The challenge to long-standing books of advice is the passing of time and the changeover of cultures during this time. As a kid, I remember hearing about 'timeless' art, music, and literature from adults who honestly believe that something made many years ago can retain its full impact many years forward. In many cases, the 'brilliance' of each era is consolidated into a few exemplars and vindicated by the fact they are still in mind so many years (and changes) later [i.e. the Beatles, William Shakespeare, Napoleon Hill, or Vincent Van Gogh].
My introduction to Og Mandino came via a reading of W. Clement Stone's thoughtful work, SUCCESS THROUGH A POSITIVE MENTAL ATTITUDE, a decade or so ago. In a fit of self-improvement pique, I had purchased a handful of his paperbacks at the time, and gradually saw them get buried over newer (and more enticing) books on my reading stack. Choosing to purge a large backlog of books, I recently stumbled into this cache of paperbacks, and decided to devote a few weeks to reading through them and deciding what to do with them.
For the most part, THE CHOICE is a parable that feeds its advice through the semi-autobiographical tale of his fictional proxy, Mark Christopher. Like earlier works, Mandino employs a more than a bit of biblical references and the use of another magical spectral character to convey the story. It does feel a little formulaic, and as Mark hits new lows and ultimately finds larger success; we learn of the hidden costs and the ultimate price paid to reach a level of greatness.
While I credit Mandino's style for covering this topic without the usual preachiness; this book may be more enjoyable for its intended lessons, rather than for the story itself. As to whether this book holds sway nearly 40 years after the story's events had happened; we may consider a short analog to a book referenced a few times here, JONATHAN LIVINGSTON SEAGULL, in that it may reek too much of its own era to really reach readers who hadn't lived through it. Mandino's work has been referenced and taken forward by the next generation of self-help writers, but there are still a few takeaways from THE CHOICE.
The first takeaway would be the idea of CHOICE being a gift from one's creator; and that in the face of expectations, fulfillment of personal needs, and the maintenance of relationships, that (the use of) time is the ultimate currency. Our main character undergoes many difficult choices throughout the story, including what do to in the face of a spectral character who once inspired him, and eventually challenged him over the use of time.
The second takeaway are the questions that are referred to in the start of the main character's speech at the climax of the story. They are: (1) Are you in control of your life? (2) Are you at peace with yourself and those around you? (3) Are you proud of your life's accomplishments? (4) Are you and your family enjoying the fruits of your labor? (5) Are you happy and content?
What is significant is how these questions often dictate to directions we go after reading most self-help literature. It's not intentional that we make many errors in pursuit of the answer we want in most of these areas. For instance, the 'control' question indicates how much power we give others. In many situations having full control may feel satisfying on the surface, but kind of lonely and meaningless without a mission and people to support us in completing it. Conversely, the last of these questions often indicate a lack of ambition or a lack of vision. Particularly in self-help work focusing on personal success, answering yes to that last question is more a sign of surrender than of any sense of satisfaction with one's life. Still I feel that considering these questions often sets the foundation for the moves we make afterward.
A final takeaway may not be as clear in the present age. It also consists of four parts in that (1) Each new day is a blessing regardless of trials and troubles that may be part of it. (2) When one cannot find contentment internally, there is no point seeking it elsewhere. [Also that joy has to be made internally, and increases as we give it to others rather than taking.] (3) Doing every task to the best of one's ability may be the only to 'show' what one is actually 'worth' as well as what is 'beneath them' going forward. [Kind of a paraphrase on the idea of being a person who 'adds value'.] Lastly, (4) there is no greater regret than having the ability and talent to do great things without the courage to try.
Like many parables, Mandino's ending here is intended to be an uplifting one that 'explains' the magic; but in my own mind messes with the first of his five questions (the one regarding control).
Overall, this is information that has since been repackaged by future writers in the genre and re-explained in the context of changing times. There may still be some value in the philosophical considerations of Mandino's offerings, but the manner of execution could be challenging as times continue to change.