An intimate, autobiographical poetry collection from legendary artist and activist, Joan Baez.
Joan Baez shares poems for or about her contemporaries (such as Bob Dylan, Judy Collins, and Jimi Hendrix), reflections from her childhood, personal thoughts, and cherished memories of her family, including pieces about her younger sister, singer-songwriter Mimi Fariña. Speaking to the people, places, and moments that have had the greatest impact on her art, this collection is an inspiring personal diary in the form of poetry.
While Baez has been writing poetry for decades, she’s never shared it publicly. Poems about her life, her family, about her passions for nature and art, have piled up in notebooks and on scraps of paper. Now, for the first time ever, her life is shared revealing pivotal life experiences that shaped an icon, offering a never-before-seen look into the reminiscences and musings of a great artist.
Like a late-night chat with someone you love, this collection connects fans to the real heart of who Joan Baez is as a person, as a daughter and sister, and as an artist who has inspired millions.
People know highly individual vocal style of Joan Chandos Baez, a writer. This soprano features a three-octave vocal range and a distinctively rapid vibrato. Her topics deal with social issues.
She also performed "Sweet Sir Galahad," and "Joe Hill" at the festival of 1969 at Woodstock. Her passion, notably in the areas of nonviolence, civil and human rights, and the environment in more recent years lasted even longer than well-known early relationship with Bob Dylan.
She performed publicly for nearly a half century, released more than thirty albums, and recorded in at least eight languages.
i loved baez’s ramblings and find it almost unjust to rate this book so low. some days i felt poetic enough to consume her work and other days i found it hard to relate to her writing. she’s girlish and writes about the mundane with grace. i like other poets more and feel like baez is an aspiring mary oliver. definitely worth the read and was great to bring to the beach. :)
3.5 stars. A collection that highlights Baez’s strengths and weaknesses as a poet. Her verse about landscapes (both natural and personal/interior) sparkle with clarity and insight, imbued with a rhythm that carries the poems forward in ebbs and flows – rather appropriately, since images of water, waves, and “softly rolling seas” abound in this collection. On the other hand, the poems written about some of her famous peers (fellow musicians including Jimi Hendrix, Judy Collins, and Bob Dylan) fall flat, rarely rising above the surface-level observations of journal entries punctuated by staccato enjambment.
The one exception is the poem inspired by Leonard Cohen, "Dear Leonard," which successfully unites inner landscape and outward remembrance. It is also written as a prose poem in letter format, avoiding the uneven line breaks of her other musician profiles, and is credited to “Joan and Yasha.”
In her introductory note, Baez discusses her psychoanalytic struggles with dissociative identity disorder, and the fact that some of these poems were “co-written” by these “inner authors” as a way of coping with her trauma. And so in that sense, these are truly “landscape[s] of her past,” to quote a line from “The Rosy Trumpeteers,” another work credited to Yasha. Some of these co-written poems are the strongest in the collection. Especially noteworthy are Baez's remembrances of her close family members – parents and sisters – that stand as gorgeous meditations on love and loss.
I am absolutely clueless about how to rate this book. Do no trust me. I love Joan Baez and I found her writing delicate and tender. However, I also think if I had not known her music, I would not have liked her poetry. I remembered that sentence in Diamonds and Rust in which she sang “my poetry was lousy, you said” and I could not help but think that he might have been right…
If you like Joan Baez’s music, I recommend it. If you have not listened to Joan Baez, you may want to listen to her music, I think that is the real deal.
"My poetry was lousy you said," Joan says of Dylan, in her paean to their fated romance, "Diamonds and Rust." And to be fair, most of the works in When You See My Mother, Ask Her to Dance: Poems fall between musings and observations, not poetry.
Still if you're a lifelong admirer of the Queen of Folk Music and Conscience of her generation, as am I, you might just relish Joan's takes on Judy Collins, Jimi Hendrix, Leonard Cohen, and Bobby himself. Not to mention her tender, enchanting tributes to her sisters Mimi and Pauline and to her parents.
The title poem reveals Joan at her poetic best, I believe. It describes a fantasy evening between her 18-year-old mother and a Swedish opera star, twice her age, that captures Joan's deft ear for music and rhythm and her ability to marry whimsy with a pure heart.
I love Joan Baez, have loved her from the age of 14. If you, too, have been touched by her music and/or her activism, this small book by Goodine, one of the finest bookmakers this side of the Atlantic, will only bring you closer.
met her at a signing for this over the summer and just got around to reading it now. i only got into joan baez around 2 years ago, but her work keeps popping up in my life when i need it. im not really a poetry person but i read this entire thing in one day, thank you joan <3
as when you see my mother, ask her to dance progresses, and moves through the life stages, it slowly becomes centered around grief. and not just grief from joan's loved ones dying, but grief for the people that have left her life but remain in her memory. though it does discuss death, and explores how joan sees 'eternity'. basically, it was devastating but beautiful. the poem about her mother's death ("vivian") is now, I think, one of my favourite poems of all time. my favourites: - lily - little fellow - colleen - vivian - dear leonard - silence - queen of the mountain - into the ether she said I hear my mother calling me and I asked what is she saying and she answered in a singsong voice the way you call a child home from down the block at the end of the day Lor-ray-ain Lor-ray-ainnn and again real slow Lor-raaaay-ainnn which was her mother's name (from "vivian")
THIS BOOK IS BELOW MID. the poems are literally just diary entries. SO YEA BRI IM CRITIQUING THE MEDIOCRITY OF THE BOOK, which is fully allowed in a reviewing platform last i checked. reporting my previous review, and GR ofc silencing me and taking my review down?? ALL FOR A MID BOOK. people are allowed not to like books 🗣️🗣️🗣️🗣️🗣️🗣️
1) 3 stars is not a low review, tho this deserves less 2) poetry was below mid 3) why did that weirdo take my review so personally as if i didn’t like HER writing??? 4) joan’s work has poems about “activism” in but i dont like the writing of someone who talks about woke when she dehumanizes certain groups 🙄 5) YOU CANT CENSOR ME ILL TYPE THIS A MILLION TIMES IF I HAVE TO
I would rate this book 3.5 stars. I am a fan of Joan Baez's songwriting so I figured I would be interested in some of her poetry. And for the most part, I was! Although I do still prefer her songs to this book.
I always applaud vulnerability in art. I think that's what makes good art. And in Baez's case (an aging woman in the public eye, most famous for her relationship with a man, with a later in life mental disorder diagnosis), it's beautifully disconcerting.
Phenomenal. Simple, beautiful, thoughtful, honest. Some really nice writing in there about friendships, sisters, moms, daughters that was just raw, honest, open, and transformative.
I can’t stop thinking about her poem A Scant Grace about the painting American Gothic. Life changing.
Some other favorites: Afraid Phobia Ravenous Dog death heat
Tamamen korunmasızdı o. Ama ben görmedim, görmedim.
Orada odasındayken onun yanındaydım, ama sanki bin mil ötedeydim. Kısık sesini duydum, ama dinlemedim. Belki dinleseydim, duymuş olurdum küçük gümüş çanlar kadar tatlı olanı.
Ama nasıl dinleyebilirdim ki onun miniminnacık isteklerini? Ben bambaşka bir yerdeydim, kafamın içindeki vızıltıları ve vınlamaları tasnif ederken. Daha tanımadığım sesler. Daha tanımadığım sesler.
3.25 I don’t usually read poetry but I’m glad I chose this to fulfill a reading challenge prompt. There was some really beautiful prose and then some that I was left thinking huh. I especially enjoyed her poems that focused on nature, her mother and her son.
I have loved Joan Baez's voice, and vision, since I was a very young man. Musically, she has been part of my life for many decades. This was a different look, a wonderful look, into her thoughts, what inspired her, some of those she knew and loved and remembered. I think it started a little slowly, but two poems very much stuck with me... "Queen of the Mountain," about her sister... and the title poem. You don't encounter talent like this many times in your lifetime. Some older generations share theirs, but she shared mine, and I am so glad I listed to this - will absolutely do so again and buy the hard cover to mark up and remember...
It is narrated by the author, which makes it that much more special.