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十二楼·合影楼
李渔
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《合影楼》写元朝时广东曲江县有两位缙绅,一是屠观察,一是管提举,两人是一门之婿,又都被岳家招赘,但性情各别:屠是风流才子,管是古板执拘的道学先生,两家由此不睦。在岳父母去世后他们将一宅分为两院,不料,管提举之女玉娟和屠观察之子珍生,却通过水中的倒影彼此相识,直至相恋。屠、管两家的朋友路公,同情这一对情人,认珍生为义子,又向管家求婚。两人成婚后,管家方知路公之子即珍生。后来两家推到了水上墙壁,以池上水阁作为洞房,名曰“合影楼”。小说情节曲折生动,语言流畅简练,实为清代白话小说的上品。
15 pages, Kindle Edition
First published November 23, 2012
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李渔
103 books
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李渔(1611-1680),初名仙侣,后改名渔,字谪凡,号笠翁。汉族,浙江金华兰溪夏李村人。明末清初文学家、戏曲家、戏曲理论家、美学家。著有《笠翁十种曲》、《笠翁一家言》、《十二楼》、《闲情偶寄》等五百多万字,改定《金瓶梅》,倡编《芥子园画传》。李渔自幼聪颖,素有才子之誉,世称李十郎,家设戏班,至各地演出,从而积累了丰富的戏曲创作、演出经验,提出了较为完善的戏剧理论体系,被后世誉为“中国理论始祖”、“世界喜剧大师”、“东方莎士比亚”,是休闲文化的倡导者、文化产业的先行者,被列入世界文化名人之一。
Source:
http://baike.baidu.com/subview/40458/...
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