Bakuman: Phone Call and the Night Before continue where the previous tankobon left off and contains the next nine chapters (26–34) of the on-going manga series.
Having seen the rift between Moritaka Mashiro and Akito Takagi, Akira Hattori, their editor, decided to encourage them to work independently for a couple of years. Hattori doesn't understand the urgency in getting serialized, because they're still in high school. While Eiji Niizuma is just a year older than them – he is a genius and outlier. So, it is in his hopes that they will grow independently and after they graduate he would encourage them to work together again would be a perfect time to talk about serialization.
However, Mashiro and Takagi figured out what Hattori was trying to do, so they conspired to work together in secret while keeping Hattori in the dark. Kaya Miyoshi also helps them, transferring her dream as a writer to helping Ashirogi Muto team's dreams come true. So, she becomes their researcher, assistant, and cheerleader.
They did surprise Hattori in their meeting and he finally acquiesced for letting them being serialized, but under two conditions: that they enter the Golden Future Cup, a magna tournament, and placed well, while completing a whole chapter in two weeks for eight consecutive chapters and if they still want to be serialized while they’re still in high school then Hattori would do everything in his power to help them get serialized.
Two new characters were introduced in Bakuman: Phone Calls and the Night Before: Yuriko Aoki and Koji Makaino whose stage name is KOOGY. They are new manga artists that are participating in the same contest with Ashirogi Muto and Shinta Fukuda.
Yuriko Aoki is a female manga artist/writer and when first introduced to Ashirogi Muto, Takuro Nakai was working with her as her assistant. Aoki was a successfully Shojo manga, but her latest story seem to fit Shonen more and her editor asked her to join the contest. Her demeanor is aloof, tight-lipped, extremely haughty, judgmental, and extremely dogmatic. Hopefully, there's a backstory of why she's like this, because right now she's a tad two-dimensional.
Koji Makaino whose stage name is KOOGY is both a musician and a manga artist who has a huge fan base. He takes an advert out in the paper telling all his fans to vote for his entry in the Golden Future Cup, which got the other manga artist angry. Makaino is shown to be very egotistical, believing that his fans would vote for him, because he is a very popular musician.
In the end, it was Ashirogi Muto and Shinta Fukuda that won first placed as Niizuma predicted. However, it doesn't mean just because they won that they would get serialized – it's up to the editorial team. As promised, Hattori talked to his section boss asking him to support Ashirogi Muto, because despite being in high school, they could handle the work of being professional manga artist and showed their rough drafts as proof. In the end, of the thirteen promising entries for sterilization, Ashirogi Muto became one in four chosen to be serialized.
Tsugumi Ohba was written well. He really captured the nerves of waiting to hear whether who won the Contest or who would be serialized. I also enjoyed the fact that Ohba drove into the process of how manga get serialized and how things work in a manga publishing house like Shonen Jump, although I think he simplified things a tad. Ohba still has the problem of being extremely verbose, but I'm getting used to it. As always, I have nothing but praise for Takeshi Obata and his illustration skills.
All in all, Bakuman: Phone Call and the Night Before is a great continuation of the series. I can't wait to see what happens next as Ashirogi Muto become professional manga artists with their first serialization.