Fans of Norman Partridge's "Dark Harvest" may want to explore this inspirational title from the good folks at Leisure Publishing. Science fiction readers may recognize author Al Sarrantonio for his "Masters of Mars" series and the "Five Worlds" trilogy, while horror fans will remember his early work during the paperback era of the 80s and 90s. But after the turn of the millennium, he has since become known more for his Halloween-themed "Orangefield" cycle that has spawned countless imitators today.
As a literary continuity, Orangefield is rather hard to piece together. The series is comprised of original shorter works that were compiled into three novels with varying degrees of cohesiveness.
"Horrorween" is considered the first of the trilogy, though it actually is not the first published. "Hallows Eve" was put out by Leisure in 2004, while "Horrorween" appeared in 2006. But the latter consisted of reworked earlier material in the cycle, and contains events technically first in the timeline. Thus "Horrorween" consists of the 2001 short story "Hornets," the 2002 novella "Orangefield," and the 2005 limited edition novelette "The Pumpkin Boy."
So how does all of that content translate into a sensible narrative?
Well, we start off with the "Bob" of this novel, who's real name is Pete, but he is so Bob-like that we'll just call him Bob. Bob is a real grouch. He clearly is having problems with his wife, perhaps because everything that comes out of his mouth is sarcastic. Turns out, Bob is a writer, but he is suffering from the dreaded "writer's block," and his agent is breathing down his neck for the next manuscript. Worse, Bob suspects that his wife had an affair with said agent. But one Halloween, Samhain seems to have answered Bob's prayers. His creativity flows, ideas and scripts pour onto the pages, and it looks like things are also about to turn around in Bob's marriage. But then Bob's wife mysteriously disappears, and the detective on the case suspects Bob. At the same time, Bob's office is infested by yellow jackets that built a nest in a wall.
Now that we're invested in Bob and his problems, will Bob be able to conquer the pesky hornets and get back to work? Will he solve the mystery of his missing wife and live happily ever after?
Well, no, because this part of the book ends and now we have a NEW Bob to focus on. This time, Bob is being played by Bill, the detective on the Orangefield police force who was investigating the disappearance of the first Bob's wife. Our new Bob has his own problems and his own mystery to solve, this time a series of child disappearances. And so on.
If you were not aware that this was actually a compilation of short stories and were expecting a novel, you'd be quite taken back by all this. But now you know. So you're welcome.
Be it a novel or a collection of shorts, this book has some of the best Halloween atmosphere of anything you are likely to read. The whispers of falling leaves, fields of pumpkin patches, paper decorations on window panes, the feel of the autumn wind, strings of festive orange lights. This is the perfect book to cure any Halloween Grinch.
But are the stories any good? They are of varying quality, but all are chocked full of creepy goodness to satisfy your reasons for opening this book. There are some wonderful artistic touches to the writing. For example, the author does a remarkable job describing the squalid chaos of a child's home neglected by an alcoholic mother, but the child's own room is another world, freshly painted and dusted, with neat rows of fantasy novels and a telescope poised out the window. Nicely done.
Each section has more holes in the plot than a jack o'lantern, but it never distracts from its mission to celebrate one of the most magical times of the year. So I suspect the vast majority of readers will love it for all its faults.
So celebrate the festival of Samhain--or Sam, or Sammy, or Bob--this year in Orangefield. And remember to always stay safe, stay sober, and stay scared!