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481 pages, Kindle Edition
First published January 1, 2012

“Look!” she said to him, stopping and pointing at the sky. “do you see it?”Later he has taken in the image, made it his own:
“What?”
“A kestrel! See it, with the pointed wings and long tail?”
The bird sculpted a wide arc in the sky and then perched on a high treetop. Daniel saw it, and raised his hand to see more clearly.
“They’re beauties. We have to watch them from getting the chickens when they’re small, but I think they’re elegant, don’t you?”
He felt strange: bereft, alone, cruel—like a falcon he had seen on his way to school one day, intent on a post, dismembering a field mouse. He didn’t know where his mother was. It felt as if she had been stolen.And as he feels the claws of his own guilt:
he felt darkness circling around him and alighting on his chest, hooded, wicked, shining black like a raven. Daniel put a palm to his bare chest, as if to relieve the sting of the claws. He had left her, yet her leaving still seemed the greater. As he turned and turned again he felt the death beyond the loss that he had created. Her death was heavier, dark, like a bird of prey against the night sky.A visit to Hadrian’s Wall sings as an image of permanence. There are several mentions of sliced flesh that might raise hackles. And you might keep an eye out for the butterflies that flutter across the page on occasion. Ballantyne does not beat her imagery to death, but sprinkles it throughout her tale to add flavor, like a well moderated condiment.
This book is very much Daniel’s story – of being a young, damaged and violent child, but someone who grew to become a largely functional, caring adult. Sebastian, the young boy on trial in the book, is there to throw Daniel’s story into relief.A very warm interview with the author, from Scotsman.com. Not a bit of haggis in sight.
Daniel swallowed. "If nobody else wants me, do I get to stay here then?"