unintentionally and unfortunately read this quite slowly, picking it up and putting it down over a couple of months or so. However, once I finished I went back through all of my underlines in hopes to wrap my head around the book, which was helpful.
Chesterton, Lewis, and Tolkien: my literary Holy Trinity. These dudes have shaped my life and worldview in more ways than I know, and have opened my eyes to the good, the true, and the beautiful. Was excited to see what Williams had to say.
There were some really good parts of this book, and also some not so great. I'll briefly discuss both.
Williams primarily focused on one particular author (and one of their particular books) in each chapter, although there's much interweaving and building off of one another's ideas as expected (Lewis and Tolkien were hugely influenced by Chesterton and one another).
For Chesterton, Williams primarily discussed The Everlasting Man, and how Chesterton argues art is the signature of man. He suggests it is what differentiates himself from the animals, and points to the ultimate Creator. We create art because we are created by an Artist and made in His image. We tell stories and best understand life as a story because there is an ultimate Storyteller. Chesterton was fighting the reductionism of his time (and the time to come), and he fights well.
For Lewis, Williams primarily discussed The Abolition of Man, but also touched on The Space Trilogy and the Chronicles of Narnia. Williams portrays Lewis as a prophet, calling out those in his day who'd begun to reject Truth (specifically within the education system), and he warned that if things didn't change (if we didn't return to the Truth), we would become "men without chests," something less than human. Williams discusses Lewis' Tao, which in short is the belief "that certain attitudes are really true, and others really false, to the kind of thing the universe is and the kind of things we are." Lewis is arguing for objective truth, that absolutes like good and evil and right and wrong must be held to, or else there is chaos. Lewis couldn't have been more right.
For Tolkien, Williams discussed the Lord of the Rings and faerie. He talked about how one feature of the fairy story which is central to Tolkien's literary apologetic is the happy ending (begins with "once upon a time" and ends "happily ever after"). But it's not just the fact that things turn out well: "it is a sudden and miraculous grace... it does not deny the existence of... sorrow and failure: the possibility of these is necessary to the joy of deliverance. That is why, when the "turn" comes, there is "a catch of the breath, a beat and lifting of the heart... as keen as that given by any form of literary art. He calls this eucatastrophe, and suggests that it moves us so because it carries a glimpse of deeper realities about who we are—about our own story, as it were. And the greatest eucatastrophe is the gospel, the story that entered history and the primary world. Williams writes, "the incarnation, sacrifice, and resurrection of Christ not only complete and fulfill Old Testament prophecy, they also complete and fulfill the plots of all the great myths and fairy stories of the human race."
Williams included two appendixes that were essentially a tangent about postmodernism. Which is fair, but wish they weren't included. Didn't jive well with his discussions on the works of Chesterton, Lewis, and Tolkien in my opinion. A rough landing to the reading experience.
In conclusion, this book felt like an intro to Chesterton, Lewis, and Tolkien course, which I'm not upset about. Williams discussed the main ideas in their greatest works, and how they're full of the good, the true, and the beautiful. Thankful for Williams and how he brought these three together.