John Burdett seems to have stumbled onto an excellent premise when he combines the conventions of hard-boiled crime novels with the exotic Thai locales and Buddhist philosophy in Bangkok Tattoo and, presumably, the other books in the series. Why do these elements, not a set which I would naturally connect, blend so well? Think about it this way:
• The classic crime novel main character is a weathered, capable crime-solver. He’s (I’m sticking with “he” here, don’t yell at me) a loner with old friends, shady connections, and both a checkered past and an expert’s knowledge of navigating the underworld. Ladies and gentlemen (um, gentlemen, I did say I was going to stick with guy characters), meet Sonjai Jitpleecheep, your Asian counterpart. He’s a decent cop. He runs a whorehouse in partnership with his mother on the side. The ghost of his dead partner haunts his dreams.
• The Thai setting shares an alien, romantic quality with gangland back rooms and dark alleys. The reader feels, in a good crime story, as if he or she (this is a different “he or she”, although I believe APA says I’m just supposed to switch every now and then and not go with “he or she”. I don’t fucking care. Stop distracting me.) is privy, throughout the story, to a subterranean code and culture.
• Some stock characters are present. You’ve got the young partner (although, um, this one wants to become a complicated version of a transvestite, if I’m saying that correctly), the sharp but corrupt police boss, and the whore with the heart of gold.
• Now, and this is the most important, the Buddhist ruminations allow Sonjai the opportunity to thread the narrative with commentary not unlike the hard-bitten mumblings of a cynical Ellroy character (Ellroy gives a glowing cover blurb on the back of Burddett’s novels).
So I liked this novel but I liked Bangkok 8, its predecessor, better. Bangkok Tattoo benefits from a long stretch focused on a female character (through her diary) but loses steam on a cardboard mystery. I’m not sure the story is Burdett’s focus, anyway, he appears to include a plot because he has to include one, you know, in a novel. The real attractions are the tight prose and cool ambience. And while I dig Burdett’s work, and probably will continue the “Tattoo” series eventually, this one sounded a heck of a lot like the first book but not as good. Go back and read Bangkok 8, like you should, as it’s the first in the series. And stay away from the author pic, too, which makes Burdett look he’s taking part in a British boy band reunion. But if you like Bangkok 8 this is a serviceable sequel, but no Godfather 2, if you know what I mean.