Shion Miura (三浦しをん) (1976–) , daughter of a well-known Japanese classics scholar, acquired her love of reading at a very young age. When, as a senior in the Faculty of Letters at Waseda University, she began her job hunt looking for an editorial position, a literary agent recognized her writing talent and hired her to begin writing an online book review column even before she graduated. Miura made her fiction debut a year after finishing college, in 2000, when she published the novel Kakuto suru mono ni maru (A Passing Grade for Those Who Fight), based in part on her own experiences during the job hunt. When she won the Naoki Prize in 2006 for her linked-story collection Mahoro ekimae Tada Benriken (The Handymen in Mahoro Town), she had not yet reached her 30th birthday—an unusually young age for this prize; in fact it was her second nomination. Her novels since then include the 2006 Kaze ga tsuyoku fuiteiru (The Wind Blows Hard), about the annual Ekiden long-distance relay race in which universities compete, and the 2010 Kogure-so monogatari (The Kogure Apartments), depicting the lives of people dwelling in an old rundown wooden-frame apartment house. In 2012 she received the Booksellers Award for the novel Fune o amu (The Great Passage), a tale about compiling a dictionary. A manga aficionado, Miura has declared herself a particular fan of the "boys' love" subgenre about young homosexual encounters.
After my first two reads by Shion Miura, I was starting to think she could do no wrong. Well, "政と源" doesn't really prove me wrong, but shows the difficulty in keeping a top-class level when it comes to writing.
And that is not because "政と源" is a bad book, but because, compared with the previous two I had read, it feels like an afterthought. The book goes around a couple of old male friends (again, it seem Miura is obsessed with male friendship) that pass their days in a little town close to Tokyo. And, as with her other previous stories, the characters are well developed and interesting. But in this case they kind of feel repetitive (like an extension of the other books, in particular, "月魚") and stereotypical (the old grumpy, Clint Eastwood-movie roles type and the free spirit one). That Miura's writing and the situation she puts them in keep them interesting shows how good of a writer Miura is. But it still feels like the book is for a rainy afternoon in winter when you really just want to have a light read.
The best: Miura's writing; some very funny moments; the characters are relatable
The worst: the characters are stereotypical and their actions and reactions too; it pales compared with "月魚" or "神去なあなあ日常".
Other options: the two books I just wrote on 'the worst' section; Kenzaburo Oe, even if very different, would be recommended too, or Margaret Atwood
It's a typical Japanese narrative just like a breath of fresh air. In view of such a warm and touching story, company is the longest confession of love after all.