Last month, the first co-written novel of The High Republic released. Sure, this entire project lives off collaboration, but an entire Young Adult story written by two authors? That seems like both a daring and a refreshing choice.
In Path of Deceit, High Republic-creator Justina Ireland and newbie Tessa Gratton take us back to the past to tell the story of a young Padawan, Kevmo Zink, and a true believer of a questionable Force cult, Marda Ro, whose attraction to each other grows as their views clash when the Jedi go to investigate the theft of a Force artifact. And as you might have guessed, chaos unfolds …
Out with the new, in with the old?
Phase 2 of The High Republic turns things upside down. First, we got to know that we are jumping back in time, and not just a few years, but a whopping 150! Secondly, this time around, a YA novel is kicking off the story instead of releasing a month later than the adult book. That makes for a few different challenges: creating a world that feels familiar yet different, getting us to overcome our attachments to Phase 1 characters and fall in love with new ones, and telling a story that is big enough to get the ball rolling while staying true to the YA age group. None of this is easy to pull off, and still, Ireland and Gratton have managed to succeed in writing a novel that accomplishes all of it.
Your focus determines your reality
Path of Deceit is a novel that is extremely focused, which is a welcome change from the ensemble-style stories from the adult books. The cast isn’t small, but us readers get to experience the story through three main characters. All of these characters differ vastly, creating a unique tone for each of their POVs – and offering the reader a lot to think about, as none of the protagonists are inherently right or wrong. Each of them believes in something different: Marda follows the beliefs of the Path, Kevmo stays true to the teachings of the Jedi and Yana simply doesn’t care at all. This doesn’t just make for a lot of conflict between the protagonists, it also challenges the reader to question their own views. What effects can the use of the Force have? Can you leave family behind to escape a toxic environment? The incredible thing about this is that somehow, you root for all of these three characters at the same time. Speaking of characters, it should not go without mention that this novel once again features great queer representation through Yana and Kor (a sapphic couple), a non-binary side character as well as the gender-defying species of the Kessarines.
Tell me lies
One of my favorite aspects about Path of Deceit is how true to the story the title is. Not only are we being introduced to a Force cult befittingly called the “Path”, but Ireland and Gratton also mastered the art of deception within this story. The way the Path of the Open Hand operates is scarily true to real-life cults. It was, in fact, so accurate that I had to wonder if the authors have had their own experiences with groups like these. Regardless of whether that is the case or if they just really did their research, the depiction of being caught in a religious institution – whether you are aware of its extremism or not – was spot on.
Still, the deception and lies taking place in this book go beyond just confusing the characters. While seemingly every member of the Path is being deceived by the Mother, it is especially Marda who gets lulled further and further into the group’s clutches. It is frustrating to read, but isn’t that also exactly what makes a story great? To feel with and for the main character, to want to shake them, to root for them, to be overrun with emotions as you continue reading. Path of Deceit manages to do just that … and in the process, it also deceives the reader into feeling a false sense of security and into believing that it is heroes we are following. This book makes us forget we are reading about the ancestors of Marchion Ro, ruthless Evereni, murderous creatures … until it doesn’t. The ending of this novel left me shaking and wanting more, in the best way possible.
The value of rereading
I am usually not a re-reader of stories, so the question of whether I would read a book again always helps me tell a great one from a truly amazing one. Path of Deceit is the latter – it is a story that is fantastic the first time around, but also one that will reward you when you go back to it. Not only does it foreshadow events of Phase 1 (which takes place later in time but was released before, which ultimately makes this … aftershadowing?), it also uses a great deal of foreshadowing within the novel itself. It was only upon my second read that certain passages made much more sense to me and revealed hints I’d not noticed before.
Not perfect, but close enough
But no book is perfect, and even Path of Deceit has its flaws. Although I loved the focus of the story, both when it came to protagonists and places, certain side characters fell a bit flat for me. I had a hard time grasping Zallah Macri, Kevmo’s master, for example, and initially, I struggled connecting with the characters. However, I don’t think this is the writers’ fault, I think it is my own for being overly careful getting attached to new characters I know will likely not make it out of this Phase alive. And to be fair, some choices on who lives or dies made me downright angry, which in turn is a testament to the authors’ writing – somehow getting me to root for these characters within just a few chapters after all.
All in all, Path of Deceit is a wonderfully written story with multifaceted characters and important topics that challenge the reader to explore the grey scales of ethics and philosophy. Justina Ireland and Tessa Gratton have succeeded in opening a new Phase of The High Republic, delivering a story that is just as relevant as any adult book may be. The focused storytelling, which is cohesive throughout the entire book, making it impossible to tell this story was written by two authors instead of just one, helps the reader build a true connection to the characters while deceiving you along with them. And even though I was left with the urge to scream into a pillow as I closed the book, I would read it all over again.