I LOVE books like this.
Todd Brenneman has added a valuable tome to the study of evangelicalism. While many scholars focus on analyzing Christians based on doctrine (for instance, one of the flagship courses at my Christian grad school is "Christian Thought and Culture"), Brenneman suggests emotion can serve as an important marker for the study of Christianity. He identifies an "aesthetic" in evangelicalism, centred on the notion of God as a loving father, humans as childlike (and the glorification of children) and the preciousness of the domestic sphere; I had never thought of an aesthetic in this way, but it's a reasonable framework.
Tracing the roots of contemporary evangelical sentimentality to the nineteenth century and works by the Beecher sisters (particularly "Uncle Tom's Cabin") and emotional hymns (many of which were written by women, who had little outlet besides the hymn to voice their own religious sentiments), Brenneman explores how sentimentality has come to dominate evangelicalism. He also explains how influential the Baconian approach to science and Scottish Common Sense philosophy (which admitted the role of emotion) has shaped the mind-set of evangelicals but has also limited their ability to relate to the modern and postmodern era (specifically, the Baconian approach to science has been made obsolete).
Brenneman spends particular attention on the works of Max Lucado, Rick Warren and Joel Osteen, although other popular Christian writers and ministers are also mentioned, including T.D. Jakes. He notes that these authors tend to downplay doctrine - even attacking the term "religion" - and focuses on touching the hearts of their readers (this downplaying of doctrine DOES serve to expand the reach of these writers and this tactic has a long history in evangelicalism, dating back to George Whitefield and other revivalists). While print culture is the main medium addressed, Brenneman also explores the use of music (both hymnody and CCM) and how politics have been co-opted by sentimentality. In regard to politics, Brenneman notes that evangelicals draw upon Victorian ideals of domesticity, including the "innocence" of children; the home becomes sacred and a bastion against the corrupting influences of secular culture that threaten to destroy the traditional family.
The picture Brenneman paints of many evangelicals is that they are narcissistic and desire therapeutic religion. The authors mentioned above provide practical advice to their audience while portraying themselves as folksy and "average Joes." In their books, these authors write about God's wonderful plans for the readers and they insist that God will help the reader throughout their day (part of the "sacralizing of the ordinary"), including freeing up lane in traffic (I wonder if this is a subconscious affirmation of the doctrine of God's sovereignty?). But Brenneman ultimately sees this as narcissistic because the reader is made to feel cherished because God cares about all the little things that go on in their lives (and Brenneman provides plenty of quotes from Lucado, Warren and Osteen to back up this suggestion, including Lucado's declaration that "if God had a refrigerator your picture would be on it") and this contributes to a strong ethos of individualism in evangelicalism. I recall Canon Short offer the sobering differentiation, "You're not special because if everyone is special, no one is special. You are PRECIOUS!"
Brenneman has both praise and criticism of sentimentality in evangelicalism. Sentimentality has ironically made evangelicalism MORE resilient against criticism because it prioritizes how Christianity makes one FEEL as opposed to its intellectual coherency. As well, by downplay complex doctrines and theological disputes, authors like Lucado, Warren and Osteen are able to expand their audience (which is important because evangelical sentimentalists are emphatic about the need for conversion). But Brenneman laments that the individualism of evangelicalism makes it unable to reform the institutions that shape society; evangelical sentimentalists urge their readers to act out of their faith in their personal lives but evangelical sentimentalists tend to be silent on how to reshape the corrupt structures that affect the lives of large swaths of people.
Brenneman leaves some pieces and people out that I would have liked to have seen addressed such as "The Shack" and the Eldredges and he neglects to explore pastors such as Timothy Keller who deploy intellectual argument and downplay sentimentality. While he cites the lyrics to a Kutless song, "Sea of Faces" as evidence of narcissism in evangelicalism because it suggests Jesus would have still died even if only to save one person, that notion can be traced back as far as St. Augustine. I think it would be fascinating to see a companion book looking at sentimentality in Roman Catholicism (the same narcissism among evangelicals who feel fawned over by God in their personal relationship with Him would exist too among Catholics who implore the saints for special help and Catholicism, like evangelicalism, promotes a saccharine image of the family). Nevertheless, this is an excellent book that rigorously analyzes the domination of sentimentality in American evangelicalism and I think it belongs among the likes of Mark Noll's "The Scandal of the Evangelical Mind."