robots, they're a group called the "Rothfellers" that own the banks and the media. And who want to kill a stand-in for Jesus. And whose symbol is a six-pointed star made of two pyramids. In other words, they're a pretty nakedly antisemitic caricature. In fact, the whole pitch has a huge conspiratorial bent, with talk of ancient aliens, pyramids, Christian apocalyptism and graphs of world power, in the form of pyramids.
The bulk of the book, though, is made up of legal documents. These are boring, and none of them prove her case, but the most telling is the story of how the "story" was stolen in the first place. See, according to this book, the Wachowskis ran a contest in the mid-80s, where they were in Hollywood. But in the mid-80s, the Wachowskis were in college. They wouldn't have a single entertainment credit until some comics work in the early 90s, and their first film credit was in 1995. That one fact just leaves the rest untenable.
The book concludes with a pitch for another film trilogy, and that really drives home what's wrong with this book: it's just outlines, pitches, and ideas. There's no actual stories to read, just plans to write a story someday. Which isn't very much at all.