Siguiendo el consejo del Sr. Smith, Kevin Goodman va a Akeshi, donde hace algunos descubrimientos acerca de la carrera espacial, incluyendo lo que ocurrió en 1969 en la luna. Entonces conoce a Chuck Culkin Culkin.
Urasawa Naoki (浦沢直樹) is a Japanese mangaka. He is perhaps best known for Monster (which drew praise from Junot Díaz, the 2008 Pulitzer Prize winner) and 20th Century Boys.
Urasawa's work often concentrates on intricate plotting, interweaving narratives, a deep focus on character development and psychological complexity. Urasawa has won the Shogakukan Manga Award, the Japan Media Arts Festival excellence award, the Kodansha Manga Award and the Tezuka Osamu Cultural Prize. In 2008 Urasawa accepted a guest teaching post at Nagoya Zokei University.
Series list (not including short stories collections): - Pineapple ARMY (パイナップルARMY) 1985-1988, written by Kazuya Kudo; - YAWARA! 1986-1993; - Master Keaton (MASTERキートン) 1988-1994, written by Hokusei Katsushika; - Happy! 1993-1999 - MONSTER 1994-2001 - 20th Century Boys (20世紀少年) 1999-2006 - 21st Century Boys (21世紀少年) 2007 - PLUTO 2003-2009, based on Tezuka Osamu's Tetsuwan Atom - BILLY BAT 2008-2016 - Master Keaton Remaster (MASTERキートン Reマスター) 2012-2014 - Mujirushi (夢印-MUJIRUSHI-) 2017-2018, collaboration with Musée du Louvre - Asadora! (連続漫画小説 あさドラ!) 2018-ongoing
Billy Bat doesn't disappoint in this volume 13: Kevin Goodmean meets and associates with the genuine Chuck Culkin, drawing Billy Bat in the shadow of the pseudo Chuck. We finally discover crime lord Kiyoshi Kurusu's (atrocious) childhood, reaching a during the 1923 Great Kantō earthquake, when he avenges his father, trapping the spies responsible for his death, and coincidentally takes the first step in his merciless murderous path. Oh, and we see Albert Einstein and the leader of the National Socialist Party casually exchanging a few words in 1931, dealing with a certain ubiquitous bat...
Billy Bat is a rare occurrence of a manga series in which I still can't decide way after the middle of the series what the overarching theme may be, or modestly foresee a likely direction the story could take in the near future.
Ese momento en el que ya sólo te dejas llevar por los retruécanos que Urasawa sigue colocando en su historia, a la espera de descubrir cuál es el sentido de todo. Sentido que, supongo, sólo llegará en una relectura porque ahora mismo ya he olvidado demasiadas cosas de las casi 3000 páginas leídas.
Il passaggio alla Goen non muta (giustamente) la confezione esterna di Billy Bat, ma forse avrebbe potuto aggiungere uno straccio di recap delle puntate precedenti. Mai se n'è avvertita la necessità (e forse la difficoltà realizzativa) come in questo thriller meta fumettistico che si sta avviando verso il finale. E in effetti appare complicato cogliere bene gli elementi fin qui preparati dall'autore, se non si vuole rileggere le storie passate. Al solito, comunque, pipistrello bianco e nero si danno battaglia, ma non vediamo nè l'uno nè l'altro, e invece ci imbattiamo negli uomini che sono venuti in contatto con uno dei due: fra di essi Hilter e Einstein, immortalati in un bel dialogo iniziale, ma anche Kevin Goodman, l'erede di Kevin Yamagata, e il Chuck Culkin originale, l'allievo che rubò il pipistrello a Yamagata e che cede lo scettro a Goodman. Insomma: ottima realizzazione, disegni pulitissimi ed espressivi, ma il solito frullatore che non accenna a rallentare, nemmeno in prossimità del finale.
this was something i didn't expect, Kurusu's backstory? man i was really interested and focused about it, i really liked it. That makes him more interesting than before for me. And Chuck Culkin at the end? A great character thou! Does Kurusu still hear the bat? That's the question now i Need to have an answer in the next volume! This is so good!
This entire review has been hidden because of spoilers.
I did say I'd take it slow, but I didn't mean a two-year break!
"Intense" is right. Old scenes and characters fleshed out. One of Urasawa's most classic themes is prominent and, somehow, as disturbing as ever. Newly relevant? The final page, oh man...
Even with the change of protagonist, the vibe and the suspense is the same as always. Kevin Goodman is a good Main Character . But I still miss Yamagata!!!
Mmmmm ¿hasta qué punto está bien jugar con la interpretación que tenemos de ciertas figuras históricas? Más allá de eso, creo que el trato a Hitler ha sido correcto, como dándole una personalidad de ficha de ajedrez, algo más "realista" que el retorcido que conocemos. Por otra parte, vemos la historia de aquel hombre tan misterioso que vino apareciendo desde el primer tomo, vemos la primera aparición de Billy Bat, y así sucesivamente vamos recibiendo más información y generando más preguntas.