Alice Herz-Sommer (26 Nov. 1903 to 23 Feb. 2014) was the world’s second-oldest known Holocaust survivor, attaining supercentenarian status. She attributed her long life to the salutary moral, spiritual and physical benefits of music, which in her words “takes us to paradise.” Her entire life revolved around it, and, as with Fania Fénelon and Zhanna and Frina Arshanksy, it saved her life and helped her and others to endure unimaginably harsh circumstances during the Holocaust, and in many ways before and after as well.
She spent at least four hours every day at the piano, even, to the degree that she could, after she was deported to the “paradise ghetto” of Theresienstadt in mid-1943. Her mother had been deported to Treblinka the previous year, and her husband was sent to Auschwitz; he later died of typhus in Dachau. However, Alice was spared deportation to a death camp because she was part of a select group of musicians and entertainers kept around for the benefit of the other inmates and so the SS could (falsely) claim that those in Theresienstadt were treated far better than those in the other camps. She survived the war and eventually emigrated to Israel and finally to London, and kept on playing and teaching until almost the end of her life.
The “musical theme” of the book is the 24 Chopin études, Opus 10 #1-12 and Opus 25 #1-12. Alice performed these numerous times – a tremendous feat since they are considered very difficult, some of them almost unplayable. The first several bars of each are shown, and there is a short analysis of each, which is accompanied by a description of individuals and/or events in Theresienstadt which are linked to it in various ways. Taken together they provide as complete a picture of what “life” (if it can be called that) in the “paradise ghetto” was like. Though Alice performed many other works as well (including, many times, the Beethoven “Appassionata”), the 24 études are the ones which always meant the most to her, and to her enthusiastic audiences, to whom they were a reminder that, at least in their hearts and minds, they were still free, and that there was still a better world ahead which hopefully they would live to see. Though many did not, many did, and they always remembered that, despite all the potential for evil and corruption that exists in the human spirit, there is also a nobility which music helps to bring out and lift up as a goal to be attained, through resisting, and rising up against, besetting evil.
Highly recommended, along with “Playing for Time” and “Hiding in the Spotlight.” There are also some absolutely amazing videos on YouTube of various pianists performing the Chopin etudes. I wish I could play like that!