Ryohgo Narita (成田 良悟, Narita Ryōgo) is a Japanese light novelist. He won the Gold Prize in the 9th Dengeki Novel Prize for Baccano!, which was made into a TV anime in 2007.[1] His series Durarara!! was also made into a TV anime, which began airing January 2010
There are two traits found in most of Narita's works: * Narita writes extremely fast, one volume a month if he wishes - with tons of spelling errors and missing words as a tradeoff. The editors like to leave them sometimes just for fun, though. * His work titles often have an exclamation mark at the end (i.e. Baccano!, Vamp!, Durarara!!, etc.).
Frank was taken by the Nebula corporation during Lamia’s fight with the Russo family. And Rail wants to save his friend. But Rail needs help, in more ways than one.
Huey orders Sham to help Rail. But something feels off. Does Huey know what really happened when he lost his eye?
Isaac is lost in the city until he comes across a rather mysterious helpful person named Sham.
Leeza’s furious because someone stole her father Huey’s eye. And she’s ready to rage out, thirsting for vengeance.
Firo Prochainezo and Ladd Russo are still stuck in Alcatraz, trying to figure out their next move.
Miria is trying to find Isaac, with the help of Jacuzzi Splot’s gang of delinquent youths. But they’re quickly caught in the middle of some deafening explosions. And, due to a mix of unfortunate coincidences, Nice becomes the police’s main suspect.
While the story is quite complex and features a whole army of characters, the core of the story can actually be summarized simply as: “who is betraying who?” If you’re reading through all the dialogue, you can occasionally find some hints that there is more going on than just the obvious in your face betrayal of one character. And this doesn’t mean the loyalty towards just other characters, but also to the character’s own beliefs and morals. A good example of this is the character arc of Christopher, as we already know from the previous book that he’s evolving as a person. He was raised as a natural born killer, but he’s starting to realize that he doesn’t actually like killing people.
I also really like the Peter Pan references. Ladd considers Firo to be a Peter Pan figure because he always looks out for the little ones. An old school kind of gentleman who refuses to let any harm come to women and children. And Firo referring to Ladd as the big bad crocodile who needs to cough up his clock, because he’s basically a ticking time bomb of pure violence, is just done so well. It’s an oddball friendship that for some reason just works here. It’s not the heart of the story, but rather a nice little bonus.
On one hand, a solid conclusion to a trilogy in the middle of the series that started out strong but dropped the ball in the second book. The ending in particular is satisfying in all the right ways. On the other hand, quite complex and a bit of a messy execution at times.
Considering how many plotlines, pov's, and timelines have been juggled in each arc leading up to this, this volume does a surprisingly good job of tying them all together in a way that feels like a satisfying climax that also sets up whatever comes in the next 10+ volumes. While each previous arc has obviously been connected by common characters, this is the first time they all feel really connected by a plot heading towards a shared conclusion as well.
Too maby jumps between characters. Too many informations. And too many things in one book. Ok, I still like Baccano and Ryogho Narita writting and the way of creating characters, but... I'm also lost. From some point of series I even don't recognize who is who. There's too many characters!!! And too many plot. I love the first, second or third book, but now It's guilty pleasure, nothing more :(
Well, this took me way longer to finish than I expected when I started it. (Not because it was bad or anything, it just happened to be busy and difficult at work so I didn't have the energy to read novels anymore. But hey I'm back to the Baccano series, so yay!)
Because of that, and this book being the final part of an arc that started two books ago, I don't really remember what I read in which of the three books (since it always goes in a thousand different directions at the same time) so I'm not sure I can give an accurate rating/review of it...
Though, I do need to say that I'm starting to lose track of who's related to who with all those new characters introduced each book.
Also, Firo and the two idiots are still some of my favorites, and I'm kinda getting really interested in all the homonculi. Ah, but, I still can't stand Ladd, also his buddy Graham who's basically the same kind of crazy character. Curious to see where we're going with Leeza and Sham.
All in all, it's still a Baccano novel, which means I'm bound to enjoy it all the way to the end. There will always be some things that bug me, but it never stops me from having a good time reading these...
I think it was a good conclusion for the 1934 arc... We now know just how fucked up Leeza LaForet is, poor Firo I was genuinely scared for him. I can't wait for a reunion scene between Leeza and Chané, I want to know so bad how they are reacting to each other. Huey LaForet seems very unpredictable and mysterious, and that scene between him and Renée got me out of nowhere. I also want to know how Ladd is going to react if he finds out that the alchemists daughter he fought on the train is engaged to the red monster. The only thing I didn't like was that there was no scene between Claire and Chané in that volume because they are my favorite characters.
A bit of a mess... There are some surprises that saved the book. Narita goes above and beyond to try and confuse you about what’s happening, but he does it by abusing point of view changes and using some half-assed explanations as to why certain coincidences happen... it didn’t feel natural. Frustrating... it could have been so much better