This collection of short stories by Bulosan has been frequently compared to Steinbeck’s Tortilla Flats . I can certainly understand why, though I imagine Bulosan would be upset by the comparison. The stories are based in the Philippines and follow a young boy who is smart and likes to drink wine as his family attempts to survive the economic effects of colonialism in the Philippines. Bulosan wrote the book in anger and was frustrated when it was taken as a funny book. There are lots of scenes of cockfighting. The depictions of women are not particularly progressive. The stories were fine. They were certainly better than the collection The Philippines Is in the Heart which included many stories cut from this collection. I really appreciated that the short stories worked together and progressed almost like a novel.
I think its best for the filipino people to read this specially to those who are in the other country. By reading this, they can reminisce their old life in their own country(Philippines) .
Carlos Bulosan has such a gift for idiom. He's like the Filipino Mark Twain. Dad's a scalawag, Mom is long-suffering. But it's the Dad who gets the 25 stories.
The stories are all titled similarly: The first is My Father Goes to Court (great story). Then follow: The Gift of My Father, The Tree of My Father, The Capitalism of My Father, A Day With My Father, and so on.
Bulosan was from the province of Pangasinan, and he came to the States as a migrant worker. Where he found the voice to write stories like these, I don't know. There's a very sharp nostalgia, so maybe he wrote them while he was in the States. Americanisms like "They wanted to drink like hell" abound.
At the same time, it's a priceless view of a rural way of life where, despite poverty and illiteracy, people are HAPPY. There is a slight racist tinge to some of the stories where the worst thing you can call someone is an 'Igorot' (a mountain tribe; they were so fierce they defeated the 16th century explorer Juan de Salcedo, who at 17 was no slouch) because they were so dark-skinned.
If I'd stopped after maybe 15 stories, I would have given this collection five stars. But no. There are more stories to plow through, and the Dad is SUCH A SCOUNDREL. He sleeps around, he can't hold down a steady job, he's a drunk, he's a gambler, he's nicer to his fighting cock than he is to his wife or his children. It gets pretty tiresome.
In the very last story (which the collection is named after), the father urges the narrator to ask a girl to dance. But the narrator is too shy. The father shakes his head in disbelief: "He used to boast that his five sons were honey to the girls because he touched them at birth, by which he meant that he had bequeathed his anting anting, or talisman, which was what women fell for."
The narrator is clearly entranced by this man who lived life large (who would never have had the courage to do what his son did: leave his native country and seek his fortune in America, where he died, poor and alone, of tuberculosis)
Gallery Bookshop in Mendocino found this copy of Bulosan for me, in a second-hand shop, and I will treasure it.
"The Laughter of My Father" by Carlos Bulosan, 1942. Stories: My Father Goes to Court; The Soldiers Came Marching; My Mother's Boarders; The Gift of My Father; The Death of My Father; The Tree of My Father; The Capitalism of My Father; The Politics of My Father; The Politics of My Father; My Father Had a Father; A Day With My Father; The Marriage of My Father; My Father's Lonely Night; My Father and the White Horse; The Song of My Father; My Uncle Manuel's Homecoming; My Father's Love Potion; The Triumph of My Father; My Father's Tragedy; My Father Goes to Church; The Son of My Father; My Father and the Fighting Ram; The Education of My Father; My Father's Political Appointment; The Laughter of My Father. "When I was five the town council decided to enlarge our school because the soldiers that came home from the war produced children left and right. We used to wonder how they performed the splendid job. Only one was healthy-looking enough to be father of a healthy child. The children grew rapidly and stayed in the street, in the way of carts and other vehicles, like their fathers who stayed out most of the night, shouting out loud at the presidencia and laughing hysterically at the wine store across from the church. The town council had a special meeting and decided that a school must be established, especially for the children, although they were still drinking the milk of their mothers. And that is when the three women teachers came to our town. Mother said they were from the city, and she did not like them; but their presence gave her a grand opportunity to make a little money. She wanted to save a few pesos for a mourning cloak, because the one she had was torn to shreds and no man would hire her any more to mourn for his dead. When she heard that the teachers were looking for a place, Mother sent my brother Berto to look for them and invite them to our house. It seemed that nobody wanted them, coming to our town with bobbed hair, painted lips and cheeks, and wearing short skirts. And that was not all: they also wore tight-fitting blouses and sweaters, walking by the station and into the presidencia with their chests out, attracting the attention of the gamblers loafing around in the hall and lazy clerks sleeping at their jobs. The women stayed away from them, pretending to be looking in the other direction when they met them in the street; when they were a few feet away, the women looking back at them and spat contemptuously in the dust. But the teachers just tossed their cigarettes away and laughed their healthy, girlish laughter. They even tried to be friendly with the young girls, teaching them how to smile when a man made a remark, or showing them how to walk when there were young boys around. The mothers were suspicious of the teachers, and they looked at their husbands with accusing eyes when they made fine remarks about them..."
This book connects with my life, though I was only born a year before Bulosan died, and I was born and have lived in Iowa, and Carlos was born on Luzon and came to America, to suffer, learn, and die, for Filipinos and Americans. I have tried to do the same in my life's quest for social justice and intellectual awareness.