REVIEWED BY ULYSSES DIETZ
MEMBER OF THE PARANORMAL ROMANCE GUILD REVIEW TEAM
“Magic pig in the alley!”
Whew. C.S. Poe has picked us up where she left off at the end of The Engineer and let us loose at full steam.
I don’t know whether or not the light overlay of Victorian melodrama throughout these books (with names like Shallow Grave, Gunner the Deadly) is ironic, or simply a reminder that the author has chosen an extant historical genre on which to impose her magic-infused steam punk universe.
Whatever, it works, both from the action/adventure/fantasy perspective, and from the melodrama romance perspective, twisted to involve two complicated men with dark secrets.
Gillian Hamilton, special agent for the Federal Bureau of Steam and Magic, is back in New York, and on New Year’s Eve 1881, he’s hoping to rendezvous with Gunner the Deadly, notorious outlaw, known only to him as Constantine.
Someone known only as Tick Tock is importing illegal magical weapons into New York City, and also seems to be behind the horrifying modification of human hoodlums into semi-mechanical men. What is intended to be a romantic reawakening turns into a helter-skelter search through the most dangerous parts of Manhattan for the gangster behind the mayhem.
We are in New York during the high Gilded Age (my professional specialty during my career as a curator, as it happens); but things are different. It was not the transcontinental railroads that ultimately made Commodore Vanderbilt (d. 1877) vastly rich; but aether/magic-powered airships—the quintessential steampunk vessel. It was aether-powered magic that came to light (so to speak) during the Great Rebellion—clearly this world’s version of the Civil War. It was the realization that magic was useful, and thus could make lots of people lots of money, that became the defining moment in this world’s history—just as the discovery of oil transformed antebellum America.
General and former president Ulysses S. Grant is in town, I noted, and attending social events. (As he was in fact.) This kind of little detail settles the fantasy into an historical reality that grounds the entire narrative—sort of the way the 1960s television series Wild Wild West did, with its sexy secret agent riding on private railroad cars with “modern” technology under orders from President Grant.
Both Hamilton and Gunner are fascinating characters, each harboring secrets, but for different reasons. Gunner needs to hide his humanity behind the mask of a Bad Guy, while Hamilton seems to be desperately acting out his role as Good Guy in order to keep the truth about him buried deep. Part of the appeal of these two as a couple is Gunner’s sensitivity and intelligence; he sees Gillian, but bides his time, knowing that the truth will out when it must.
Having brought the breathless plot to a satisfying semi-conclusion, and having advanced Gunner and Hamilton’s relationship to a new level of intimacy, Poe ends the book on a shattering cliffhanger, all but guaranteeing her readers will buy the third book in the series, The Doctor.