Regency romance meets fairy tale. Sweet but cleaves too hard to Regency romance tropes (read: "uptight mores and customs of the period) and as a consequence the romance is poorly developed.
Miss Sophia Landon lives in the quaint village of Tilby. It's 1811, and Sophia, just shy of reaching thirty, has pretty much abandoned the idea of ever getting married. Fortunately, Sophia's version of Regency England comes with household brownies (like house elves, but with less slavery) and bridge trolls. Point of fact, one of her best friends is the local troll Balligumph. One day Balligumph takes pity on Sophia and sends her on a brief adventure to the land of fairy. While there, she meets a kind, but horribly disfigured young elf.
For Aubraneal, the elf, it's love at first sight. After Sophia returns to Tilby, he arranges a magical disguise which will allow him, for one short month, to look like a handsome human. Transformed, he visits Tilby and attempts to court Sophia.
Conceptual, the idea is charming, though predictable. Obviously, at some point, the magic will fail, and even if Aubranael is successful in his courting, it will be under false pretenses. Nevertheless, this could potentially be a story full of the "feels."
But as I noted in the first paragraph, instead of taking liberties with the mores and social conventions of the time, the narrative sticks to the tedious Jane Austen mating rituals of the time. This is England with brownies, goblins, and trolls, so why not shake up social convention? But...no. Instead, Aubranael spends several weeks in Tilby trying to find a way to have a simple conversation with Sophia. Because he can't just chat her up without a "formal" introduction. *Yawn.* And then, when a ball is organized and the couple finally meet, Sophia decides that she can't dance with him more than once because...reasons. I think the sum total of interactions between Aubranael (in his handsome human form) and Sophia amount to the dance and a convenient encounter while she's out walking.
This might work for fans of Austen, but, honestly, I think it's a wonder the English middle and upper classes didn't go extinct during this time period. My expectations with this novel were for an interesting heroine who broke convention and for a slow unfolding of genuine friends-to-lovers that comes from a boat load of interactions between hero and heroine.
Sophia is pleasant and sweet, but that's the sum total of her personality. Aubranael is similarly lacking in any distinguishing character traits. The most interesting character is a witch who briefly serves as an antagonist. Given the poorly developed relationship between Aubranael and Sophia, the eventual revelation of his mendacity lacks any emotional impact. In short, it doesn't feel like a betrayal, because she hardly knows him.
On the upside, the writing is quite good, with a delightful fairy tale lyricism. The high quality of writing suggests that Miss Landon and Aubranael's flaws are a function of first-book-itis, and that subsequent novels could be much stronger.