Trick of the eye by Jane Stanton Hitchcock is a difficult book to characterize – it's part-Great Gatsby high society novel and part-mystery whodunit. But it's enormously psychological nonetheless. Jane Stanton Hitchcock is adept at capturing emotion in her novels, and this really a sophisticated novel about the sophisticated. The twists and turns were amazing.
The plot and the characters are very well laid out. As is Hitchcock‘s tendency, she gives us a lot of personal backstory to digest on every character, from their psyche, to their family history, and emotional disposition, and somehow she effortlessly fuses that into a murder mystery. I loved the depth of the protagonist Faith Crowell, who infuses herself into a wealthy client's home to paint a mural. She quickly learns that a murder happened in the home, but from the moment she comes on the scene, nothing comes across as “detective-like reconnaissance”. Rather, it felt natural and organic that she should join Francis Griffin in the home. In fact, the story takes us into the emotional world of Faith Crowell, a lonely, single divorcee with limited hopes or dreams for the future to such an extent, that by story’s end, I actually thought Faith was foolish not to go further and become a "adopted daughter" to Francis, living with her in the home.
I found this book to be tremendously entertaining and unpredictable, and it has a smooth easy narrative. Very pleasurable. In the genre of hard-nosed whodunnit crime series replete with boring law enforcement jargon and forensics technology, I feel this was heads and shoulders above the rest. Hitchcock brought back the love and humanity that I so desperately wanted from a murder novel. Readers may feel like I did - completely en-wrapped in the story. Imagine : an artist hand-selected by a heartstricken mother who may have been complicit in her own daughter’s murder? And an unsolved murder at that? And the murdered daughter shares a remarkable resemblance to the artist? I just love the plot lines.
Hitchcock brought out a lot of empathy for the characters, and by the end I found myself “feeling sorry for the rich”, which was the same feeling I got reading her book Social Crimes. I also felt myself getting more introspective on loneliness and old age, and on the fakery of affluent society. Where Hitchcock really impressed me was in her ability to have a mystery novel protagonist, Faith Crowell, question her very own identity and independence, and weaves that into all her sleuthing work.