While The Ritual Process remains Victor Turner's most important and revelatory volume, Dramas, Fields, and Metaphors brings a refinement to his arguments that places them in historical and practical contexts. Thomas Becket's confrontation with Henry II illustrates, according to Turner, the manifestation of "social drama," or conflict which leads to reconciliation or revolt and new paradigms. But by far the most interesting historical chapter is the lengthy discussion on Father Hidalgo and the beginning of Mexico's independence movement from Spain. Hidalgo and the moment of independence, says Turner, is a liminal or threshold event that created the circumstances for constructing a Mexican national identity. Following on that, Turner proceeds to unpack the social and metaphorical uses of pilgrimage. Pilgrimage, too, is liminal, where pilgrims move out of their structured environments into anti-structure, a part of the liminal condition that levels and brings people into mass harmony--which Turner describes as "communitas." Individually, pilgrims essentially find themselves on a quest to find treasure, be it of the holy kind or the personal sense of illumination and self knowledge. Other chapters find similar roles for structure and anti-structure in Hinduism and Confucianism. Turner takes the final step in applying his understanding of these social and psychological conditions to contemporary society, and he thus includes hippies (he was writing in the early 1970s), Hollywood films, and communal millenarianism as modern day projections of these conditions that are reflective of an era of social turmoil and crisis.