"Великая Франсуаза" - так сама себя она называла. В юном девятнадцатилетнем возрасте Франсуаза шокировала французское общество, издав роман "Здравствуй, грусть". Роман стал бестселлером, слава свалилась на выпускницу престижного католического коллежа внезапно. Далее жизнь превратилась в некое подобие парка аттракционов - море веселья и неизменная капля страха. Писательница издала 24 романа и многочисленные рассказы, пьесы, повести. Издатели французских газет были счастливы публиковать ее очерки, а ее гонорары росли как на дрожжах. Создавая романы про хрупкую любовь, сама она то и дело становилась героиней скандальных светских хроник, называя себя "прожигательницей жизни". Она всегда боялась банальностей и по мере сил избегала шаблонов. В 1988 году Франсуаза Саган посетила Москву. Она утверждала, что в ее роду были русские. Возможно, именно поэтому Саган всегда так тепло отзывалась о России. Франсуаза Саган была не только потрясающей писательницей, глубоко чувствующей жизнь и умевшей отразить в своих произведениях весь калейдоскоп человеческих эмоций, она была ярчайшей личностью своей эпохи.
Born Françoise Quoirez, Sagan grew up in a French Catholic, bourgeois family. She was an independent thinker and avid reader as a young girl, and upon failing her examinations for continuing at the Sorbonne, she became a writer.
She went to her family's home in the south of France and wrote her first novel, Bonjour Tristesse, at age 18. She submitted it to Editions Juillard in January 1954 and it was published that March. Later that year, She won the Prix des Critiques for Bonjour Tristesse.
She chose "Sagan" as her pen name because she liked the sound of it and also liked the reference to the Prince and Princesse de Sagan, 19th century Parisians, who are said to be the basis of some of Marcel Proust's characters.
She was known for her love of drinking, gambling, and fast driving. Her habit of driving fast was moderated after a serious car accident in 1957 involving her Aston Martin while she was living in Milly, France.
Sagan was twice married and divorced, and subsequently maintained several long-term lesbian relationships. First married in 1958 to Guy Schoeller, a publisher, they divorced in 1960, and she was then married to Robert James Westhoff, an American ceramicist and sculptor, from 1962 to 63. She had one son, Denis, from her second marriage.
She won the Prix de Monaco in 1984 in recognition of all of her work.
Locker und elegant wie gewohnt blickt Francoise Sagan auf ihr Werk zurück. Sie gewährt Einblicke, die literarisch interessant sind, ohne allzu privat zu werden - außer wenn es um Mitterand geht.
Françoise Sagan is assigned the difficult task of proofreading a dozen of her works , in order to produce her own reviews. I had found during my reading of Des bleus à l’âme, how the commentary was difficult for Sagan, and how it was both beneficial to her writing as it is enjoyable and interesting to read in those conditions: in short, I love reading Sagan when she speaks of herself and her books. Like a carnivorous mother, she condemns or commends her own works but she never gives herself completely, being the creator of this beautiful little world. Sagan can not stop talking about the context of writing each of her "children" , and after all, this is probably what was expected of it at the time, to speak more of it . She talks about some of her friends but always with modesty , her temporary difficulties with life , publishers, the media , legal problems , she evokes moods , help she has received, and especially the famous relationship to writing. But whatever the subject, what we love above all in Sagan is the elegance with which she deals.
There couldn’t have been a better book to complete this year’s challenge. Françoise Sagan’s Derrière l’épaule is part biography, part reflection on her novels—both light and profound, much like her stories. There are no spoilers, no plots to unravel, and not much in the way of traditional engagement. It’s not captivating in a page-turner sense, yet somehow, it’s impossible to put down.
A fitting end to my year of 50 books—7 of which were by Sagan.
Ce livre qui résume une grande partie l’œuvre de Françoise Sagan, donne un bon aperçu de son raisonnement, présente des mœurs de l'époque auxquels elle a du s'y confronter, elle explique aussi sans retenue pourquoi certains de ces romans et nouvelles ont un air incomplet, rapiécé ou cru.
Je ne sais pas si je pourrais donner plusd' 'etoiles je le ferai mais on s' en fou un peu c' est Sagan, c' est la littérature à son meilleur. Merci Madame Sagan .