Vibes: back from the dead, sweet guy/card sharp girl, unfinished business
Heat Index: 6/10
For two years, Lieutenant Eli Williams has been presumed dead following a shipwreck. He comes home to find that his money's gone (thanks to his brother), his fiancee married another man, and his former friend Jane... still hates him. Though Eli wants to fix things before returning to sea, Jane has bigger plans in mind. Eli chose her cousin over her, and she's bent on locking in her own future through her ladies' gambling club. As Eli works to regain her affection by bringing in new members, she's determined to resist--but can she?
This is one of those books where I liked the writing style and saw definite potential in the author (and it's important to note, I think, that this is her debut). However, I can't say that I was completely wowed. This is a brisk romance with some solid heat, and I would recommend it for readers who like something on the lighter side, if that makes sense. I just personally would've preferred a bit more done with this concept.
Quick Takes:
--Part of why I may be a little more on the "whelmed" side with this one is that I don't know that the marketing matches this book. This is a great cover--and I do feel like the lighting, the colors, the intimacy suggest something a bit angstier when coupled with the back copy. Despite it being a book about two people coming back together after the hero is presumed dead... It never felt that serious?
And because it didn't feel that serious, I also didn't really get the anger Jane felt towards Eli. Personally, it felt a bit "I had dibs on him!" which I.... don't care for! I enjoy an unlikable heroine, but I just didn't get Jane. I didn't get her beef with Eli. It felt unjustified, but it also felt like the story didn't get that it was unjustified, which made her come off as annoying. For me, at least. I did enjoy her angle as a card sharp.
--I appreciated Delacour's effort to add diversity into the story. Yes, a supporting queer character who doesn't suffer isn't like, smashing windows, but it does matter. Especially in historical romance, which can be more on the conservative side. Casual positive representation makes a difference, and it's the kind of little detail that makes me feel like the author was really thinking carefully as she wrote.
--Eli is a sweetie. The thing is that because he's a sweetie, you kind of have to accept him taking a lot of shit from Jane throughout the story. And if he's taking a lot of shit without really dishing it out, is it? Enemies to lovers? I'd say no. It's not a bad thing, but it's not enemies to lovers.
The Sex:
You get several good scenes, not that are super explicit, but all of which are sexy. I really enjoyed the fact that this is a book wherein the leads begin a "casual" situationship... While also clarifying that he can't put it in. Because historical romance and the heroine caring about whether or not she gets pregnant.
(Do they fully succeed in the whole "not putting it in" thing? Well, perhaps for longer than they would have had this book come out 20 years ago.)
You get some hero masturbation (yes!) some dry humping, and... ladies and gentlemen... we have virgin hero! The sex isn't crazy, but it is hot, in and in large part because of how Delacour writes Eli's mindset. Poor fella. God bless him.
I wish I'd loved this, but I was kind of in the camp of "it didn't thrill me, it didn't make me mad, and I do see promise". I'd like to try something else from Faye Delacour. However, I do think we need to see more drama to back up the hype for the next release.
Thanks to NetGalley and Sourcebooks Casablanca for providing me with a copy of this book. All thoughts and opinions are my own.