If words could kill, what would they say?If looks could kill, who would they slay?Your psychoanalyst?A stunning young analyst-in-training keels over dead in front of three hundred guests at her Institute's annual conference. It looks like murder. But initial inquiries suggest she was liked by one and all: her teachers, supervisors, fellow-students, and even patients. New York's finest are forced to call upon Inspector Canal, an allegedly former French secret serviceman now living in Manhattan (loosely based on the inimitable Parisian psychoanalyst, Jacques Lacan), to penetrate the calm demeanor of the dead woman's professional entourage.More daring than ever, changing identities and donning the most unlikely of disguises before, during, and even after a mad Halloween party, Canal feels his way through a minefield of denials and dissimulations, trying not to trigger any further detonations. As in his previous escapades, the Frenchman gets caught up in the misadventures of Eros while attempting to solve age-old and newer forms of crimes of the heart, grappling with the biggest mysteries of them all: love and death.
Bruce Fink is a practicing Lacanian psychoanalyst and analytic supervisor. He trained as a psychoanalyst in France for seven years with and is now a member of the psychoanalytic institute Jacques Lacan created shortly before his death, the École de la Cause freudienne in Paris, and obtained his Ph.D. from the Department of Psychoanalysis at the University of Paris VIII (Saint-Denis). He served as Professor of Psychology from 1993 to 2013 at Duquesne University in Pittsburgh, Pennsylvania, and is currently an affiliated member of the Pittsburgh Psychoanalytic Center.
Dr. Fink is the author of six books on Lacan (which have been translated into many different languages, including Spanish, Portuguese, German, Polish, Croatian, Greek, Turkish, Japanese, Korean, and Chinese): • The Lacanian Subject: Between Language and Jouissance (Princeton: Princeton University Press, 1995) • A Clinical Introduction to Lacanian Psychoanalysis: Theory and Technique (Cambridge: Harvard University Press, 1997) • Lacan to the Letter: Reading Écrits Closely (Minneapolis: University of Minnesota Press, 2004) • Fundamentals of Psychoanalytic Technique: A Lacanian Approach for Practitioners (New York: W.W. Norton and Co., 2007) • Against Understanding: Commentary, Cases, and Critique in a Lacanian Key, 2 volumes (London: Routledge, 2013-2014)
He has translated several of Lacan’s works, including: • The Seminar, Book XX (1972-1973): Encore, On Feminine Sexuality: The Limits of Love and Knowledge (New York: Norton, 1998) • Écrits: A Selection (New York: Norton, 2002) • Écrits: The First Complete Edition in English (New York: Norton, 2006), for which he received the 2007 nonfiction translation prize from the French-American Foundation and the Florence Gould Foundation • On the Names-of-the-Father (Cambridge: Polity Press, 2013) • The Triumph of Religion (Cambridge: Polity Press, 2013) • The Seminar, Book VIII: Transference (Cambridge: Polity Press, forthcoming)
He is also the coeditor of three collections on Lacan’s work published by SUNY Press: • Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis (1995) • Reading Seminars I and II: Lacan’s Return to Freud (1996) • Reading Seminar XX: Lacan’s Major work on Love, Knowledge, and Feminine Sexuality (2002)
He has presented his theoretical and clinical work at close to a hundred different conferences, psychoanalytic institutes, and universities in the U.S. and abroad since 1986.
In recent years, he has authored mysteries involving a character based on Jacques Lacan: The Adventures of Inspector Canal (London: Karnac, 2010, and translated into Finnish). A second volume, Death by Analysis, was published by Karnac in 2013, to be followed by two further mysteries in 2014 (The Purloined Love and Odor di Murderer).