I received this book in a Goodreads First Reads Giveaway, which in no way influenced my review.
This book defies description. I see that some people have pegged it as Christian fiction, while some people heartily disagree because of the language and sexual content. Some people call it inspirational, some categorize it as suspense. If I were to label it myself, I would call it mythical, featuring a main character who is larger than life. But if you were to ask me if I enjoyed the story, I could not say that I did, nor could I say that I didn't. Sounds confusing, doesn't it? Well that is how I found this book to be--utterly confusing, in a number of ways. But in a way, I am glad that I read it. If you want to know why, read on.
The story is about Tyler Steele, a third generation Texas Ranger, who is raising his son, Brodie, on his own as his estranged wife is in rehab. She could not cope with the demands of his job and his lack of attention, using drugs and gambling and an affair to get through and get back at him. They are in the middle of a divorce when Ty literally runs into a mother and daughter stranded on the road. They are on the run from an evil man in law enforcement who sexually abused the young daughter, Hope. Ty helps the mother, Sam, and the daughter as best he can, bringing them home with him, getting them get back on their feet and getting them settled into his community. And soon, Ty and Sam are eyeing one another in a more personal way, wondering if they might have a future together once Ty's divorce is finalized. People and events conspire against them, creating tension and upsetting the newfound balance they have gained in their lives.
Let me get the negatives out of the way first thing, then I can concentrate on the positives, leaving the review on a high note. The writing, especially in the first quarter of the book, was jagged and could have used better editing. The images invoked by the author darted around, not only in time, but in place. As an example, the young girl, Hope, is the diner, then she is in the store, then the diner, then she is by the window somewhere near the car near the trash can. But which window and where? I had to reread this and many other passages more than once to make sense of the sequencing, and I never have to do that in other books except on occasion.
Another problem was that the author used many pronouns without much of a clue as to whom or what he was referring to, again forcing me to reread a number of sentences as there were often more than one 'she' or 'it' involved in the scene. I am trying not to nitpick here, but let me say that another thing that grated on me, which is again an editing problem, was that there is a 'thinking back' scene in the middle of a chapter and it continues on into the next chapter, interrupting the flow of time. I have never seen anything like this before, splitting time where it continues on into multiple chapters. I was certain that I was reading a dream sequence in the next chapter and was surprised to discover that I wasn't. I am referring to the first big gunfight scene where the goons of the man Ty put in prison attack him and he ends up in the hospital, soon learning that his son has been kidnapped by them. Utterly unbelievable as to what happened next. No wonder I thought it was a dream.
Other things in this story also stretched its credibility factor. Sam is supposed to be in hiding, yet she stands in the middle of a truck stop with a sign asking for help. No wonder the man she was running from found her. She also spends more time trying to put the moves on Ty than trying to find help for her daughter who has been traumatized. Not cool. And I hate to break it to the author, but Sam would have needed a license to give pedicures. She should have been a receptionist at the beauty parlor since that is the only job a person would not need a license for in that instance. And how Ty survived the prison riot and was resurrected, so to speak, I could not find it within me to believe any of it. Call me jaded, but there you have it.
And one last thing. About two thirds of the way through the book, Ty begins talking in speeches as if a dam broke inside him, letting out all his thoughts and feelings and his own personal philosophy on life. It goes on for pages and pages in numerous places, all his sentences perfectly formed as if he had rehearsed it all. Maybe he had, and he had just been waiting to tell someone. All I can say is, it was way too much information. Less is more.
Okay, now for the good things about this book. And yes, there are many to be enjoyed despite my list of gripes. Mainly, the hero of the piece, Ty Steele, makes this book. He is the real reason to read it. He is a man of conviction, not perfect, not trying to be. Just trying to be more of a human being. Very admirable. I found his inner struggles to be the most believable and moving parts of the story. His son, Brodie, and his relationship with him added even more dimension to a fully realized character. I could have read about Ty and his son for pages on end and never felt bored or incredulous. I also liked the letters to God that Hope wrote, making God her pen pal. And there was some nice humor in the book, and I liked how the title of the book came into play and its meaning. Strangely enough, the romance was the weakest part and detracted from all that I found good about it. I say strangely enough because I am a big fan of romance novels with well developed characters. I guess it is because I did not find Sam to be the most likable character. She seemed rather selfish.
Overall, I think that the concept of this book was great, as were most of the characters. I only wish it had been executed differently.