In Final Demand, Deborah Moggach’s gritty novel of intrigue and suspense, a young woman solves her money woes with a cheque-cashing scam that, to her brash, egocentric way of thinking, is okay because it’s a “victimless crime.” In her early thirties, Natalie Bingham is smart, attractive, and working a boring, dead-end job in the accounts department of NuLine Telecommunications. Chronically dissatisfied, she bitterly resents NuLine and feels the job is beneath her, but she needs the money, desperately. Natalie loves money. She loves material comforts. She loves to buy things and go clubbing. But since Natalie’s slacker boyfriend doesn’t earn very much and her own salary is insufficient to cover expenses, the pressure of living beyond her means is starting to become unbearable. Then a casual remark by a co-worker twigs her to an opportunity staring her in the face. The more she thinks about it, obsesses over it, the clearer it becomes that the plan is perfect. It might be against the law, but if she’s careful the risk will be minimal, no one will get hurt, and she’ll get her revenge on NuLine. When her boyfriend suddenly moves out, Natalie, realizing she’s on the brink of financial ruin, decides to set her plan in motion. But Natalie’s big problem, besides being selfish and shamelessly unprincipled, is that she’s not careful, and it turns out people do get hurt. Moggach spends most of this gripping, swiftly paced novel with Natalie: we witness the scheming, the conniving, and get the excuses and justifications from her twisted young entitled woman’s perspective. But Moggach also shares the stories of Natalie’s victims, people who suffer the misfortune of crossing her path, who fall prey to her scam and suffer life-altering consequences just for being trusting or easily duped, or simply unlucky. In Final Demand Moggach creates numerous indelible characters whose fates matter in the process of telling a sordid tale of irresponsible and callous greed. The book is compelling and memorable if deeply unsettling; despite our repugnance at Natalie’s attitude and actions, we’re drawn into her unscrupulous, self-centred perspective, all the way to the unexpected ending.