My first delve into the strange and wonderful worlds of Jack Vance. This book covered seven takes covering a writing period of 1945 to 1967. It shows a gift for creating varied and interesting stories using all aspects of the genre, indicating why he was seen as o e if the leading lights of the genre. There’s a blend of the fantastical of Aldiss, the tech thriller of Dick, the space adventure of Asimov or Heinlein, definitely a man of many talents, though not all entirely successful.
I’ll just give a brief synopsis and review of each tale:
The Narrow Land (1967) - an intelligent creature is born from a cluster of eggs into The Narrow Land, a thin world bordered on two sides by a giant storm and a wall of darkness. We follow his life as he learns this world and its strange rules.
This was a great tale full of pure imagination built on a single high concept. It plays out like a snapshot of sociology, evolution and gender politics but shot through with a hint of 60s psychedelia that makes it a thoughtful, weird bit fun read. One I think I’ll enjoy more with each reading 4/5
The Masquerade on Dicantropus (1951)
A married couple on a far-flung research station are disrupted by the sudden arrival of a handsome space traveller. As he inserts himself into their lives, a growing desire to know what’s in an alien pyramid nearby leads to strife and discovery.
This was one of the weaker tales, a pretty standard 50s sci-if tale you’d expect in Amazing Stories and suchlike of the time. It rattles along well enough but I found the unending unbelievable and overtly comic, making the tone very inconsistent overall. 2.5/5
Where Hesperus Falls ((1956)
The man who cannot die lives a in a seeming paradise, but with his every move watched over by a society that Idolises him. So why is it that he desperately wants to kill himself and why are they preventing it from happening?
This is an excellent sci-fi tale with a darkly comic tone. In an age where male suicide is a hot button issue, this very humorous story centring on a quest for the protagonist to take his own life (and for the reader to will him on) is a deft twist of societal norms and a warning against how exciting immortality might actually be. The plots follows his increasingly inventive ways to die and a final cunning plan that we see through to a hilarious conclusion. I loved this story, it’s everything that made ground breaking 50s sci-fi so enjoyable. 5/5
The World Thinker (1945)
Lanarck, a Hardned space detective with attitude, is put on the trail of a missing young socialite, Isabel May. Is Johnny bring men to the presents of a Godlike creature, and into a world of his making.
This imaginative, exciting space opera adventure, the earliest work in this book, was an early work in Vance’s career. It’s a pure space romp very much of its time, combining space opera adventure with elements of hard nose 40s, detective fiction. Lanarck is a great lead character, not afraid to stand up to us bosses or bend and break the rules when necessary. The adventure itself feels inspired by Rice Burroughs combined with the popular other worlds fiction of Flash Gordon and Buck, Rogers of the time. There’s an incredible imagination on display here with the concept of a’’ world that leads to some dramatic twist and turns and a very very exciting. The denim was also I’m using (something that seems to be a hallmark of advance in most of these takes). I’m hoping he wrote more stories, featuring Lanarck as he is very much a character I would like to soend time with. 4/5
Green Magic (1963)
Howard Fair is an Crowley style student of the Mr Clark. The discovery of a journal of his deceased uncle lead him to try to discover the secrets of the mystical green magic.
This was Vance stepping out of sci-fi to something more magical, the world of the Fae. I found this story to be slight and the lead character rather unlikable. As such I wasn’t really engaged with this one, perhaps that’s a matter of personal taste as I tend to not like this sort of magical fae tale. This seemed like an early 60s attempt at something more pagan and fantastical, which I don’t feel was particularly successful. 2/5
The Ten Books (1951)
A couple unsuccessfully charting the furthest reaches of space finally strike gold with the discovery of a planet of populated by a lost colony of humans, totally isolated from Earth. Their society has become Utopian, with no illness, greed and a shared desire for knowledge and artistic perfection. Do the couple reintegrate this colony with the rest of human society, knowing they will be exposing it to the reality of life on earth: corruption, societal dysfunction, and class struggle.
Given the time of its writing, this is an interesting piece of work from Vance. The society he paints is one of seemingly pure, perfect socialism, and I suspect that was very intentional. He seems to put a lot of Stock into the societies ability to weather storms and find solutions to all problems. The picture he paints of earth at this time also feels like reaction to what he could see going on around him postwar, with a growing trend towards consumer and capitalist living. Personally, I feel if that is the case this is a bit ideologically naive, but there’s enough of an end for the reader to assume Vance was not 100% nailing his colours to this utopian socialist mast. I like a piece of sci-fi that gets me thinking and it’s not so heavy-handed that it was immediately obvious where this was going. An intelligent piece of sci-fi writing that shows Vance was thinking far beyond the space opera tendencies of many of his peers at the time. I would align this with the style of tales told in the Foundation series. 3.5/5
Chateau D’If (1950)
In a near future, five comfortable young men facing ennui learn of the Chateau D’If, a business promising adventure for the bored and listless. Two packages are available: £10million or £10,000 but information is scarce. The roll of a dice decides who will take up the lower package to discover its secrets. The result leads to horror and conspiracy.
This book finishes strong with the best tale of the bunch. I find it amazing. This was written in 1950. This is a forerunner to the type of near-future tech horror that Philip K Dick made his own, and more recently Charlie Brooker’s Black Mirror. I can only imagine this story was hugely influential on both of these, tapping into ideas of identity, class, capitalism and power. It’s even-handed, playing out as a mystery, revenge story and ultimately idealistic take on the spirit of Man. The idea of the separation of mind and body and what truly makes us who we are is fascinating. I will read this again and would love to see this adapted sone time as it would make a great tech-thriller! 5/5