A comic "portrait of the artist" as a young cineaste-gone-wrong, The Late Projectionist chronicles the exploits of a nose-thumbing grouser about Ingmar Bergman's films, aspiring small town libertine and petty criminal who finds that love does not redeem so much as waylay wicked intentions. Our hero is a self-professed "screen memoirist," cafe bon vivant and Swedish B-film aficionado caught in a quagmire of betrayal, intrigue and comic misadventure as he pursues a lucrative antiquarian book caper (and the fetching demoiselle who threatens its success). At once a sexy, madcap kunstlerroman-gone-awry and indicting riff on a generation's malaise, The Late Projectionist takes a telepathic peek into the bizarre inner-lives of steamy baristas, self-mutilating poets, solvent-slugging actors and a movie theater projectionist whose agenda far surpasses what's on the marquee.
Daedalus Howell is the editor of the Pacific Sun and North Bay Bohemian newspapers. He is the writer-director of the feature film Pill Head and the author, most recently, of Quantum Deadline. His mordant wit and penchant for plot twists will next reveal themselves in a new crime (fiction) series.
Is it possible to write conscious juvenilia? Lumaville looms out of the river (but is it a river or merely a tidal estuary?) mist, except what do you call that mist that's really horrible smelling and looks like it's alive, maybe even sentient? Effluvial vapors? Don't fall in! This is a metafiction after the fashion, I suppose, of I-never-met-a-fiction-I-did/didn't-like. The streets are almost on a real map and the buildings could probably be plotted as well. The people? Rooted in fact, probably; you have only to sort through the akas and the fkas. The plot. As contrived as any reality show.