Lost Ones

by J. Cole

Unknown Binding

Reviews

[Johna Brown · Rating 4 out of 5]

Lost Ones is a masterpiece formed by intertwining three perspectives on the realistic topic of unexpected pregnancy in young adults. The author vividly portrays a story through his words using voice. Giving voice to each of the posed characters reveals honesty and the blunt reality that countless people face each day. The practice of shifting perspective throughout the work gives the reader/listener something to think about and considers the feelings of each individual involved instead of solely relying on the views of one individual. In the first verse, the male (father) speaks to the female in an inclusive manner that not only assures her that she isn’t alone but also speaks at volumes in which many young men can relate to. The second verse, from the female’s viewpoint, tries that males perspective by challenging his current mindset with those of which he has stated in the past regarding his personal relationship, or lack thereof, with his father. In the final verse, an exclusive male offers his vantage point from a less personal perspective. The voices imitated by these three characters collectively work well to create Mr. Cole’s intended tone and deliver multiple messages included but not limited to safe sex, antiabortion, responsibilities, roles, and parenthood. If it had been written entirely from one of these perspectives, the voices of the other party, or people close to the situation would be downplayed or completely left out. From this piece, I can show the impact that a shift in point of view can have on nonfiction writings. This idea can help writers learn to consider the perspective of others in their writings as opposed to relying on visions solely their own. I would not say that a minilesson could be taken from any particular passage as it pertains to voice because writers would need to understand that not all points of views or shifts are acceptable in various types of writings, requiring more time for comprehension.