There was a library ticket over the publisher, so I didn't notice that it was Severn House. I never like their fiction. This one has a little bit of kinky sex thrown it, to make you feel you were doing something naughty, but overall there was the whiff of cardigans and boredom despite the prostitutes. I also thought the end was roaring cliche.
What was brilliant was Spencer's portrayal of a bore. I adored Nathan Jones. Here he is, finding a body.
"...I realized immediately, you see, that you needed to be informed as soon as possible, and, as chance would have it, just at the moment, a car appeared in the distance and I was able to flag it down. The driver, who you'll no doubt want to talk to, works for a company which manufactures surgical boots and..."
1. There's the self importance: I realized immediately...I was able to flag it down...
2. There's the long-windedness and all the empty phrases: you see, as soon as possible, as chance would have it, just at that moment
3. There's telling other people their business: the driver, who you'll no doubt want to talk to
4. There's the addition of useless extra information: a car appeared, in the distance, works for a company which manufacturers surgical boots.
It's really hard to write good dialogue, but that was brilliant.