From the Marrow Vol. 1 collects five ritual/jazz performance texts by Sharon Bridgforth, including lovve/rituals & rage , no mo blues , dyke/warrior-prayers , blood pudding , and con flama . Rooted in blues and bristling with the voices of ancestors, lovers, aunties, neighbors, and friends, these texts document the first decade of Bridgforth’s thirty-year practice, including the founding of The root wy’mn Theatre Company. Shapeshifting, polyvocal, multi-gendered, genre-bending, nonlinear, Bridgforth’s writing innovates form the way the ocean carves the with sensuality, salty humor, aching grief and rage, and with vast, various, and invariable love. This volume—the first of two—includes essays, interviews, and witnessings by Alexis Pauline Gumbs, Sonja Parks, Stacey Karen Robinson, Sonja Perryman, and Robbie McCauley.
Bridgforth is RedBone Press author of" love conjure/blues" and the Lambda Literary Award winning, "the bull-jean stories". She, Omi Osun Joni L. Jones and Lisa L. Moore are co-editors of "Experiments in a Jazz Aesthetic: Art, Activism, Academia, and the Austin Project", University of Texas Press. Anthologies that feature her work include: "solo/black/woman: Scripts, Interviews, and Essays", Eds. E. Patrick Johnson and Ramon Rivera-Servera, Northwestern University Press; "Blacktino Queer Performance", Eds. E. Patrick Johnson and Ramon Rivera-Servera, Duke University Press; ."Windy City Queer: GLBTQ Dispatches from the Third Coast", Ed Kathie Bergquist, University of Wisconsin Press; "First Person Queer: Who We Are (So Far), Eds. Richard Labonte & Lawrence Schim"el, Arsenal Pulp Press; "New Monologues For Women By Women", Eds. Liz Engelman & Tori Haring-Smith, Heinemann; and "Is This Forever, Or What?: Poems & Paintings From Texas", Ed. Naomi Shihab Nye, Greenwillow. Her "River See: Theatrical Jazz Performance Installation" script is featured in Obsidian Literature & Arts in the African Diaspora, Issue 43.1. Bridgforth's current project, "dat Black Mermaid Man Lady/Home" will premiere in 2018. An imagined "dat Black Mermaid Man Lady/Home" performance is published in "Imagined Theatres: Writing for a Theoretical Stage".