I really liked The Husbands, Holly Gramazio’s debut novel, despite the story tripping me up with two major stumbling blocks.
The first being the why of the story. The book opens with Lauren returning to her flat after a night out with friends and finding a husband at home waiting for her. But she’s not married and never has been, though photos on her phone beg to differ as she finds years’ worth of pictures showing the history of their relationship. Weirder still, all she has to do is send the husband up to the attic and, like magic, he disappears, replaced by a new husband coming down the stairs.
What follows is a whirlwind husband exchange, where Lauren trades spouses out within days, sometimes within hours and minutes, of each other. It’s so rapid at first that it took me a long time to settle into the story and enjoy it. And I also couldn’t shake the nagging question of why is this happening to Lauren. What is it about her specifically that causes the universe to place her in this predicament? Why do the powers that be think that she even needs a husband? Gramazio neither addresses this, nor gives us any background information about Lauren indicating that her dating life is special in any way.
Though my questions were never answered, I did find a workaround in my thinking so that I could enjoy the story once the husbands started sticking around a bit longer. I began to view it as a modern-day fable or parable, one where I would never have all the information I needed; a story that wasn’t Lauren’s story per se, it was instead an everyman’s tale, and one I just had to go with.
It’s notable to me how much this shift in how I saw the novel affected the listening experience. Because once I pushed my nagging questions aside, I became so invested in Lauren’s journey. The book then became a smart and incisive exploration of the search many of us embark upon to find a life partner. It’s an examination of the individual qualities we all look for – what works for us and what doesn’t, what personality characteristics we're willing to settle on and which are deal-breakers – and whether we even need or want a partner at all. The story is sometimes funny, sometimes melancholy, and even when Lauren’s actions verge toward the extreme and idiotic, it all feels real and relatable. There are also surprising twists and turns to the narrative, none of which are typical of these types of stories.
But then the ending rolled around, and, yet again, I was scratching my head in puzzlement. I won’t spoil it, of course. I’ll only say that it left me with another question: What was it all for? Because what I took away from the ending negates so much of what Lauren experiences.
Still, a solid four-star audiobook, even with the stumbling blocks. I’ll note, too, that Miranda Raison is the narrator, and she’s terrific.