This unique and funny novel published in 2003 by Canadian author Alan Cumyn is told from the perspectives of five different characters. It describes how university professor Bob Sterling’s family, marriage, home and sanity are brought to the brink of ruin in the aftermath of a conference he attends with a graduate student.
Bob Sterling is a middle-aged professor of literature at the University of Ottawa who specializes in the work of Edgar Alan Poe. Bob left his first wife for one his students, a girl named Julia who he married and with whom he now has a son named Matthew. His life has been going well but he hides a deep secret. He is obsessed with women’s underclothing and likes to dress up in their clothes.
Bob has recently fallen under the spell of Sienna Chiu a beautiful intense poet who writes unintelligible drug fueled poetry. She has already tweaked his long-hidden fetish and convinced him to don women’s lingerie and a red dress in his office and allowed her to photograph him.
While Bob and Sienna are off attending a conference on the work of Poe in New York, Julia is home, exhausted and tied to the on-demand breast feeding schedule of their son Mathew and worried about her ailing mother Lenore, who is suffering from Alzheimer’s in a nursing home. She is also fielding the flirtations of former school mate Donny Clatch who is now renovating her bathroom.
While at the conference Sienna seduces Bob, leading him further into her clutches while he remains blissfully unaware that she has a very jealous boyfriend who vows revenge on his rival. But events suddenly drift sideways when Bob receives a frantic call from Julia telling him that Lenore has escaped from the Fallowfields Nursing Home and she must move her into their home to keep her safe. Things come to a climax when Lenore, who believes she is in a prison, sets fire to the house and it burns down.
Cumyn describes several hilarious moments in this episodically delivered plot, as he jumps from one narrator to another, each in the midst of “losing it”. He delivers each with a distinct and different voice, helping readers connect with and empathize with them, although the toddler’s voice is less convincing than the others. Most funny are the scenes with Bob immersed in his sexual fantasies. There is the clip on “Lighthouse Portable Vagina” he ordered through the mail and his desperate experience trapped in an airplane washroom wrestling with latex while the plane is about to land in New York which deliver real laugh out loud moments. They careen with Sienna’s drug fueled largely unintelligible poetry, the former school mate of Julia’s, now a carpenter renovating her home’s bathroom, as he flirts with her and shares his thoughts on new age religion, and the brain addled thoughts of Lenore, trapped in the clutches of Alzheimer’s. Cumyn deserves kudos for his description of what goes on in Lenore’s mind, it is very well done, a few sober moments amidst all the chaos.
This was Cumyn’s fifth novel. It comes across as a little over the top and might not be to everyone’s taste, but it is well written, has several slapstick funny scenes and is an entertaining read that also includes some serious moments.