«Nuovi paradigmi per la “cultura visuale” contemporanea»
Dall’iconologia dello sguardo in pittura ai dispositivi ottici in letteratura, dall’immagine digitale alla teoria del ritratto, dalla figuratività dei testi allo statuto narrativo delle immagini, gli studi presentati in questo volume toccano i punti nevralgici dell’attuale riflessione sulla visualità e sull’immagine.
Hans Belting is a German art historian and theorist of medieval and Renaissance art, as well as contemporary art and image theory.
He was born in Andernach, Germany, and studied at the universities of Mainz and Rome, and took his doctorate in art history at the University of Mainz. Subsequently he has held a fellowship at Dumbarton Oaks (Harvard University), Washington, D.C.