I was pretty late to the party and started reading the Plated Prisoner Series only a few days prior to the release of Glow, so I was able to binge through them all, ending the journey with Glow itself. And I will end my journey with Glow even though there might be more to come. This is not going to be a "OMG SO GOOD!!" review but in-depth discussion on why this book should never have been published in this form, at all. I'll provide a short review first and then dive into it later, so only read that second part if you don't care about spoilers.
While struggling a little with Gild and Glint, Gleam stole my heart, which is why I had such high hopes for Glow. The characters had grown on me (mostly) and I was so curious about all those plotlines that might be possible going into Glow. Well, to say I was utterly disappointed would be a massive understatement. I usually refrain from giving 1 star reviews because I feel like it takes away a little bit of credibility for the review (1 star reviews often stem from very subjective points of view) but ... no, there's no other way here, I'm really sad.
One question before we start: Have all those ARC readers, giving 5 stars, received a different copy than we did? A different book, maybe?
The short and no so sweet review: Someone probably told Raven Kennedy at some point that she can't plainly copy someone's homework, slightly alter it and produce a book that ticks all the boxes to ride on the current fantasy-fae-book-wave, but RK simply said "hold my feminism and concept of consent" and proceeded to mangle every single previously likeable character, wreck entire plotlines and sprinkle unreadable spice on top. That's basically like copying someone's homework and still producing endless mistakes.
Out of 700 pages maybe 50 were plotrelevant. Read that again. Those 50 were riddled with inconsistencies, out of character behaviour and spice anytime someone might raise some questions about what's actually going on in the book. There is a blank space of 30% where nothing of relevance happened at all, at 60% still nothing consequential was to be reported and the final 100 pages felt too short, rushed and blown way out of proportion at the same time.
RK opens various plot lines throughout the book, mostly done by newly introduced POVs and she fails to follow through with a single one of these plot lines. They all fade into nothing during the whole length of this book.
You could actually reduce Glow to maybe 150 pages and you would miss nothing. Possible threats to the main characters stay obscure and are not explained, thus there is no connection to be felt to why this even is a threat or why they fear it. The general pacing is off, almost 30% of nothing, then mastering everything within a few pages and going back to doing nothing up until the last 100 pages pick up a little bit of speed and still fail to pull the reader in.
The spice was indescribable and not in a good way, but in a cringeworthy, please go back to sex ed kind of way.
Plus the obvious calculation by inserting quotes and copy-pasting well-known quotes almost word for word into the book leaves me with no other choice than to drop the series, leave a one star review and steer clear from any future publications.
Short review end.
If you're interested in more in-depth commentary with quotations and examples, read on. If you still plan to read this book and don't want to be spoilered do not read on.
#### MAJOR SPOILERS FOLLOWING ####
Plot
There is so much to unpack her and I'll need to start somewhere, so we'll go into the plotlines first. Of course we have different POV chapters and as we all probably knew from the previous books, the added POVs did nothing to add to the book itself but prove, how far the focus of the author strayed from the actual plot. We received POVs of the following characters:
Auren 37 out of 65
Slade 19 out of 65 (two starting with flashbacks to his childhood, two to his teenage years)
Queen Malina 3 + Epilogue
Queen Kaila 2
Osrik 2
Rissa 1
Please read those numbers again and tell me, those povs were relevant to the story. They were not. 37 for Auren is okay, don't mind that at all, she's the female main character we've been following around for four books now. 19 for Slade were way too many in my opinion, especially because the major part of those were in the first 30% of the book and you could have reduced them to a fourth of that, without losing much (or anything at all), and most of those later ones focus on his spice-appearances while the first few were blown up so much.
We get 3 chapters for Queen Malina whose entire plotline seems to be the most important one going into Gold. 3 plus the epilogue showing what I stated in the previous sentence. She's the one building the road for an entire book and she gets 4 chapters out of 66 (if we include the epilogue), that equals 6% for someone who was the most relevant for the plot going out of Glow? Wow. But - it gets worse.
With Queen Kaila as our main antagonist in this story, I expected to see her work her political magic - and I received two absolutely inconsequential chapters. We received TWO chapters for our main antagonist. TWO. And that was it. Do you need further proof of how RK valued porn over plot?
Continuing, Osrik, our charming Cassian-Clone gets two POV chapters and their sole purpose is to start off an arc of insta-love and insta-erection, err, insta-attraction of course by stating how much he would like to fuck Rissa but at the same time won't do it, before she agrees (wow, so she does know, what consent is). The fact that this character still is the most likeable of the whole story shows how much lower the bar can get: it can't.
Oh, and then there was the one chapter from Rissa's point of view, in which she simply states how much of an oaf Osrik is, how much she despises him and oops, goes up to kiss him. Sounds irrelevant? You get the drift.
To summarise, out of 66+1 chapters the side characters povs take up a whole 9 of them and none of them offer anything of relevance to the plot or progression of the story in the form presented for this book. They may shed a little light on possible further paths for the next book but to be honest, to finally go through with all those opened and continuously ignored plotlines, the finale of the series would need to have twice the size of Glow and probably still feel unfinished. Do I kind of expect RK to announce more books or butcher the series completely based on this? Absolutely, I do.
Not only do the plotlines fade into nothing, the plot itself is so inconsistent and partially forgotten about, that you don't even care what happens to the characters. The obscure threat of a "Conflux" is mentioned but there are various reasons why that fails to instill fear in the reader: first of all, the description of a conflux is found on page 572, the first mention on page 126 though. Read. that. again. Out of 700 pages, you hear about that major and main threat for the FMC first after 18% and then have to wait for 65% more to finally have explained what that threat actually is at the percentage of 83. Secondly, none of the main characters or their supporting acts (as the side characters are not really more than that, sadly) act like they have to be worried about this thread, except for Ryatt who seems to be the only one to have at least one brain cell working at a time.
Another point of critique concerning the plot for me was the dip into space, maybe even time, travel by adding the layer of "Rip" and his rip into the world, which is mentioned, then forgotten about and picked up again at the very end of the book, because the rest of the main content needed to be brainless smut. The same "mentioned it once, only picked it up once again"-argument can be made for the rot left inside Auren, which used to be one major source of worry for Slade and then was never mentioned again, until RK needed to frame Auren even more as the thief of powers, when the gold touch and the rot dripped out of her while standing trial.
As we've now seen, the focus of the book is solely on Slade and Auren instead of side characters or even plot, right? There should be so much room to recover from traumatic experiences, to deal with past trials and unprocessed trauma, right? Well, there was - and RK filled that room with porn. The main characters deal with their trauma by either forcing each other to talk about topics one of them is not ready to share yet, coercing sexual situations or simply fucking the thoughts away, if suppressing them for the sake of the other one's comfort is not an option anymore. This is a major list of problematic trauma responses or rather, problematic coping mechanisms which become even worse, when looked at in detail, as some sentences, that could probably provoke a major flashback to, in this case, Auren's past are mindlessly used in porn-like scenes: Remember Midas telling Rip/Ravinger in Gleam that Auren "lost the privilege (of using her ribbons)"? Well, Slade is as well-versed in copying someone's homework as his creator is and therefore states in one particular spicy scene on page 593 “You lost the privilege of your hands, my lady.” Really? That turns you on? Wow.
Also, Auren dealing with her traumatic experiences on her own is a work of art, abstract art that has very, very loose connections to reality, but you might call it art nonetheless: If she is not currently suppressing her power, any thought to what she did or tries to atone by getting Slade to hate-fuck her as punishment (this is not an exaggeration), she is telling herself at various points to simply stop her trauma responses and is done with it. Need examples?
In chapter 26 Auren hates, that her initial reaction to Slade is "snappishness" and then goes on to simply drop it. If it only were that easy, right?
The same procedure is used when she felt herself "hit rock bottom" in Chapter 18: on that lowest point of low, Auren discovers a crossroads of paths leading out of her situation. The problem I see with this description? When hitting rock bottom, you could actually stand on an illuminated sign showing you the way out and you wouldn't be able to see it - that's how it feels, I guess for most. If you still clearly see your paths, I hate to break it to you, but then that's not rock bottom yet. Rock bottom rather feels like being caught under a wave after a wipe out - you don't even know where up neither down is, and you probably don't see your "way out of trauma" at a crossroad, clearly and in broad daylight. This is massively overromanticised, in my opinion.
Another way of dealing with or facing her trauma is found for Auren in submission, at least that's what she repeatedly claims in the book, while also not wanting to rely on others (especially men), yet continuing to do exactly that:
"With the right person, there is power when you kneel. There is adoration with submission. There is balance with control." page 395
"I may be the one kneeling, but there is power here on my knees, with him in my mouth, with him beneath my grip. Such power here." page 522 (Such power, much wow)
Contrary to Auren's belief I'd like to add that there is power in submission, true, but only if your significant other respects boundaries, concepts of consent and "no" as a word in his vocabulary. Which leads us beautifully to another topic I am very, very concerned about: Consent in it's various forms.
The first violation of consent, to me, is Slade repeatedly pushing Auren to face her trauma, to talk, to do whatever is most convenient for him. He uses vocal cues, sexual coercion and blatant ignorance of her telling him "no" in various scenes (it's basically any sexual encounter in the book, I'm not going to list them here). He uses physical contact and sexual experiences to "encourage" here to face her trauma (the kiss scene while there was still daylight e.g.), even after Auren tells him "no" explicitly. A very cynic part of me wants to say that he only pushed her to touch him during the day because he now is able to fuck her even more. This is not the only scene in which Auren voices her discomfort by actually saying no and being repeatedly ignored, talked over or simply overpowered by Rip/Ravinger/Slade. There is three of them and no one seems to know what consent actually means, so let me give you a quick recap on the various concepts of consent and maybe the "Wish"-Version of Rhysand in form of RRS listens:
- No means no.
- Hesitation or clear signs of discomfort or even fear, means no.
- A coerced yes means no.
- A revoked yes means no.
- Consent can only be given conciously and enthusiastically and it can be revoked at any given time.
Out of the three ground rules of any sexual encounter, no matter how kinky, Slade and Auren score a solid 0/3 for safe, sane and consensual play. Great.
A very unfortunate situation in itself, but to make it even worse, it's not only one character unaware of the necessity of consent especially for sexual encounters, as Auren also completely ignores what Slade wants but simply threatens him to, and I quote, "knee you in the balls so hard all that cum you want to paint on my body will be choked up for a week" if he doesn't give her what she wants (a vaginal orgasm). Great, right? Or that scene, where she took "velvet wrapped steel" a little bit too literal and actually gilded his cock. Right, the girl still afraid she might do irredeemable damage with her gold touch gilded her lover's cock. Girl, if you want a toy, you can ditch the rest of the problematic dude and simply buy one.
Newsflash: two characters ignoring consent don't make it right. It makes it worse.
So there could be 100 more lines in which is claimed that there is power or calm in submission - if the other part of that encounter doesn't understand consent, it's nothing but garbage recounted over and over again to make it seem okay. It's not. It's harmful and disgusting. And it's an offence to all those other authors managing to actually pull powerful submission off. End of story.
End of story? Unfortunately not. While our cheap version of Rhysand pretends to be winner of "feminist of the year" he is nothing but possessive, constricting and encroaching. He will allow Auren any type of "freedom" she wants, as long as he is present, consenting (WOWWWW) and taking part in some way or form. Sounds captivating, right? He goes on to prove her independence by excluding her from crucial decisions about HER attendance at the Conflux, making said decision for her without her present because - and I wish I'd make this up - he fucked her to unconciousness before, so he could actually decide over her head ["He basically sexed me into unconsciousness so he could go off to give Manu his final answer at dinner without me being able to discuss it at length beforehand.", page 602; "once again, he’d distracted me with sex. This seems to be a theme.", page 603]. Feminism, right? Auren can do whatever she wants, as long as it pleases Slade.
He also shows some very alarming signs of similarity to ... drumroll, Midas. At the end of Glow Wish-Sand aka Slade (thanks for that, @stephanie) is basically a darkhaired version of Midas, thus Auren did not only trade one king for another but also one captor for a new, even more wicked one.
He wants to pluck the eyes of people out, who took a look at her - sounds familiar?
Now we have already dipped our toes in the spicy scenes of the book but I'm nowhere near done. While we may have wondered how Slade is able to live without any kingly duties, we are informed he actually has people doing those for him which allows him his obvious full-time career as a mediocre porn-star for a cringeworthy company producing porn for the male gaze only. Where I was completely convinced spice as a subplot for fantasy should be written like it has been done in Gleam, the spice scenes in Glow have to be written by a completely different person. There is nothing remotely sexy about those scenes and it read like any male-gaze-favoring porn watches. You know what had me laughing my buttocks off because I felt so right in that assessment of Auren and Slade actually only being porn-stars? This quote: "My moans start coming in earnest." [page 525] Do I even need to say more? Let me just leave another few quotes for you to decide, how wonderfully executed these spicy scenes were done:
“That’s right, drool all over my cock, baby. Get it nice and wet and sloppy, because I’m going to fuck you with it soon, and I want you dripping.”
“You are gorgeous, and I want nothing more than to watch my cum flood your mouth, but I want to sink myself inside your pussy even more.” (Nothing more, but something more, sure, dude)
“Fuck me, Auren. Bounce on my cock.”
“It makes me want to sink my teeth into your neck and leave a mark in your skin. Makes me want to strip you down, your mouth open, tongue out, and cum all over your chest, your pussy, your face. Makes me want to smear it over your tits, rub it against your pouting lips, watch you swallow it down as I smooth the cream right over your throbbing pussy.”
“Mmm, all this wet cream just for me.”
“My dirty fucking girl wants her clit licked?”
"But I don’t even feel when my head cracks against it [the wall]"
“Choke my cock and make me come with you.”
"It’s also his cock. He has a really good one."
I'll stop here but boy oh boy. I've read some truly bad spice but this? Next level shit. You could probably ignore it, but Raven Kennedy solved her plotholes by smothering the book in spice and you can't even skim past these scenes, because they are everywhere.
[CONTINUING IN THE COMMENTS]