‘Evans interweaves the strands of her three-generation narrative with an exhilarating sense of place and period’ Daily TelegraphRead the dazzling family mystery from the Women’s Prize-shortlisted author of Ordinary PeopleAs a child Lucas thought that all children who'd lost their parents lived on water. Now a restless young man still living with his sister Denise on their West London narrowboat, he determines to find out more about the unexplained disappearance of his father, the charismatic Jamaican dancer, Antoney Matheus. Thus unfolds a journey from fifties Kingston to sixties Notting Hill and the host of unforgettable characters who peopled Antoney's theatrical world, most importantly Carla, Lucas's mother. The result is a haunting family saga of absence and inheritance, the battle between love and creativity, and what drives a young man to take flight...‘Sparkles with mood, music and the sway of life’ Marie Claire‘Diana Evans’s fiction is emotionally intelligent, dark, funny, moving. The sheer energy in her novels is enthralling. A brilliant craftswoman, a master of the form, she makes the reader ask important questions of themselves and makes them laugh at the same time’ Jackie Kay, British Council and National Centre for Writing's International Showcase on Britain's 10 best BAME writers
Diana Evans was born and brought up in London. Her bestselling debut novel, 26a, won the inaugural Orange Award for New Writers and the British Book Awards deciBel Writer of the Year prize. It was shortlisted for the Whitbread First Novel, the Guardian First Book, the Commonwealth Best First Book and the Times/Southbank Show Breakthrough awards, and nominated for the International IMPAC Dublin Literary Award. Her second novel, The Wonder, was also published to critical acclaim, described by The Times as ‘the most dazzling depiction of the world of dance since Ballet Shoes‘. Evans was nominated for the Andrew Carnegie Medals for Excellence in Fiction for her third novel, Ordinary People, which was a New Yorker, New Statesman and Financial Times book of the year, was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction, and won the South Bank Sky Arts Award for Literature. Her fourth novel, A House for Alice, is the highly acclaimed follow-up, for which she was again shortlisted for the Orwell Prize for Political Fiction. Evans is a former dancer, and her journalism, criticism and essays appear in among others Time Magazine, Vogue, Financial Times, The Guardian, The Observer, The New York Review of Books and Harper’s Bazaar. She has been an associate lecturer in Creative Writing at Goldsmiths, University of London, and is a Fellow of the Royal Society of Literature. www.diana-evans.com
I found this hard to rate. The quality of the writing is easily a 4* but the interest and moving forwards of the story is for me a 3*. Diane Evans is a master of powerfully evocative descriptive language- at all points appealing to all the senses . She captures an era, culture, the movement of dance, buildings and spaces, characters and their attitudes phenomenally well. However the prose is dense and the story moves slowly. It concerns two narratives one set in the 60’s/ 70’s London and the life and times of Afro Caribbean Antoney. The framework is the story of Lucas, his son trying to find out about his dad ) Antoney) who he thought was dead. I liked it but it was hard work.
Quite the most stunning second novel from this widely regarded and Orange New Writers winner. Set in Notting Hill in the mid 90's and also in the 50's, it paints a a tender and insightful portrait of the area, the world of contemporary and expressive dance and the relationships between lost parents and their children, as well as the intense and passionate relationships within a creative dance company. It's laced with beauty, politics and life lessons. Quite remarkable.
I thought this was amazing. I found Diana Evans from loving Ordinary People, then read 26a and now this. Her writing is compelling to me and like the other two this book builds and swells, layer after layer of stuff that goes all over the place in depth as well as thread. Some parts are suddenly really funny or off the wall, then others disturbingly dark and all absolutely bloody true. It's a style that demands you to attach to the characters and invest in what happens. I am still bothered about the characters from Ordinary People months and months since reading it so I imagine it'll be the same with this lot.
I really liked this book, the journeys into the past, Lucas learning about himself through rediscovering the life of his theatrical dancer father and mother. I had some hope that Antoney was still alive, I do not know what made me think so, perhaps I thought he really was in Jamaica in contact with Riley, but alas not and that saddened me. Nonetheless I really enjoyed this book and all its elements. Though the use/lack of commas felt weird and grammar fluctuated (but I feel this was more for dialect!)
Flying and falling in dance and in life. I was fascinated by the historical details about black dance companies and by the evocation of areas of London. In the end no-one really makes a successful relationship or becomes a worthwhile person, which may be true to life but is quite depressing in a novel. I was gripped by the characters and believed the details of their existence. I would have liked some more ideas.
I wanted to enjoy this book, but I found it confusing and simply not my cup of tea. I finished it, determined to get through it so I could judge it fairly. It's not something I'd recommend to my friends and am unsure who it is pitched at. Perhaps someone with a strong interest in dancing???
Lucas and his sister, Denise, live in a riverboat and were raised by their maternal grandmother. Their mother died when Lucas was only months old and their father was estranged from their mother before this. With very little information about his father available, Lucas, a budding journalist, decides to track down this father's past and find out where he went and why he left.
This story is told from Lucas' point of view, which alternates with the story of Antoney, his father, from boyhood to his years in a dancing troupe in London. Lucas discovers the tumultuous relationship between his parents and retraces his father's steps.
I thought the book was well written, but the story was not told in a way that made it easy to engage with Lucas, who was largely unaware of what we were learning about Antoney. It felt strange as a reader to be drip Fed details of Antoney's life some thirty years ago, when Lucas, the struggling son had no idea of his father's past.
However, the story does come together to give a haunting ending and immerses itself in the local culture of dance and arts where it is set, in London. Not fast paced or adrenaline infusing, but still a beautifully haunting read about a young man's self-discovery and his long lost father.
Struggled to get through this one but it was no reflection on the story but rather how it was told. I just found it a bit long winded but interested enough in where Evans was taking the plot to want to see it through to the end. Also it was based in the area I was raised so that kept my interest. I would say give it a try but I wouldn't call it must read. I would still be keen to read something else by this writer.
I read the first third, skipped most of the rest and read the final chapter. It was very descriptive and didn't really go anywhere. There are a lot of technical details about dance and normally I like to learn something from a novel but it didn't hold my interest.