Sir James Paul McCartney MBE, known as Paul McCartney, is an English singer-songwriter, composer, multi-instrumentalist, poet, entrepreneur, painter, record producer, film producer, and animal-rights activist. He gained worldwide fame as one of the founders and members of The Beatles. McCartney and John Lennon formed one of the most influential and successful songwriting partnerships and "wrote some of the most popular music in rock and roll history". After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman McCartney, and songwriter/singer Denny Laine. He has worked on film scores, classical music, and ambient/electronic music; released a large catalogue of songs as a solo artist; and taken part in projects to help international charities.
McCartney is listed in Guinness World Records as the most successful musician and composer in popular music history, with 60 gold discs and sales of 100 million singles. His song "Yesterday" is listed as the most covered song in history and has been played more than 7,000,000 times on American television and radio. Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remains the UK's top selling non-charity single. (Three charity singles have since surpassed it in sales; the first to do so—in 1984—was Band Aid's "Do They Know It's Christmas?", whose participants included McCartney.)
His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease.
An iconic figure in contemporary culture, he is regarded internationally as an entertainer and humanitarian. Aside from his musical work, McCartney is an actor, a painter, a poet, and an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal hunting, and Third World debt.
This 2001 collection is probably only for the fans.
Some of the poems are touching and effective, especially those dealing with Linda’s death. Most of the lyrics set forth as poems don’t work as such for me: I know them too well as songs and can only read them with their melodies in my head. That doesn’t take away their power, as melody has always been Paul’s forte.
In the poem Meditate, a couplet jumped out at me as a homage to Prufrock:
Shall I fear to now repeat/ Words that whistled down our street?
Finding that was fun.
My impetus to read this now was the announcement of Paul’s “autobiography- in- lyrics” coming out near the end of the year. While writing this review, I’m listening to his 2007 album Memory Almost Full; it’s not one of my favorites, but several of the songs have great lyrics that I imagine will be included.
I admit to taking this book from the library shelf simply because of its beautiful cover and title. Only then became aware that it was written by Paul McCartney. I don't know much about him, other than that he was one of the Beatles and that his daughter makes cool clothes. My mom and dad first kissed at a party in the 70s while dancing to "Hey Jude." My dad looked a bit like him, too: big soulful eyes, soft narrow lips, and a thick moptop for hair.
I had to check it out.
The introduction is written by someone called Adrian Mitchell, of whom I had never heard, but of whom I should have heard, as it turns out. He is a well-known British poet, THE poet of the anti-bomb movement, according to wiki. In his introduction, he writes about Paul McCartney's poems a little defensively... as if the idea that a songwriter can be a poet might prove to be a tough sell. Here is why I mention him: I fell in love with one of his expressions. He calls the art of poetry "the art of dancing naked," and that must be one of the most beautiful things I've ever read.
And so it is that we see Paul McCartney dance naked here. Maybe it is an awkward, impenetrable dance at times, but nevertheless always an honest dance. Some poems felt to me like he was perhaps dancing drunk on the table, and the judgement as to whether that is beautiful might be best left to each beholder. Some of his poems really left me in awe, like seeing the starry sky on a cold winter's night. Some made me laugh out loud. I also really enjoyed the interspersing of his song lyrics throughout. They stood side by side with his poems, and it was nice to read the words for what they are, without the music.
At the end of the day, I really enjoyed this little volume. It took me less than 2 hours to read through it, and it put a smile on my face. I feel like I know him a little, know his era a little. He is from Liverpool, a lonely boy.
I know a little about dance. Dancing is not all about technique. At the heart of it, it's about expressing something. And really good dancers can make people feel that something. Well, I felt something.
Here is one poem:
Full Moon's Eve
On a full moon's eve a tiger sprang And gnawed on Who I used to be
A pale haze lights The fox's eye And... Checking once He leaves by a hole in the hedge
Old loves return to kiss the lips In case the empty gallery Should fill with whispering strangers Like a flood
Here's the thing; Paul McCartney is not a lyrics guy. "Eleanor Rigby," sure, but that's an exception, not the rule. My personal favourite is a bit of an exaggeration, but, as an example, I present, as included in the book, the lyrics to "Why Don't We Do It in the Road?":
Why don't we do it in the road? Why don't we do it in the road? No one will be watching us, why don't we do it in the road?
Why don't we do it in the road? Why don't we do it in the road? No one will be watching us, why don't we do it in the road?
Why don't we do it in the road? Why don't we do it in the road? No one will be watching us, why don't we do it in the road?
This review might not be totally objective. Because I'm a big fan of Sir Paul McCartney and his music and especially his lyrics. I've always thought that Paul McCartney has written some of the most beautiful songs... in the world. The lyrics are often a simple story with a poetic feel to it, so why not publish them on paper as a collection? It makes sense.
All I can say is: read it. And admire the art of writing songs. The thing about Sir Paul McCartney is, that it seems so easy - and thats the beauty of his lyrics.
Now, I honestly don't know much about poetry. I've never been a huge fan of it but from time to time, I do like to sit down and try and explore it a little. I picked this book up years ago during the height of my Beatles phase and decided to re read it tonight.
It's an easy read and some of the poems are amusing but I think that Paul should stick to music. Some of his songs are written in this book and it was actually interesting to read the songs vs the poems. You can tell the man is a lyricist. His lyrics were better than his poetry. That being said, when he wrote on subjects that were closer to home for him (his wife, his children, John's death) he managed to create something beautiful. It was nice to see him dabble in this field but I much prefer his music and his melodies.
Overall, it's a nice little read to keep you occupied for an hour or two but you may find that putting on an old Beatles album is more enjoyable.
A book that started as a surprise gift to Paul from Linda ended up being this collection of poems and song lyrics from Paul's Beatles, Wings, and solo output catalog. I was very familiar with all of the song lyrics, but not so much with Paul's poetry. The standout for me was Standing Stone which reads more like an old Greek epic and was a long poem turned into a classical score and symphony by the London Symphony Orchestra with an album that came out in 1997. Paul displays his wit, charm, and even Lennon-like coarseness at times and "Eleanor Rigby" always seemed like a great poem to me and I recall seeing the lines in an Anthology of Literature softcover I once had for a class.
A good selection of McCartney's lyrics (some with other writers) and poetry. There is a long poem, Standing Stone, which is particularly impressive. Seeing the lyrics written down shows just how imaginative a writer McCartney is, and how far his compositions are from the popular idea of what a pop song should be about. There are several touching poems about his family, and I was especially moved by those about his late wife Linda.
This is a book for fans of Sir Paul McCartney and the Beatles. From classic lyrics from songs like: Yellow Submarine, Penny Lane and Hey Jude, to other songs and poems written by Sir Paul McCartney.
So I can't really give my opinion about the poems because I don't read to many poems so it's unfamiliar territory for me. I like some, I absolutely loved some, and some where oke. I think poetry is personal for everyone. I think that is why I find it difficult to give a clear opinion about them.
But it's a lovely little collection of work by one of the most famous musicians in history. I adore Paul McCartney and the Beatles. I have done so since I was young. I got this book over a decade ago from my dad. I have read this multiple times already throughout the years
Como diría un amigo viejo (que no es lo mismo que un viejo amigo) este libro está lleno de sorpresas. Paul estaba muy lejos de ser mi Beatle favorito, yo siempre fui Team Lennon. Sin embargo, este libro me ha llevado a comprender que el éxito de los Beatles se encuentra atrás de Paul.
La simplicidad de sus letras, las historias cotidianas, los recuerdos de viejos tiempos -de mejores tiempos- y el espíritu positivo hacia el futuro... Te golpean en la cara y te ponen a reflexionar sobre muchos aspectos de la vida.
Definitivamente Paul "took his broken wings and learned to fly".
I love the Beatles, even met Paul McCartney's step-mom in Damascus, Lebanon when I was 10 and got a personally autographed photo of the Beatles from her. I love the songs and lyrics. I'm not a fan of most poetry. This book has both lyrics and poems. When I read the lyrics, the songs were in my head. I liked maybe 1/2 of the poems, so that's why I gave it 3 stars.
I thought I would like this more than I did, but I'm still glad I read it. It's interesting seeing these words presented like this. Lyrics are a form of poetry in many cases so putting them with dedicated verse is fitting. Some lyrics were obviously lyrics, however, and some poems obviously poems. Then some fell into a twilight where they could be either.
I first read this book in 2013. I found it again at the library and I was surprised I had only given it 3 stars. I love the Beatles.. so I reread it. I'm giving it 3 stars again. I LOVE the lyric poems, but the others I did not care for.
2013: A long and winding road that leads to your door, Will never disappear, I've seen that road before, It always leads me here, lead me to your door.
The wild and windy night that the rain washed away, Has left a pool of tears crying for the day. Why leave me standing here? Let me know the way.
Many times I've been alone and many times I've cried, Anyway you'll never know the many ways I've tried, But still they lead me back to the long, winding road, You left me standing here, a long, long time ago. Don't leave me waiting here lead me to your door...
“When I was a teenager, for some reason I had an overwhelming desire to have a poem published in the school magazine. I wrote something deep and meaningful—which was promptly rejected—and I suppose I have been trying to get my own back ever since.” —Paul McCartney. Boy, did he ever!
Favorites include “Blackbird”* “When I’m Sixty-Four” “Here Today” “Penny Lane” “The Long and Winding Road”* “The Fool on the Hill” “Hey Jude” “Yesterday”* “Paperback Writer” “Ob-La-Di, Ob-La-Da” “Eleanor Rigby” “My Love”* “Meditate” [Ode To Monkey Mind]
There's a reason why these songs have lasted the test of time. They are so clever and moving. It is great to see them in print like this. It was also interesting to read some of his straight poetry. Overall, this was a excellent collection.
that being said… i don’t think including lyrics from his discography alongside original poetry was the smartest idea
it felt like an immediate cash grab and not a genuine attempt at poetry — paul has always been more of a melody guy too. almost like he was scared to let his original works stand out on their own; the songs being a constant reminder of his influence and how him and the rest of the beatles are often “immune to criticism” because of their innovations in songwriting and music production — “even if the poems suck, he wrote yesterday!!!”
poems are not songs, it‘s easy to already feel out the rhythm of the lyrics to songs like yellow submarine or hey jude - making them read rigid in a way most “poems” shouldn’t be? i also did play songs corresponding to to some of the poems, and these are not psalms or hymns. with the music off, you can tell they were not made to exist in this medium, maybe on genius lyrics but not in print.
some of the genuine attempts at poetry aren’t bad at all though; anything in the Nova chapter or about Linda McCartney (Wings bias) was emotionally resonant and he demonstrated the most control in those parts. sucks that this mostly comes in at the end. also swifties… he definitely was william bowery at on Sweet Nothing and i love that poem
the political poems were hypocritical; how are you going to comment on the horrors of apartheid and nuclear weaponry then be a Zionist. i guess this does happen a lot in media so it’s not surprising in the slightest especially for Sir Paul McCartney.
no temporary secretary, say say say, or the girl is mine…
works great if you’re a fan, which i naturally am. not sure if someone who’s never heard of paul mccartney’s work or lacks appreciation for it would enjoy this however. then again, it’s paul mccartney.
truthfully, i didn’t really enjoy reading some of the best known songs in the world as poems, it just didn’t work for me and i found myself singing them in my head rather than fully absorbing, if that makes sense. of course the song lyrics have meaning, but i have dissected these a thousand times and did not get the fresh feeling with them as i got from the poems.
the poems he has written for linda and after linda are definitely the clear highlights of this collection in my opinion.
also, as a fan, i would’ve wanted to see more of his earlier efforts such as when he was still in school
In the world of Beatle fandom, Paul isn’t considered a wordsmith, but as the Beatles lyrics in this collection show, this is not an accurate assessment. There are some additional songs that should have been included; I’d take “I’m Looking Through You,” “For No One,” and/or “Fixing a Hole” over “Why Don’t We Do It In the Road” (oh Paul, oh why?). Many of the lyrics from his solo career included here are slight, but seeing the words on the page gave me a new appreciation for the cleverness of “Helen Wheels,” the images in “Mull of Kintyre,” and the craft of “Junk.”
When it comes to the poems, most aren’t very memorable. I quite enjoyed the ones looking back at his youth, like “Dinner Tickets” and “In Liverpool,” and some of the poems written in the wake of his wife Linda’s death are moving.
The inclusion of Beatles lyrics is what pushes this collection up to four stars for me.
Blackbird singing in the dead of night Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise Blackbird singing in the dead of night Take these sunken eyes and learn to see
All your life
You were only waiting for this moment to be free Blackbird fly, blackbird fly Into the light of a dark black night Blackbird fly, blackbird fly Into the light of a dark black night Blackbird singing in the dead of night Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise You were only waiting for this moment to arise You were only waiting for this moment to arise
I just could not finish this book. Paul McCartney may have been good at pop lyrics, but as a serious poet he's--lacking. There were no original ideas or imagery in this book, and a fair portion of the poems were song lyrics any Beatles fan would have heard before. Oddly, I found out that it wasn't the lyrics I loved so much as all the elements of the song put together, as on the page without an accompaniment they were not very interesting.
But I read more than half of it, so for all intents and purposes I'll let it count towards this year's page count. Might as well get something out of it.
It feels like a crime against humanity to give any book with the lyrics to "Hey Jude", "Eleanor Rigby" and "She's Leaving Home" less than four stars, even less than five stars, but the worthiness of song lyrics when appearing in print form, absent of music, even the musicality of their author's voice, has long been doubted by pretentious twats like me. That said, this is Paul McCartney and these are some of the greatest lyrics of all time, the sucessor to Lewis Carroll and Edward Lear, his lyrics encompassing the same childhood joy and innocence found in classic English children's literature. If Lennon was the bloody twentieth century, then Paul was the elegant and innocent nineteeth.
These pages are filled with some heartfelt well written poems, but most of the pages contained really below average poems. Paul McCartney’s strength in deftly conjoining words with music made me have high expectations for this collection, so for me, some of his poetry left something to be desired (music)— but that might not be the case for other McCartney fans, it’s hard to say. It was worth reading since it was a relatively short collection and had brief moments of excellence; however, I would recommend lowering your expectations first.
Word choice is a gift that Paul McCartney has developed. The songs and poems in this book are masterful. When he has taught classes on writing, he explains to his students that his secret to writing a song is working on it until he recognizes that a song (or poem) seems complete or right. This is a book of poetry so fine that I want to return to it repeatedly. It is not good enough to just have the Beatle and Wings in my collections of music.
I thought I was getting a book of Paul poetry but it also includes lyrics to some of his best known songs. Unfortunately, it feels like he is better at writing for (or to) music than simply writing a poem. They felt like half thought out fragments he didn’t turn into songs. Interesting to see a small glimpse into his process though. And, admittedly, his half hearted scramblings are still better than a lot of modern music.
I don't claim to be an expert on poetry. But this is still a cool book to read. It contains the lyrics to plenty of Paul McCartney's most recognized and beloved songs, but a big part of the book is poems that he wrote that never became songs. And it's interesting to read these poems, seeing the ways Paul expressed himself in writing that wasn't music.
Realized as I was reading that I’ve never actually read a lot of Beatles lyrics and they are very clever. Enjoyed that. Paul McCartney the Poet, not as much. There were a handful of poems I liked. The rest were average with like some sneaky dirty lines, which threw me cause I just think of Paul McCarney as this old dude.
This was a birthday present for my 29th birthday. It was one of the best presents ever as it has brought me joy over the years. I love The Beatles and I love Paul McCartney. Getting to read his words anytime I want is a wonderful feeling of love , hope and at times sadness.
It was nice to revisit old and newer song lyrics that bring me joy and smiles, as well as reading poetry new to me. McCartney continues to stimulate minds and hearts with this book- loved every page. My personal favorite is “Calico Skies.”
This entire review has been hidden because of spoilers.