Another enjoyable entry by Sheila Connolly, about on par with the prior book in this series.
Last time, the mystery involved a children's museum, and this time it involved a firefighting museum. I could imagine such a museum of heroes and their past equipment being of interest to a wide variety of people, and school children taking tours there.
It makes me think of the rescue section, including firefighting, of a museum that we saw in Iceland, called Skogar Museum. It was fascinating because, to me, they face some unique challenges - active volcanoes, lava, glaciers, etc. Afterwards, I asked a local-in-the-US medic how they would extract or treat someone who'd fallen into lava, and she said, "Well, it would be a quick burial."
In this book, I had really begun to care about the Peter character. So many of my loved ones have asthma.
I did guess part of whodunit, but not some of it. I had it down to two people.
As far as the romance goes in this series, it seems to have moved from a romance-with-boss subgenre in book 1 to the romance-with-law enforcement subgenre here in book 3.
It seems though that the timing for the events at the end was poor, almost like James was taking advantage of Nell's emotional state, although he did wait for her to give the go-ahead. That he'd ... SPOILER ... changed her clothing while she was unconscious seemed creepy, not romantic, to me. I think she should have reported him, perhaps, but then, she admitted in the last couple of books that she's not the best judge of character.
I think they should've waited longer to be sure about their relationship, despite their epiphany. I've seen a scientific study mentioned multiple places (including TIME's "The Science of Happiness") that excitement can often be misconstrued as attraction, although they did feel attraction before the adventures of solving a murder. Still ... they have little idea if they can get along companionably without the excitement of solving a mystery together.
Also, Nell seems overwhelmed by his kindness towards her after the crisis. To me, that seemed like something any good friend would do - although, yes, profoundly kind - and not something limited to romance.
The question would be whether he'd do such things for other friends, and not just for the person he's attracted to, which speaks to his character. Doing it only for a potential girlfriend always seems shallow to me, as if it's only to gain romantic attentions rather than because that's the kind sort of person someone is inside. It is always ambiguous when it's only for a romantic interest. Is it because they care about the other individual or because they are hoping for a relationship?
Even if it's because they truly care about the other person's wellbeing, the question still remains why they don't, at least in some degree, help others? Do they not care about them as well, albeit differently? As I said, it speaks to inner character, or the lack thereof.
But in Sheila Connolly's other series, the Orchard Mystery series, the main male protagonist, Seth, does help everyone, not just his romantic interest, and some reviewers complained that he was too good. He almost took it too far into being a compulsion to help others, which I didn't mind, except he needed to take care of himself, too.
My point is that there's probably no pleasing all of us reviewers when we prefer opposite things, so take your pick between the series.
One reviewer noted that the main character became more childlike in the presence of the Latoya character due to fear. That's true. I understand wanting everyone to get along, but Nell seems to be unnecessarily afraid of a subordinate. However, I was glad to see them finally laughing and getting along, and there exist some people whose loud personalities intimidate me also, whether or not they mean to.
Another complaint from a reviewer was too much introspection on Nell's part, coupled with that making her 2-D. That seemed like an odd complaint to me because:
1) In general, it's inner thoughts that round out a character and keep them from being 2D, giving more complex motives and understandings, and it's inner thoughts that give action scenes deeper meaning. I don't like books that are all action and not much else.
2) I thought Nell needed more introspection, not less. There are some things about herself of which she's still not aware yet, and needs to be. But I am content to wait and let her character unfold.