Haunted by a secret tragedy, Edwin, son of the richest family in a small Southern town, fights to overcome his addiction to morphine and face the truth that his parents have worked to obscure. This timeless debut novel of master Southern storyteller Michael Parker takes readers to a small Southern town in the 1950s where Edwin Keane suffers from the lasting effects of a horrible accident—a broken back, a morphine addiction, and a town of enabling eccentrics. Redemption comes in the form of a young woman—the daughter of a poor farmer—and a couple of the town’s most interesting outcasts. Parker is an amazing writer. His narrative style is both lyrical and economical, making this novel a true Southern gothic classic.
MICHAEL PARKER is the author of five novels – Hello Down There, Towns Without Rivers, Virginia Lovers, If You Want Me To Stay, The Watery Part of the World and two collections of stories, The Geographical Cure and Don’t Make Me Stop Now. His fiction and nonfiction have appeared in various journals including Five Points, the Georgia Review, The Idaho Review, the Washington Post, the New York Times Magazine, Oxford American, Shenandoah, The Black Warrior Review, Trail Runner and Runner’s World. He has received fellowships in fiction from the North Carolina Arts Council and the National Endowment for the Arts, as well as the Hobson Award for Arts and Letters, and the North Carolina Award for Literature. His work has been anthologized in the Pushcart, New Stories from the South and O. Henry Prize Stories anthologies. A graduate of UNC-Chapel Hill and the University of Virginia, he is a Professor in the MFA Writing Program at the University of North Carolina at Greensboro. His website is www.michaelfparker.com
Edwin Keane is the boyfriend I’d want at seventeen: smart, troubled and intense. He rescues a girl from her boring life and her strict father. And on top of that, he tries to explain himself in long long love letters, and she desperately wants to understand. The girl, Eureka, is true to him even when tested, a scene that reminds me of William Defoe coming on to Laura Dern in Wild at Heart. Also, like Wild at Heart, Hello Down There has an incredibly freaky road accident and characters on a road trip to disaster. But best about the book is the word choices of the author; the language is on a whole other magical surreal level like how Parker describes Eureka’s brother being sucked up into a tree, the foliage shaking. It has the best mix of truths: the gritty reality, the different perspectives and the impossible being sometimes possible.
Uneven, and sometimes … hmm … tiresome. Still, a compelling glimpse into the lives of people leading simple, yet not so simple, lives who seek only contentment. I didn't love it, but I can see why many people do.
So I decided to stick to what I know and I know that I like Michael Parker. If You Want Me to Stay was a fave of mine from 2007 and I read Virginia Lovers this year and enjoyed it as well.
What I have learned about Parker's 'style', after reading this one, is that he captures the voice of his characters, whereby you know them so well. And it's not just one, it's several personas. And they are unforgettable and linger, at least in my mind, for days, weeks even.
They linger too because there is tragedy involved in his story lines.
This entire review has been hidden because of spoilers.