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A Casa do Incesto & Outras Histórias
As quatro peças presentes na obra fazem eco aos temais universais e modernos dos relacionamentos e experiências tão explorados nesses Diários.
Tanto a lendária Casa do Incesto como as três novelas integrantes de Inverno de Artifício estão entre os primeiros trabalhos de ficção publicados pela autora. As histórias de Inverno de Artifício são estudos sobre o relacionamento pai-filha e explorações da autodescoberta, com raízes nas experiências dos anos 30 e 40 em Nova York. Enquanto que a célebre A Casa do Incesto, escrita nos anos passados em Paris, é descrita pela autora como "a semente de todo o meu trabalho, o poema do qual nasceram as minhas novelas", que mais tarde serviu de base para o famoso curta-metragem de Ian Hugo, Bells of Atlantis. Na manhã em que se levantou para iniciar este livro, ela sentiu que algo lhe estava a sair da garganta, estrangulando-a. Rasgou o cordão que o retinha, arrancando-o e, quando voltou para a cama, disse: “Acabo de cuspir o coração”. Equivale este ato à escrita, como se esta fosse uma forma de ultrapassar o medo da loucura e da solidão. O isolamento e a alienação são revelados no texto através de uma teia de sonhos e pesadelos. Tudo se decompõe, tudo “tinha sido feito para ser imóvel, uma vez que todos tinham medo do movimento e do calor e receio de que o amor e a vida desaparecessem e se perdessem”.
Tanto a lendária Casa do Incesto como as três novelas integrantes de Inverno de Artifício estão entre os primeiros trabalhos de ficção publicados pela autora. As histórias de Inverno de Artifício são estudos sobre o relacionamento pai-filha e explorações da autodescoberta, com raízes nas experiências dos anos 30 e 40 em Nova York. Enquanto que a célebre A Casa do Incesto, escrita nos anos passados em Paris, é descrita pela autora como "a semente de todo o meu trabalho, o poema do qual nasceram as minhas novelas", que mais tarde serviu de base para o famoso curta-metragem de Ian Hugo, Bells of Atlantis. Na manhã em que se levantou para iniciar este livro, ela sentiu que algo lhe estava a sair da garganta, estrangulando-a. Rasgou o cordão que o retinha, arrancando-o e, quando voltou para a cama, disse: “Acabo de cuspir o coração”. Equivale este ato à escrita, como se esta fosse uma forma de ultrapassar o medo da loucura e da solidão. O isolamento e a alienação são revelados no texto através de uma teia de sonhos e pesadelos. Tudo se decompõe, tudo “tinha sido feito para ser imóvel, uma vez que todos tinham medo do movimento e do calor e receio de que o amor e a vida desaparecessem e se perdessem”.
- GenresFiction
176 pages, Paperback
First published January 1, 1979
3 people are currently reading
145 people want to read
About the author
Anaïs Nin
355 books8,927 followersWriter and diarist, born in Paris to a Catalan father and a Danish mother, Anaïs Nin spent many of her early years with Cuban relatives. Later a naturalized American citizen, she lived and worked in Paris, New York and Los Angeles. Author of avant-garde novels in the French surrealistic style and collections of erotica, she is best known for her life and times in The Diary of Anaïs Nin, Volumes I-VII (1966-1980).
https://en.wikipedia.org/wiki/Ana%C3%...
https://en.wikipedia.org/wiki/Ana%C3%...
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Displaying 1 - 7 of 7 reviews
September 19, 2018
Everything from the diaries lives within these pages but in a beautifully distilled way.
January 2, 2023
lol she’s so cray…… so good tho
March 12, 2023
Winter of Artifice
“A little Girl, full of innocence and indulgence. And then this madness…”
The cold and hard story about the desire to be loved. This kind of addiction has no winners, everybody is left out in the Dark.
“And she thinking: I stopped loving my father a long time ago. What remained was the slavery to a pattern.”
“In general women consider men as enemies, and they are glad when they can humiliate or demolish them.”
I feel the dispair
“He became slowly aware of her, of her being loved by other men. She became more vivid in him through his hatred of her.”
House of Incest
“I am constantly reconstructing a pattern of something forever lost and which I cannot forget.”
This is the story of my lost love forever in my mind.
“The egg so white, so still, gave birth to hope without breaking….”
The story makes me sad knowing the feelings she desribes
“A little Girl, full of innocence and indulgence. And then this madness…”
The cold and hard story about the desire to be loved. This kind of addiction has no winners, everybody is left out in the Dark.
“And she thinking: I stopped loving my father a long time ago. What remained was the slavery to a pattern.”
“In general women consider men as enemies, and they are glad when they can humiliate or demolish them.”
I feel the dispair
“He became slowly aware of her, of her being loved by other men. She became more vivid in him through his hatred of her.”
House of Incest
“I am constantly reconstructing a pattern of something forever lost and which I cannot forget.”
This is the story of my lost love forever in my mind.
“The egg so white, so still, gave birth to hope without breaking….”
The story makes me sad knowing the feelings she desribes
November 4, 2014
Splendid!
Read
March 8, 2023‘House of Incest’ was a trippy journey bound all up in images. The best fiction I’ve read by her. ‘Winter of Artifice’ was a poor composite of characters who were written much better in the expurgated diaries. I could not even finish it, because I had read it all before there – it fell so flat. ‘Stella’ was the same but it was shorter.
Quotes
I smile because I listen to the OTHER and I believe the OTHER. I am a marionette pulled by unskilled fingers, pulled apart, inharmoniously dislocated; one arm dead, the other rhapsodizing in mid-air. I laugh, not when it fits into my talk, but when it fits into the undercurrents of my talk. I want to know what is running underneath thus punctuated by bitter upheavals. The two currents do not meet. I see two women in me freakishly bound together, like circus twins. I see them tearing away from each other. I can hear the tearing, the anger and love, passion and pity. When the act of dislocation suddenly ceases - or when I cease to be aware of the sound - then the silence is more terrible because there is nothing but insanity around me, the insanity of things pulling, pulling within oneself, the roots tearing at each other to grow separately, the strain made to achieve unity. It requires only a bar of music to still the dislocation for a moment; but there comes the smile again, and I know that the two of us have leaped beyond cohesion. Greyness is no ordinary greyness, but a vast lead roof which covers the world like the lid of a soup pan. The breath of human beings is like the steam of a laundry house. The smoke of cigarettes is like a rain of ashes from Vesuvius. The lights taste of sulphur, and each face stares at you with the immensity of its defects. The smallness of a room is like that of an iron cage in which one can neither sit nor lie down. The largeness of other rooms is like a mortal danger always suspended above you, awaiting the moment of your joy to fall. Laughter and tears are not separate experiences, with intervals of rest : they rush out together and it is like walking with a sword between your legs. Rain does not wet your hair but drips in the cells of the brain with the obstinacy of a leak. Snow does not freeze the hands, but like ether distends the lungs until they burst.
I am an insane woman for whom houses wink and open their bellies. Significance stares at me from everywhere, like a gigantic underlying ghostliness. Significance emerges out of dank alleys and sombre faces, leans out of the windows of strange houses. I am constantly reconstructing a pattern of something forever lost …
The house had the shape of an egg, and it was carpeted with cotton and windowless; one slept in the down and heard through the shell the street organ and the apple vendor who could not find the bell.
Images – bringing a dissolution of the soul within the body like the rupture of sweet-acid of the orgasm. Images made the blood run back and forth, and the watchfulness of the mind watching against dangerous ecstasies was now useless. Reality was drowned and fantasies choked each hour of the day.
Nothing seems true today except the death of the goldfish who used to make love at ninety kilometres an hour in the pool. The maid has given him a Christian burial. To the worms! To the worms!
Quotes
I smile because I listen to the OTHER and I believe the OTHER. I am a marionette pulled by unskilled fingers, pulled apart, inharmoniously dislocated; one arm dead, the other rhapsodizing in mid-air. I laugh, not when it fits into my talk, but when it fits into the undercurrents of my talk. I want to know what is running underneath thus punctuated by bitter upheavals. The two currents do not meet. I see two women in me freakishly bound together, like circus twins. I see them tearing away from each other. I can hear the tearing, the anger and love, passion and pity. When the act of dislocation suddenly ceases - or when I cease to be aware of the sound - then the silence is more terrible because there is nothing but insanity around me, the insanity of things pulling, pulling within oneself, the roots tearing at each other to grow separately, the strain made to achieve unity. It requires only a bar of music to still the dislocation for a moment; but there comes the smile again, and I know that the two of us have leaped beyond cohesion. Greyness is no ordinary greyness, but a vast lead roof which covers the world like the lid of a soup pan. The breath of human beings is like the steam of a laundry house. The smoke of cigarettes is like a rain of ashes from Vesuvius. The lights taste of sulphur, and each face stares at you with the immensity of its defects. The smallness of a room is like that of an iron cage in which one can neither sit nor lie down. The largeness of other rooms is like a mortal danger always suspended above you, awaiting the moment of your joy to fall. Laughter and tears are not separate experiences, with intervals of rest : they rush out together and it is like walking with a sword between your legs. Rain does not wet your hair but drips in the cells of the brain with the obstinacy of a leak. Snow does not freeze the hands, but like ether distends the lungs until they burst.
I am an insane woman for whom houses wink and open their bellies. Significance stares at me from everywhere, like a gigantic underlying ghostliness. Significance emerges out of dank alleys and sombre faces, leans out of the windows of strange houses. I am constantly reconstructing a pattern of something forever lost …
The house had the shape of an egg, and it was carpeted with cotton and windowless; one slept in the down and heard through the shell the street organ and the apple vendor who could not find the bell.
Images – bringing a dissolution of the soul within the body like the rupture of sweet-acid of the orgasm. Images made the blood run back and forth, and the watchfulness of the mind watching against dangerous ecstasies was now useless. Reality was drowned and fantasies choked each hour of the day.
Nothing seems true today except the death of the goldfish who used to make love at ninety kilometres an hour in the pool. The maid has given him a Christian burial. To the worms! To the worms!
June 25, 2022
Un libro un tanto abstracto que te enreda entre la poesía de sus página, me encandilo.
May 12, 2024
La lectura es compleja, abstracta, onírica, pero envuelve y deleita. Me quedo con la idea de que cuando vemos al ser amado, empezamos a tener un cuerpo, como si volviéramos a nacer.
Displaying 1 - 7 of 7 reviews