If your looking for a bit of light entertainment then this book will work. If your looking for a heroine who is pushy, hypocritical, arrogant and a bit self-righteous, then step on up for a read. The title at least is apt and goes along with the overall plot of the book.
In the first chapter we meet Ms. Georgia Fenchurch, owner of a bookstore, survivor of an abduction and tragedy, and current member of the Archivist Society which does...well we're not sure yet, just that they take on 'cases' and are quite well known. Apparently they are supposed to be secretive, but as you'll find when you read, it seems everyone pretty much knows who they are and where their base of operations is.
Enter a poor lady who gives Georgia a sob story about a neighbor who's been abducted and she wants the Archivist Society to find him. Just how does Georgia go about doing this? Does she discreetly ask questions, ascertain any other information she can from her contacts, or follow up by seeing if the newspapers reported any suspicious activity? Bring in the members of the Archivist Society to assist? Well, no that's not her first course of action. Instead, she goes to confront the purported perpetrator of this very act, who just happens to be the Duke of Blackford.
Now, consider the class system at this point in history, how society functioned. Normally one wouldn't call on an aristocrat they hadn't been introduced to or had a mutual acquaintance or letter of recommendation etc. and considering Georgia is a member of the working class, well middle working class, her going unannounced to an aristocrat's home, much less a duke would have been bad manners at best. But okay, its a light read so we'll go with it. She wants to question suspect #1. So when she gets to his house and can't gain admittance, what does she do? She basically barges in and begins giving this aristocrat, this duke, the third degree. Pop goes the bubble for suspension of disbelief.
It's a wonder the Archivist society doesn't toss her out on her ear and even more of a mystery is why the duke puts up with such an interruption. Put in today's terms it's like a constituent decides to barge into a Senator's house and start asking if they're involved in something scandalous. It's a wonder the duke doesn't have her tossed out on the street on her bum, or call the authorities and have her tossed in jail for trespassing. One would think, having been there before, she wouldn't be anxious to go back.
Already the reader gets a taste of her self- importance and the way she questions the duke, like she's owed answers makes her seem like an entitled little snot. As if her actions weren't bad enough, her thoughts are rather odd considering. She finds the duke attractive, despite that he appears menacing, and she's worried he will do her bodily harm- seriously? who's busy going - well he might attack me and hurt me but at least he's good looking... Now if she had tempered her interest by noting how he actually appeared concerned for her and finding that aspect intriguingly at odds with how he presented himself, that might have been more palatable.
Already off to a rocky start, things go a bit more wonky as Georgia involves the Archivist Society. The reader's given a little intro to the society and the members, although the story given is a bit far-fetched, not that someone would behave that way, just how they handled the situation and that it would have gone so well in their favor.
So enter the Archivist society. Now the members are much more interesting thus far that Georgia. Emma, who is Georgia's roommate, and co-worker is purported to have been a street rat and have street smarts. Fogerty is a former copper, Jacob apparently a former street rat as well and current butler slash society member in training. Frances is a people person and Sir Broderick is the brains of the operation.
They meet to decide if they would take the case? But it appears Georgia has already pretty much done that for them, not to mention while they are having their semi-secret meeting, they are barged in on by two aristocrats, one of which is Blackford who declare they don't want the society involved in finding this man.
This happens quite a bit, many people just stopping in to see Georgia to tell her to stay out of their business while answering all of her nosy questions. It's kind of odd, considering she's supposed to be a secret member of a somewhat secret society, yet everyone seems to know who Georgia is and where to find her and to seek her out to tell her to butt out while revealing secrets to her.
Of course the Archivists are on the case and Georgia uses her connections for once somewhat correctly to find out what the missing man was up to, as it turns out he was thought to be something of a thief (hence the title). The downside is she treats all the people she meets as if she's interrogating them and that they owe her answers. And she thinks she's smarter than them, or at least Blackford (which definitely doesn't seem to hold true.) Enter her arrogance/pride. She's even called out on it and she ignores it because, well she wants answers, she's on the side of justice so they are owed to her right? Hello self-righteousness.
Bubble popping of disbelief number two- Georgia is at dinner with about 8 people. Now if you've ever been at a small dinner table it's hard not to hear the conversation someone is having across the table or beside you- which is why it's so hard to believe that Georgia and Blackford have a private back and forth rather personal Q&A. If they had been at table with 20 people or 50, it would have been more credible, but not with such a small number seated at an intimate gathering. Yet no one seems to hear or pay attention to them? *pop*
How is she a hypocrite then- arrogant, self-righteous, pushy, but where does that fit in? After dinner she suspects Blackford is interested in her and wants to be her 'protector' and she sneers at this idea. She even proclaims how she can protect herself and doesn't need any assistance. At two points later Georgia is attacked. In the first she fends off one of her attackers and only escapes with assistance of Blackford. Blackford reveals he is having someone watch out for her which she's not happy about. In the second attack she is injured and discovered Blackford called off the man sent to assist her and she, without words, indicates her injuries are Blackford's fault. She claims to be self-reliant and gets upset when someone assists, yet when they follow her wishes and let her be, she gets upset. Secondly, she champions the thief's rights and vehemently doesn't condone the murder of anyone (her words), yet when a few events unfold she doesn't bat an eye at the proposition of the plan to kill the perpetrator. How does she champion one and disregard the other. If she's so against the murder of anyone, why does she not speak up about the plan against the perpetrator.
And let's talk about those attacks a bit. In the first she handles herself well and uses her head to escape, accepting help and returns home no worse for wear and while shaken, she's not a sobbing hysterical mess. Yet in the second when she's actually struck, she's a sobbing half-hysterically. Why does one attack not seem to bother her as much, and the second turn her into a blubbering mess? She's not the only one this happens to. Emma also is abducted, twice. After the first she's okay, but the second turns her into a sobbing mess. Emma is a girl from the streets- why does one affect her more than the other, especially since in the second she was almost in a sense safer than during the first?
One last thing about Georgia, then we shall move on- as pushy as she is, she's also a thoughtless blabbermouth. She basically tells the perpetrator where to find what is being looking for without any regard to the danger she just put that person in- and it's very obvious that person would become a target, but she just blabbers on, heedless of the possible consequences and it doesn't even cross her mind what she just did until several chapters later when something happens.
Moving on to some other aspects. While the writing wasn't bad and the setting and descriptions worked pretty well, many of the transitions were horrible. The narrative would be flowing and then all of a sudden, an abrupt halt would be put on it. Many of the end of the chapters felt like being a passenger in a car with a driver that's constantly tapping the breaks so the car is going forward, jerking to a stop, going forward smoothly then jerking to a stop again.: go, jerk, stop, go, jerk, stop.
The reader will be following a conversation between the main characters when suddenly Georgina's thoughts jump to something completely different for a few sentences and then comes the end of the chapter of which the beginning of the next chapter has nothing to do with the previous one. Now, yes chapters can be used effectively to denote the passage of time or a change in situation, but it is not effectively used when the narrator abruptly ends a conversation or train of thought and then plops the reader into a completely different scene or setting without any context.
At one point Georgia is walking with Emma and Jacob- but next chapter she's magically by herself. The reader only finds out halfway into the chapter that at some point she got ahead of the two of them. This disjointedness of a transition happens sadly often through the narrative.
Now let's talk about some of the good. The mystery was moderately interesting and had a few interesting twists, once Georgia got around to finding the thief; there were also a few minor mysteries including what the blackmail material was on all the usual suspects and what really happened to Victoria and Margaret. Of course Georgia, with her usual pushy, arrogant grace, smashed into things until she got her answers although sometimes she was a bit slow on the uptake. The reader is never given a really definitive answer on some of the minor mysteries, but at least the main one is wrapped up.
The book leaves with a taunt from the overarching plot of Georgia finding her parent's killer- the reader is told about Georgia's history of her abduction and her parent's death in the first few chapters.
Overall it's a light read. Nothing too heavy, but definitely eye-roll worthy at times and the stilted transitions between chapters can be a bit jarring, but the writing is pretty solid. Georgia isn't entirely sympathetic and at times seems a bit of a ditz, but she's not completely unsympathetic at least. The rest of the cast are interesting too, so that's a plus. More of about a 2.5 close to a 3, but Georgia needs to do some growing; it'll be interesting if she does grow or remains the same.