The story is very interesting throughout the cycle's main 3 installments, the 'First Law' trilogy, and deep into the follow-ups, all gathered here for ease of reading. While more captivating than the extremely repeated patterns of installments in the fantasy universe of late, this is truly a treat for those who've been thinking of the 'First Law' trilogy as the next read, its true beauty lies in the no sugar-coating, in no singularly black-and-white personnae introduced on the pages, in twists within twists covered by secrets kept by string-pullers and paid in blood by masses of more-or-less innocents. J.A. manages to serve an interesting story, gruesome and bloody at times, with life-like chances of positive outcomes for any and all of the huge cast of characters popping on the pages. These portrayals are far from the standardised cliches for heroes, villains, and non-important side-chars, as nearly every 'named' creature has more than one side to its behaviour, beliefs and morales, compass notwithstanding... Descriptions of places and people are pretty detailed, down to almost the last minutae, the world is painted before our eyes whilst also leaving a lot for our imagination to fill the pictures to cinematically epic proportions. The best part however is that even the not-so-single-dimensional characters fighting on one side or the other of all the skirmishes, battles and wars are understandable, likable and realistic. This is not a story of bad guy coming to terms with his past choices and choosing to repent for his sins, this is not a story of a young and wishful boy growing up to become a staple of civilisation and heroics amongst the sea of bloodlusty enemies. No, here the cunning and the powerful with better backing tend to 'win', either by getting the title and recognistion they want or by simply surviving a day. There is mystery, there are a couple of big players that place their pieces on the universe's chessboard, but they too are not one-dimensional, good or bad. Even the way the 'magic' is incorporated into this world underpins the most efficient and most important aspects of the epic novels - it is not 2 pretenders fighting for a throne that encompass a full war, it is the masses of normal people who lay their lives for those higher in the chain of command that make a war a war. It is the bloody brutalism of reality and hardships to stand or fight against that reveal true traits of the people shown by Abercrombie in these books, not a "characters meet, blink, they get a mission, blink, they befriend each other and reach their destination more or less whole, blink, and they're back basking in new-found glory" kind of tale. This is a dark, devastating business, with many lives lost and many more altered beyond wishful thinking, with truth served differently for various residents. The heroes and heroines are not clean slates, nor are they ready to scrub off all their dirt, nor are they supposed to in this universe, because here 'you have to be realistic', 'you should never fear your enemies but always fear your friends' instead, and nothing is what it seems. And that's simply and plentifully beautiful... If only the series had not so much open-threaded sub- and main plots throughout. Sure it lends a hand towards eventual new additions to the universe, it also keeps the stories without the everyone 'live long and prosper' type of a good ending prevalent in fantay genre, but still there are quite a few chars that leave the scenes without any terminal resolution, either by abandoning their post or being thrown out, or walking out into the night or just by being left mid-action/mid-story without any mention by the author.