Two-time Governor General’s Award-winning playwright Morris Panych has done with What Lies Before Us the almost unthinkable: he has turned Waiting for Godot into a comedy while simultaneously heightening rather than minimizing the profound existential questions it asks. But this play is no mere parody of a theatre classic, nor is it a “history play.” The roots of Panych’s comedy extend to the confrontation of Shakespeare’s “rude mechanicals” with their “educated betters,” and to the fundamentally and hilariously irreconcilable differences between the world views of Don Quixote and Sancho Panza.
The English Mr. Keating and the Scottish Mr. Ambrose are assistant surveyors camped in the Rocky Mountains with Mr. Wing, their Chinese coolie, starving as they wait for “the Major,” an American adventurer, to show up and lead their railroad survey party in the nation-building enterprise called Canada. Of course, the Major never shows up, leaving the rude and uneducated Keating and the disillusioned and highly schooled Ambrose to engage in an increasingly absurd hair-splitting and sidesplitting dialogue about the meaning of life, and both of them utterly frustrated in their ongoing attempts to communicate with Wing, who speaks only Cantonese. Heightening our sense of the darkly comic is that we know things are not going to end well: Keating is dying of rabies he got from a squirrel bite, and Ambrose is about to succumb to a gangrenous broken leg, which no one can quite bring himself to cut off. Functioning as both a comic foil to Keating and Ambrose, and an incomprehensible chorus to the audience (unless it understands Cantonese), Wing is about to have the last word. Finally understood, translated into English through a trick of stagecraft, Wing’s final speech completely inverts the play with a devastatingly poignant version of the events we have just witnessed.
Very clever, very funny - as if Didi and Gogo were transported to the Canadian Rockies and stuck surveying the land for the proposed railroad. A mite gruesome towards the end, but all in good fun.
This is the most absurdist of Mr. Panych's plays that I've come across. Two explorers are trapped in a snowy mountain region while scouting for Canada's transcontinental railroad, waiting with their Chinese servant, who speaks no English, for the Major, their boss, to lead them back to civilization. One has an infected animal bite, the other a broken leg. As they rail at each other and try to communicate with their Chinese servant, they turn the incomprehensibility of existence into verbal slapstick.
A take on "Waiting for Godot." Kinda funny in spots. 3m (one of them Chinese). Good for colleges/universities or for a group of guys who want to put on a play in a small venue.