This is the first novel in Martha Grimes’ long-running British police procedural series featuring Richard Jury and Melrose Plant. The book was originally published in 1981 so the reader must realize from the outset that there will be no cell phones, no personal computers, no Internet and no pocket-sized personal cameras to aid in solving the murder. It will be an eyes, ears, brain and door-to-door investigation.
And, the author makes more than the identity of the murderer a mystery.
First, she gives us a day and date on which our story begins, but she does not provide us with the year. Based on the structure of the dialog in the first few chapters, this story could be taking place anytime since the turn into the twentieth century. However, she does give us clues to narrow it down and a not-so-quick trip or two through Google helped me out there, a trick that readers back in 1981 could not execute. But, then again, those clues would have been far more familiar to a reader of that time anyway.
Secondly, the author describes all the suspects and secondary characters in fine detail but fails to provide us with much of anything in the way of a physical description for our two protagonists. It took the entirety of the first three chapters just to glean that Plant wears gold-rimmed spectacles on a fine nose, is in his early 40’s, has green eyes, is single and is “not terribly handsome, but handsome enough, not terribly tall but tall enough.” And as far as Jury, our main protagonist, is concerned, there is nothing beyond the fact that he is in his early 40’s, single and childless – no hair color, no eye color, no body build, nothing.
Thirdly, the author gives us very little backstory for either Plant or Jury. We seem to encounter them in the 40th year of their lives, fully made, with just the barest hints of painful events in each of their pasts. The intimations are presented just often enough to make the reader believe that more will be revealed as the series needs it to be revealed.
And fourthly – and most importantly – the author provides our story in the form of dual first person POV’s, those of our two main protagonists, Jury and Plant. If they don’t see it, hear it, read it or think it, we don’t know it. Therefore, we must pay close attention to not only find the clues but to attach them to a suspect.
The author’s writing style is descriptive and full but not overly wordy. And, yes, an American reader may need a dictionary at times. The dialog is tailored to fit each character’s implied personality and ranges from witty to serious to sarcastic to tongue-in-cheek. The internal monologues of Plant are often hilarious and full of double entendre, but fully illustrate his intelligence and comprehension. And Jury’s internal monologues are filled not only with logic but perception and compassion.
The author has created DCI Richard Jury as an honest, hard-working CID detective with good insight into the machinations of human nature, work place politics, and command dynamics. She has created a believable character who should be a delight to follow into further mysteries, particularly as she adds Melrose Plant in again as his unofficial investigative partner.