“Of all my children, you were always the hardest on yourself. You were always looking for the right way to behave, so concerned you might make a mistake. But, darling, there are no mistakes. There are only our wishes, our actions, and the consequences that follow both. There are only events, how we cope with them, and what we learn from the coping." (Thomas Lynley's mother, to him, from "With No One as Witness")
I am always challenged, infuriated and often disgusted by Elizabeth George's Inspector Lynley series. She offers little cover for readers from her unyielding gaze upon depravity and cruelty. Her characters' flaws and poor choices are aggravating and obstinately entrenched.
She seldom shrinks from terrible events, cruelty, injustice, casual unkindness, and vile human nature that mar, gouge, and shape the world.
While her books are never easy reading, she skillfully uncovers her layered narratives with unrelenting honesty, aided by her misfit collection of unblinking investigators. The tortuous self-examination of the socially privileged, unfailingly polite, but decidedly non-conforming Detective Superintendent Thomas Lynley is offset by Detective Sergeant Barbara Havers' abrasive qualities, including a slothful lifestyle and appearance, harsh judgment, social insecurity, and compulsive insight. Detective Sergeant Winston Nkata offers additional racial and social sensitivity, great instincts, and quiet competence. Havers and Nkata are also unwaveringly loyal to Lynley. This trio of well-developed characters offers excellent opportunities for stretching readers' understanding of human nature and our own self-examination, as well as exploring evil done by and to real and imagined monsters that lurk in darkness and expose our fears and flaws. In short, Elizabeth George is an excellent writer of weight and substance, who plies her craft in the psychological mystery thriller genre, deftly carrying readers through her complex storytelling with great skill and deep understanding.
While I have read all her other books to date, I somehow missed this piece that is prologue to all subsequent volumes. I knew that these events had occurred, because the lives of the characters are never the same afterward, but I had not experienced the process that makes this volume pivotal to the series. Elizabeth George surgically damages the lives of her creations to make them grow in nearly every book, but this one cuts very close to the bone, with calculated destructive power that shatters and demands future transformation for her characters. Together with these damaged children of her imagination, we readers experience these events, cope with them, and are finally left with "what we learn from the coping." This is essential Elizabeth George and, perhaps, her best work.