These are indeed--as the subtitle promises--"weird, weird stories". I'm the guy in May saying "I like weird". Then weird gets too weird and you wonder if maybe you just wanted to seem interesting when you said that thing.
I appreciate that Paul Jennings doesn't talk down to his audience. At the same time, I'm not always satisfied with the way he handles things.
"Forever"
I almost ditched the book after this story. It's about a terminally ill boy trying to protect his mentally disabled younger brother, and the way his brother gives back. The plot function of toilet paper certainly satisfies the "weird" criteria, and you can see the ending coming even as you refuse to believe that's where it's going to go. The problem is that mental disabilities and terminal illness aren't really explored with any depth here; they merely feel like mechanisms to guide the story to a "heartwarming" ending that isn't earned.
"Too Many Rabbits"
A boy hides a pet rabbit from his parents by keeping it in a secret room behind the walls; unfortunately the rabbit is pregnant, and soon there are *title drop*. I think this story was meant to be funny, but it felt like an anxiety dream. It seems like it's going to teach a lesson about how parents who hide crucial information from their children (such as the mechanics of sex) can expect their children to navigate the world poorly; but then the deux ex machina at the end negates this very lesson as everything works out fine due to the protagonist's secret.
"A Mouthful"
A very short story about an annoying dad who constantly pranks his daughter's friends, to the point of driving them out of the house; he gets his comeuppance in the form of a juvenile gross-out.
"Listen Ear"
Probably my favorite story in the collection. An untrustworthy child is blamed when his dad's compass (the kind that draws circles) goes missing; while the family goes out to a movie without him, he witnesses his own face growing out of the wall to deliver some helpful information. I'm not sure what the moral is, since the kid is a liar, even if he didn't steal the compass, but he still gets helped out in the end and is let off the hook scott-free. Still, I liked the strangeness of the story.
"Picked Bones"
A boy receives a package from his uncle, who died birdwatching in the desert; the family cat takes an intense interest in the eggs within the package. I would guess from this story that Paul Jennings is not a cat person. The story has a very specific moral about the environmental harm cats cause by virtue of how many birds they eat, but the cat's preternatural (and aggressive) immobility as it stands guard over the eggs, along with the behavior of the adults who are drunk on both alcohol and grief following Uncle Sam's wake, give the story a surreal and uncomfortable feeling.
"Just Like Me"
A bullied boy returns to the site of his school to uncover the time capsule that holds his decade-old confession of love to a female classmate only to discover that the school has been paved and is now a mall. The uncanny atmosphere embodied by the saying "you can't go home again" is evocative. I was, however, puzzled by the twist ending. Maybe I missed something.
"Ringing Wet"
A girl prone to wetting herself is convinced that her gruff older neighbor murdered his wife. The way the two plotlines dovetail is probably the most clever bit of storytelling in this anthology.
"Backward Step"
A bittersweet story about a boy who is ushered forward in time by his older self on the day that his mother dies; he has five years to figure out how to right the tragedy.
"Pubic Hare"
We had showers in our locker room when I grew up, but using them was optional, and nobody ever did. I wonder how bad we must have smelled for the rest of the day? Anyway, "Pubic Hare" is about the horror of realizing your body is different from those of your peers, making you a prime target for bullying. Again, I appreciate that Jennings is trying to write about things that we usually don't talk to kids about, but finding a supernatural solution to a real-world problem isn't all that instructive. I thought that when the kid discovered his meditative powers vis-a-vis a guru named Riah Devahs (you may discern a clue there), it would lead him on a journey of self-acceptance and confidence, but instead he just learns that he really is magical after all and can use that information to punish his classmates. If I'm a kid with self-esteem issues because of some perceived difference between me and everybody else, I walk away from this story going, "I relate to the kid's problem, but I still don't really know what to do about it."