"I wanted to see her again. I wanted to see the life in her face. I longed for her as any son would for his mother, even so frightening a mother as she had become. And so, two years after leaving her, I dropped everything and returned to her a stranger.”
The last book for Canadian Literature full government name, who cheered??? This was the book I was anticipating the most from our syllabus and yknow what…I was not disappointed.
Edit: you already know wtf I'm gonna say, this is me writing like over two months since I've read this, I've finished exams, I don’t remember too much of what I read, let’s rock and roll.
David Chariandy’s 2007 novel Soucouyant is told through the perspective of an unnamed man who has returned home to his dementia-addled mother Adele. Throughout the story, we are told fleeting bits and pieces of Adele's life in Canada as a Caribbean-born immigrant as the narrator attempts to make sense of his mother’s past. Alongside him is a mysterious young woman who occupies his house, and who also has a past that must be uncovered. Set in Ontario near the Scarborough Bluffs, we dive into the immigrant experience, tragic family dynamics, generational trauma, and more oh my!!
Alright so yeah I cried, let's just start there. I don't have any personal experiences with family members who have dementia, but I was fighting for my fucking life at some points! I kind of felt like Chariandy's writing was a little distant sometimes, but this is mostly with regard to the narrator, who almost isn’t the main character. Although we read his first-person perspective, his presence in the book is quiet. He sees things and does things and says things and has things happen to him, but he feels more like a vessel for information than an actual person at times. Either way, I would also describe Chariandy’s writing as subtly heart-wrenching. There are moments that aren’t necessarily devastating on their own, but he builds upon his writing to create layers of meaning and implication that punch you in the face when you understand the gravity of Chariandy's words. These more quiet notes aren’t difficult to pick up at all, because Chariandy is good at keeping the story going; the events unfold as they need to, when they need to. Soucouyant is very character-driven, and he interposes past and present fragments to flesh out his characters. In other words, he injects slices of memories into the present narrative that both fill in the gaps and leave you with questions. I’m such a sucker for non-chronological storytelling, and Chariandy’s use of it in the book is one, very fitting, and two, powerful.
Okay let me get back to the emotions I felt because I cannot express how much this shit got me. Obviously a story about dementia is going to rip you apart, but I was still not ready for the deterioration of the relationship between Adele and her husband Roger. I find myself more compelled by the parent-child, particularly mother-child, dynamic more in fiction, but ohhhhhh Adele and Roger's story made me inconsolable. The shared experience they each have as non-white immigrants in the country made their union particularly emotional and yeah. I can't resist mentioning this one section when the two of them met that made me gasp when I read it because it's so wonderful: "A world of news in his satchel, the burnt chocolate darkness of his shins. It's been so long since she's seen anyone with such skin. Like wet earth. Like molasses." It's simple but girl this whole part of the story that I quoted this from made me emotional as hell life is so unfair. Anyway, the inner workings of their family are only shown in glimpses, and although I wouldn't have minded more family moments, especially between the narrator and his older brother, what we do see is full of significance. Additionally, the novel does indeed focus on mothers—yes more than one. Of course there's the narrator and Adele, but there's also Adele and her mother. I'll talk a little more about this in a sec, but the mother-child relationships in this book manifest very interestingly in the titular figure of the soucouyant.
The soucouyant, a Caribbean folklore character that I would recommend looking up if you're interested, has a very compelling reoccurrence in the story regarding Adele's memory and Adele herself. In the book, a soucouyant is described as a female vampire who disguises herself using the skin of an old woman. The role of the soucouyant in the story and what it represents is somewhat variable, but what I've resonated the most with is how it speaks to generational trauma. Like I said before, the novel invests in mothers and their children, and without giving unnecessary details, there are some notable parallels between these mothers and the soucouyant. This probably makes no sense, but this is something that really fascinated me while I was reading, and as a Certified Motherhood/Womanhood/Complicated Family Dynamic Story Lover, I enjoyed Chariandy's interpretation.
One last thing about the central concept of memory and history, particularly how these two things intertwine. The subtitle of Soucouyant is "A Novel of Forgetting," and I love it. The novel revolves around excavating Adele's past, including and especially her traumas, before it slips away into whatever the opposite of memory is. There's a part that touches on how forgetting can be life-sustaining, and relating to Adele/racialized first-generation immigrants, this sentiment is very true. When is it better to forget a bad memory, and is there any benefit to remembering it? See it's shit like this that I dig so so much, and Soucouyant wrestles with this question well. The novel shows a lot of instances where horrible shit has happened to our characters; the narrative is a mosaic of the past and the present; there is an emphasis on Canadian national history, non-Canadian history, and settler history. Like, this shit matters!!!! We are who we are because of our pasts and what we remember of it type deal.
This is an easy four, I have a proclivity to liking shit that makes me cry and this was a good one! oh boy was it good! I love angst, I love character stories, and I love anything to do with family structures. Soucouyant is for the second-generation immigrants out there. A little intertextuality moment that I liked was the inclusion of the poem "The Scarborough Settler's Lament." There's very interesting commentary on Canadian multiculturalism. This family deserved so much better omg, it's been two months since I read this and I still feel a little empty slot in my heart.